1,721,285 research outputs found
James Shaw. Jr.
No full textPhotograph: Portrait of board member James Shaw, Jr. Date unknown.https://digitalcommons.unf.edu/flablue_images/2868/thumbnail.jp
Papers of James Shaw
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/66863Ledger114033
Acquisition: [1982.0130] "Papers of James Shaw
Robert Fogg, James Shaw, Vaughan Crandall, and Thomas Flaherty
No full textRobert Fogg, James Shaw, Vaughan Crandall, and Thomas Flahertyhttps://digitalmaine.com/dmr_images/4812/thumbnail.jp
hertzsprung/asam_grid: ASAM cut cell grid generator
No full text<p>This is a release of the ASAM cut cell grid generator. The original code was developed by TROPOS and this release contains additions for new mountain profiles. TROPOS have granted permission for this source code to be distributed.</p>
<p>This release is that used to produce the results for the article, A multidimensional method-of-lines transport scheme for atmospheric flows over steep terrain using arbitrary meshes.</p>
Lettre d'A. Morris à James Shaw sur l'installation de Morris dans son nouveau bureau
No full text1 page, copie manuscrite (letterpress)Attachée à M2/M12.002Lettre d'A[lexander] Morris à James Shaw sur : l'installation de Morris dans son nouveau bureau et la convocation du Parlement pour le 15 janvier
Supplemental Material - Challenges navigating publicly funded home care in Ontario, Canada: Perspectives from unpaid caregivers of persons living with dementia
No full textSupplemental Material for Challenges navigating publicly funded home care in Ontario, Canada: Perspectives from unpaid caregivers of persons living with dementia by Husayn Marani, James Shaw, and Gregory P Marchildon in Dementia</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[Letter from James Shaw to T. N. Carswell - July 10, 1942]
No full textA letter written to Mr. T. N. Carswell, Abilene, Texas, from Moody Campaign Headquarters by James Shaw, Austin, Texas, dated July 10, 1942. Shaw acknowledges the receipt of the letter from Carswell, addressed to the Governor, advising that the letter is being answered by him due to "the Governor is out campaigning". He advises Carswell that the Governor will speak in Abilene on July 16th and requests a big crowd with radio and all the things that go into making a speech a big success
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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