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James Morison et ses Pilules : William H. Helfand, James Morison and His Pills. A study of the nineteenth century pharmaceutical market, in Transactions Brit. Soc. Hist. Pharm, 1974
No full textJulien Pierre. James Morison et ses Pilules : William H. Helfand, James Morison and His Pills. A study of the nineteenth century pharmaceutical market, in Transactions Brit. Soc. Hist. Pharm, 1974. In: Revue d'histoire de la pharmacie, 63ᵉ année, n°227, 1975. p. 612
Pl. LXXXIX : Quatre caricatures sur James Morison et ses pilules. 4 : « Médecine pour le million ». Cf. p. 612
No full textWellcome Institute of the History of Medicine, Londres. Pl. LXXXIX : Quatre caricatures sur James Morison et ses pilules. 4 : « Médecine pour le million ». Cf. p. 612. In: Revue d'histoire de la pharmacie, 63ᵉ année, n°227, 1975. p. 616
Pl. LXXXIX : Quatre caricatures sur James Morison et ses pilules. 4 : « Médecine pour le million ». Cf. p. 612
No full textWellcome Institute of the History of Medicine, Londres. Pl. LXXXIX : Quatre caricatures sur James Morison et ses pilules. 4 : « Médecine pour le million ». Cf. p. 612. In: Revue d'histoire de la pharmacie, 63ᵉ année, n°227, 1975. p. 616
Pl. LXXXVII : Quatre caricatures sur James Morison et ses pilules. 2 : « Effets extraordinaires des pilules végétales de Morison », C.-J. Grant. Cf. p. 612
No full textWellcome Institute of the History of Medicine, Londres. Pl. LXXXVII : Quatre caricatures sur James Morison et ses pilules. 2 : « Effets extraordinaires des pilules végétales de Morison », C.-J. Grant. Cf. p. 612. In: Revue d'histoire de la pharmacie, 63ᵉ année, n°227, 1975. p. 606
Pl. LXXXVIII : Quatre caricatures sur James Morison et ses pilules. 3 : « L'oie malade et le conseil de santé », George Cruikshank. Cf. p. 612
No full textWellcome Institute of the History of Medicine, Londres. Pl. LXXXVIII : Quatre caricatures sur James Morison et ses pilules. 3 : « L'oie malade et le conseil de santé », George Cruikshank. Cf. p. 612. In: Revue d'histoire de la pharmacie, 63ᵉ année, n°227, 1975. p. 610
James Morison : book illustration and the poems of Robert Burns (1812)
No full textThis article introduces a little-studied edition of the poetical works of Robert Burns that was issued, early in 1812, under the auspices of the Perth publishing firm of the late James Morison. It contextualises the edition in light of the Morison firm's publishing programme promoting a cultural-patriotic canon of Scottish literature, while at the same time embedding it within developments in the production of the illustrated Scottish book at the end of the eighteenth century. Related to the Morisons' earlier examples of illustrated editions (such as the volumes of the poems of Ossian and James Thomson), the two-volume Poetical Works of Robert Burns are shown to have been issued in a competitive environment in which Robert Cromek, Burns's editor, together with painter-book illustrator, Thomas Stothard, also sought to produce an illustrated edition of Burns of their own an edition which only materialised two years after the publication of the Morisons'
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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