1,720,976 research outputs found
Le maître-autel de la cathédrale de Bayeux : une oeuvre de Jacques Adam et Philippe Caffieri
No full textDer Hochaltar der Kathedrale von Bayeux, einWerk von Jacques Adam und Philippe Caffieri, von Flore Collette
Unveröffentlichte Abschriften von Archiven durch Gelehrte des 19. und 20. Jhds. haben es uns ermöglicht, die Geschichte des Hochaltars der Kathedrale von Bayeux, vom 15. Jhd. bis heute genauer zu bestimmen. Insbesondere haben wir Dokumente über die Auftragsvergabe den Hochaltar betreffend gefunden, der zu den ersten klassizistischen Altaranlagen der unteren Normandie zählt. Aufträge ergingen an den berühmten Bronzegießer Philippe Caffieri und an den Bildhauer der Pariser Lukas-Akademie, Jacques Adam, der jedoch nicht mit der gleichnamigen Familie aus Nancy verwandt ist. Die plastisch vorzügliche Altarausstattung besteht aus einem Kruzifix und sechs Kandelabern aus vergoldeter Bronze. Darüber hinaus stellt sie ein einmaliges Zeugnis für den Hochaltar der Kathedrale Notre-Dame von Paris dar, der 1760 von Philippe Caffieri übergeben, während der Revolution jedoch eingeschmolzen worden war. Weder Stiche noch Zeichnungen davon sind bekannt, aber laut Vertrag hat der Bronzegießer den Pariser Altar in Bayeux nachgebildet.The main altar in the Cathedral of Bayeux : a work by Jacques Adam and Philippe Caffieri, by Flore Collette
Unpublished archival transcriptions by scholars in the nineteenth and twentieth centuries shed light on the history of the main altar in the Cathedral of Bayeux from the fifteenth century to the present. The original contracts have been found concerning the altar, which is one of the first neo-classical ensembles in Basse-Normandie. It was ordered from the famous bronze sculptor Philippe Caffieri and from Jacques Adam, a sculptor from the Académie de Saint-Luc in Paris, who is unrelated to the family in Nancy. The gilt-bronze altar is dressed with a crucifix and six candelabra of high quality. It is, moreover, a unique witness to the décor of the main altar in the Cathedral of Notre Dame in Paris, delivered in 1760 by Philippe Caffieri. There is no known engraving or drawing of these furnishings, which were melted down at the Revolution, but according to the contract, the sculptor reproduced them at Bayeux.Le maître-autel de la cathédrale de Bayeux : une oeuvre de Jacques Adam et Philippe Caffieri, par Flore Collette
Des transcriptions inédites d’archives par des érudits des XIXe et XXe siècles nous ont permis de préciser l’histoire du maître-autel de la cathédrale de Bayeux, du XVe siècle à nos jours. Nous avons notamment retrouvé les marchés concernant le maître-autel actuel, qui compte parmi les premiers ensembles néo-classiques de Basse-Normandie. Il a été commandé au célèbre bronzier Philippe Caffieri et à Jacques Adam, un sculpteur de l’Académie de Saint-Luc de Paris, sans lien avec la famille nancéienne. La garniture d’autel de bronze doré, formée d’un crucifix et de six chandeliers, est d’une grande qualité plastique. Elle constitue en outre un témoignage unique sur le décor du maître-autel de la cathédrale Notre-Dame de Paris, livré en 1760 par Philippe Caffieri, fondu à la Révolution, dont aucune représentation gravée ou dessinée n’était connue, mais que le bronzier a reproduite à Bayeux d’après son contrat.Collette Flore. Le maître-autel de la cathédrale de Bayeux : une oeuvre de Jacques Adam et Philippe Caffieri. In: Bulletin Monumental, tome 169, n°3, année 2011. pp. 233-244
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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