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    Translating Indigenous Civic Ecologies

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    Art exhibits by the artists Jude Norris and Nadia Myre present Indigenous civic ecology as multifaceted relationships with animals and land. These perspectives translate liberal citizenship and civil society into visions of Indigenous civic ecology conveying related relational practices. Winnebago theorist Renya Ramirez emphasizes emotion, relationships, care work, and vernacular understandings of belonging as gendered aspects of Native citizenship exceeding and troubling liberal logic. Norris and Myre’s art works extend Ramirez’ human-focused discussion into civic ecology frameworks. These works develop Ramirez’s theory of translocal Native citizenship in an Indigenist materialist vein (Kalbfleisch and Robinson 52), while at the same time showing the ways that theories of new materialism in art history and translation studies remain settler colonial when they do not centre Indigenous knowledge.Las exposiciones de arte de las artistas Jude Norris y Nadia Myre presentan la ecología cívica Indígena como un conjunto de relaciones multifacéticas con los animales y la tierra. Estas perspectivas traducen las nociones liberales de ciudadanía y de sociedad civil a visiones de ecología cívica Indígena a través de prácticas de relación que vinculan con estas nociones en sus obras. La teórica Renya Ramirez, perteneciente a la comunidad Winnebago, plantea que la emoción, las relaciones, la labor de atención social y las visiones vernáculas de pertenencia son aspectos de ciudadanía Nativa marcados por el género que exceden y problematizan la lógica liberal. Las obras de Norris y Myre extienden el planteamiento de Ramirez, centrado en el ser humano, hacia marcos de ecología cívica. Estas obras desarrollan la teoría de ciudadanía Nativa translocal de Ramirez dentro de una perspectiva materialista Indígenista (Kalbfliesch, 2014), a la vez que muestran el modo en que las teorías del nuevo materialismo en historia del arte y en traductología siguen operando dentro del orden colonial cuando no tienen como eje el conocimiento Indígena.  Les artistes Jude Norris and Nadia Myre présentent l’écologie civique autochtone comme des rapports à multiples facettes avec les animaux et la terre Ainsi, leur oeuvre traduit les notions de citoyenneté libérale et de société civile par le concept autochtone d’écologie civique et donne corps à des pratiques relationnelles interreliées. La théoricienne Winnebago Renya Ramirez, dont les travaux sont axés sur l’humain, souligne que l’émotion, les rapports, le travail de soins et la conception vernaculaire de l’appartenance sont des aspects genrés de la citoyenneté autochtone qui dépassent et dérangent la logique libérale. Les œuvres de Norris and Myre insèrent les notions avancées par Ramirez dans un cadre d’écologie civique. Elles ajoutent la dimension du matérialisme indigéniste à la théorie de citoyenneté autochtone translocale proposée par Ramirez (Kalbfliesch, 2014) et, en même temps, montrent que les théories du nouveau matérialisme en histoire de l’art et en traductologie demeurent coloniales si elles ne privilégient pas les connaissances autochtones.As exposições das artistas Jude Norris e Nadia Myre apresentam a ecologia cívica indígena como relações multifacetadas com os aimais e a terra.  Estas perspectivas traduzem a cidadania liberal e a sociedade civil como  visões da ecologia cívica indígena, transmitindo práticass relacionais afins.  A teórica Winnibago Renya Ramirez enfatiza a emoção, os relacionamentos, o cuidado e as noções de pertença como aspectos de gênero da cidadania nativa que excedem e incomodam a lógica liberal. As obras de arte de Norris e de Myres extendem a discussão centrada no humano de Ramirez para modelos de ecologia cívica. Tais trabalhos ampliam a teoria de cidadania nativa translocal de Ramirez numa perspectiva materialista indigenista (Kalbfliesch, 2014), mostrando, ao mesmo tempo, como estas teorias do novo materialismo na história da arte e nos estudos de tradução se mantêm colonialistas por não focalizarem o conhecimento indígena

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Nao informado

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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