654 research outputs found
Through the Fictive to the Real(ish): Affective Time and the Representation of “Real Newfoundland” in Rising Tide Theatre’s Trinity Pageant
No full textIn this article, Jacobson examines the ways in which the Trinity Pageant in Trinity, Newfoundland, Canada aims to animate local culture through a two-hour walking tour around the town’s historic sites that is largely predicated on a sense of realness. Using interviews with audience members and the pageant’s director Donna Butt as primary source material, Jacobson considers the perception and function of realness in the pageant’s re-enactment. She first uses theories of site-specificity, historical re-enactment, and theatrical time to consider the various forms of the “real” at work in the production. Jacobson then suggests the work that might be accomplished by such affectively real performance, as both a marker and maker of real identity, supported by the theories of Elin Diamond and Erin Hurley. Using concepts from Rebecca Schneider and Tracy C. Davis, Jacobson also argues that the affective time created by the pageant’s blending of past history and present-day performance creates a future imperative in which audience members are compelled to save the authentic culture they have just witnessed. Finally, she considers the implicitly conservative preservationist impulse that underscores the pageant’s re-enactment to trouble notions of inclusion, belonging, and community.Dans cette contribution, Kelsey Jacobson examine comment le Trinity Pageant, un spectacle présenté à Terre-Neuve, cherche à illustrer la culture locale au moyen d’une visite à pied de deux heures des lieux historiques du village de Trinity qui repose en grande partie sur un sentiment de réalité. En se servant comme source primaire d’entretiens menés avec des membres du public et la metteure en scène du spectacle, Donna Butt, Jacobson s’intéresse à la perception et à la fonction du réel dans la reconstitution que propose le spectacle Trinity Pageant. S’appuyant dans un premier temps sur des théories liées à la spécificité au lieu, à la reconstitution historique et au temps théâtral, Jacobson examine les diverses formes du « réel » qui sont à l’œuvre dans cette production. À l’aide de théories formulées par Elin Diamond et Erin Hurley, elle fait ensuite ressortir le travail que peut accomplir un spectacle reposant sur l’affect de la réalité pour marquer et créer l’identité réelle. Des concepts empruntés à Rebecca Schneider et Tracy C. Davis permettent à Jacobson de faire valoir que le temps affectif créé par le spectacle en fusionnant l’histoire du passé à la représentation dans l’instant présent crée un impératif futur où les membres du public sont appelés à sauvegarder la culture authentique dont ils viennent de témoigner. Pour conclure, Jacobson s’intéresse à la pulsion de conservation qui sous-tend implicitement ce spectacle de reconstitution pour troubler les notions d’inclusion, d’appartenance et de communauté
Through the Fictive to the Real(ish): Affective Time and the Representation of “Real Newfoundland” in Rising Tide Theatre’s Trinity Pageant
No full textIn this article, Jacobson examines the ways in which the Trinity Pageant in Trinity, Newfoundland, Canada aims to animate local culture through a two-hour walking tour around the town’s historic sites that is largely predicated on a sense of realness. Using interviews with audience members and the pageant’s director Donna Butt as primary source material, Jacobson considers the perception and function of realness in the pageant’s re-enactment. She first uses theories of site-specificity, historical re-enactment, and theatrical time to consider the various forms of the “real” at work in the production. Jacobson then suggests the work that might be accomplished by such affectively real performance, as both a marker and maker of real identity, supported by the theories of Elin Diamond and Erin Hurley. Using concepts from Rebecca Schneider and Tracy C. Davis, Jacobson also argues that the affective time created by the pageant’s blending of past history and present-day performance creates a future imperative in which audience members are compelled to save the authentic culture they have just witnessed. Finally, she considers the implicitly conservative preservationist impulse that underscores the pageant’s re-enactment to trouble notions of inclusion, belonging, and community.Dans cette contribution, Kelsey Jacobson examine comment le Trinity Pageant, un spectacle présenté à Terre-Neuve, cherche à illustrer la culture locale au moyen d’une visite à pied de deux heures des lieux historiques du village de Trinity qui repose en grande partie sur un sentiment de réalité. En se servant comme source primaire d’entretiens menés avec des membres du public et la metteure en scène du spectacle, Donna Butt, Jacobson s’intéresse à la perception et à la fonction du réel dans la reconstitution que propose le spectacle Trinity Pageant. S’appuyant dans un premier temps sur des théories liées à la spécificité au lieu, à la reconstitution historique et au temps théâtral, Jacobson examine les diverses formes du « réel » qui sont à l’œuvre dans cette production. À l’aide de théories formulées par Elin Diamond et Erin Hurley, elle fait ensuite ressortir le travail que peut accomplir un spectacle reposant sur l’affect de la réalité pour marquer et créer l’identité réelle. Des concepts empruntés à Rebecca Schneider et Tracy C. Davis permettent à Jacobson de faire valoir que le temps affectif créé par le spectacle en fusionnant l’histoire du passé à la représentation dans l’instant présent crée un impératif futur où les membres du public sont appelés à sauvegarder la culture authentique dont ils viennent de témoigner. Pour conclure, Jacobson s’intéresse à la pulsion de conservation qui sous-tend implicitement ce spectacle de reconstitution pour troubler les notions d’inclusion, d’appartenance et de communauté
“The Open SUNY Metaliteracy Badging System: Envisioning Connections with E-Portfolios.”
No full textIn a webinar presented for the Open Badges in Higher Education Working Group, librarians Trudi Jacobson and Kelsey O\u27Brien discuss the development of the Metaliteracy Badging System, a multi-media interactive tool used in conjunction with instructional sessions to teach information literacy and metaliteracy competencies. The presenters discuss their use of the system with disciplinary faculty and envision the potential for incorporating e-portfolios to showcase student achievements. *The audio file of this presentation is available here: https://archive.org/details/BAHigherEdWG8December2015. Please note that there are other presenters later in the webinar so you will need to secure their permission to upload the file to Scholars Archive
Data in support of: Quantifying resilience of coldwater habitat to climate and land use change to prioritize watershed conservation
No full textData for 12,450 lakes in the Upper Midwestern United States used to predict coldwater, oxygenated habitat and how it is predicted to change under scenarios of climate and land use change. Specific fields include lake size, depth, watershed landuse, air temperature characteristics, and presence of the coldwater fish Cisco (Coregonus artedi). Also included are projected air temperatures under mid-Century conditions for each lake.Midwest Glacial Lakes Partnership, Funded by the United States Fish and Wildlife ServiceHansen, Gretchen JA; Wehrly, Kevin E; Vitense, Kelsey; Walsh, Jacob R; Jacobson, Peter C. (2021). Data in support of: Quantifying resilience of coldwater habitat to climate and land use change to prioritize watershed conservation. Retrieved from the Data Repository for the University of Minnesota (DRUM), https://doi.org/10.13020/F1DN-MQ40
Travels of Kelsey Timmerman Map
No full textThis map shows the countries visited by author Kelsey Timmerman for his book "Where Am I Wearing." The book details the garment production industry and the lives of its workers in factories around the world. The book was chosen as the freshman common reader for Ball State University for 2012
The Theological Anthropology of David Kelsey: Responses to Eccentric Existence
No full textJohn E. Thiel is a contributing author, Methodological Choices in Kelsey\u27s Eccentric Existence, pp. 1-15.
David Kelsey\u27s two-volume masterwork, Eccentric Existence: A Theological Anthropology, has been recognized as a major achievement, the culmination of decades of probing theological thought about what it means to be a human being in relationship with God.
Ten distinguished scholars respond to and interact with Eccentric Existence in this book, celebrating both Kelsey and his landmark study with essays on theological anthropology as it relates to the Bible, Catholic tradition, theological education, and other subjects.https://digitalcommons.fairfield.edu/religiousstudies-books/1117/thumbnail.jp
Students Experience Guatemala with Common Book Author Kelsey Timmerman
No full textStudents spent seven days in Guatemala, visiting fair trade cooperatives and coffee farmers and touring the area. Kelsey Timmerman wrote the 2012-13 Common Book, Where Am I Wearing
Neither/Nor: A Response to Haule and Kelsey
No full text The author responds to John R. Haule (1986) and Morton Kelsey (1986), who have written reactions to his article, Analytical Psychology and the Dynamics of Human Evil. While tempted to defer to their expertise, the author attempts to clarify three main objections to the use of Jung's works as a platform for the integration of psychology and theology. </jats:p
Vera Kelsey Papers, 1944-1958
No full textAn accomplished journalist and author, Vera Kelsey's papers document her writing career through the manuscripts and research notes for her last four books, British Columbia Rides a Star, Red River Runs North!, Tomorrow is for You, and Young Men So Daring. For British Columbia Rides a Star it includes her travel notes from four trips around British Columbia
Rodent Control at Kelsey See Canyon Vineyards in Creston, California
No full textJust over the grade, east of Atascadero in Creston, California, there are 160-acres belonging to the Kelsey See Canyon’s estate. Of those 160-acres, roughly five are the home to Syrah, Zinfandel, and Cabernet Sauvignon grape vines. Due to the arid climate in Creston, these vines thrive. The growing conditions on this estate are ideal, except for one issue: pests. Laurie Kelsey, owner of this vineyard, has been battling a rodent infestation that is devastating this vineyard. These squirrels, voles, and pocket gophers are causing problems with irrigation in the field, burrowing through the root systems of vines, eating fruit, and stripping young vines of their bark. The author will be researching ways to effectively kill these rodents
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