1,724,316 research outputs found
Jacob C. Hazeley
No full textPhotograph: Portrait of Jacob C. Hazeley, The Celebrated African Lecturer. Information printed on front. Biographical information for Jacob C. Hazeley printed on reverse of photograph. Undated.https://digitalcommons.unf.edu/eartha_images/1692/thumbnail.jp
Correspondence from Jacob C. Kellem to Daniel R. Porter, 1973
No full textThe sender, Jacob C. Kellem, disagrees with the opinion expressed and provides reasoning based on Condition 2 of the loan agreement between the Ohio Historical Society and Ms. Pauline A. Young. Condition 2 stipulates that Ms. Young retains all literary rights to the papers. The letter asserts that the society failed in its duty to prevent the public, including those ordering single copies, from violating these rights. Jacob C. Kellem seeks prompt advice on compensation and prevention of future violations. The letter also mentions the potential modification of the existing agreement and Ms. Young's intent to stand firm on her rights while considering a reasonable compromise. The sender requests clarity on whether further legal action will be necessary to uphold Ms. Young's rights
Correspondence from Jacob C. Kellem to Daniel R. Porter, 1973
No full textThe letter responds to Mr. Porter's letter from November 14, 1973, regarding a disagreement over the interpretation of Paragraph 4 of a signed Agreement. It disputes the availability of single copy reproductions, emphasizing that they should only be accessible to those studying the collection. The letter also raises concerns about the publication of a microfilm edition and the use of proceeds from its sale, asserting Ms. Young's right to a fair share. Jacob C. Kellem conveys a willingness to escalate the matter if the issue is not resolved satisfactorily
The marriage record of Clark, Jacob C. and Dunhaim, Katie
No full textMarriage license for Jacob C. Clark and Katie Dunhaim. N. Wiggons was the officiant
Finding, freezing and attaching assets: a multi-jurisdictional handbook/ edited by Jacob C. Jørgensen.
No full textIncludes bibliographical references and index.Finding, freezing and attaching assets: A multi-jurisdictional handbook' is about how to find out whether a defendant has any assets before initiating costly litigation, arbitration, or insolvency proceedings, and how to freeze such assets with the aim of eventually enforcing a judgment or award. The globalization in trade relations has resulted in a steady increase in cross-border disputes and, due to the ease with which assets can be moved around the world with the help of online banking and fiduciary service providers, parties are increasingly finding themselves suing or being sued outside their home jurisdictions. As a result, there is increased interest among clients with regard to the finding and freezing of assets as the parties involved in commercial disputes these days are doing their best to expatriate assets as well as undermine enforcement. The purpose of this book is to provide the reader with as much information as possible on asset identification on a jurisdiction-by-jurisdiction basis and also on the client?s decision of whether or not to freeze assets once the assets have been identified.Brazil / Gledson Marques de Campos and Mauro Pedroso Gonçalves -- British Virgin Islands / Arabella di Iorio -- Canada / James A. Round and Aleksandar Jovanovic -- Cayman Islands / Mac Imrie and Gemma Newell -- People's Republic of China / Katarina Nilsson, Larry Lian and Norla Gu -- Cyprus / Michalis Kyriakides and Nicolas Kyriakides -- Denmark / Jacob C. Jørgensen and Signe A. Vest -- England and Wales / Ruth Byrne and Henry Farris -- Germany / Jan Heiner Nedden and Friedrich Rosenfeld -- Hong Kong / Colin Cohen -- Israel / Yonathan Arbel and Elad Peled -- Italy / Marco Padovan, Renato Costagliola and Michele Bonomini -- The Netherlands / Sidney J.H.M. Berendsen and Bart-Jaap van Emmerik -- New Zealand / James Cairney and Kathleen Morrison -- Russia / Alexei Panich and Maria Dolotova -- Sweden / Finn Madsen and Daniel Prawitz -- Switzerland / Alexander Jolles and Stefan Leimgruber -- Turkey / Suat Sarı and Utku Coşar -- United States of America / John Daerr.1 online resource (xxxvii, 320 pages
[Photograph of Jacob C. Garrison Standing in Mason Sandhill Lovegrass]
No full textPhotograph of Jacob C. Garrison standing in a field of Mason Sandhill Lovegrass
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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