25,200 research outputs found

    ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY

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    Adam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,

    Carving a legacy : the identity of Jacob Epstein (1880-1959)

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    The purpose of this thesis is to examine the efforts which were made during the life of Jacob Epstein and at the time his death to fix a particular identity that has thus shaped his legacy. The question that this thesis wishes to address is: how was Jacob Epstein's legacy carved? The first part of this thesis, entitled 'Remembering Epstein', seeks to unpack and examine the written discourse surrounding his death. This will be done by assessing the themes, debates and considerations of Epstein's position in the history of art and will focus on four case studies: the obituaries and memorial pieces that were written immediately after Epstein's death; a memorial service that was held at St. Paul's Cathedral; a failed proposal to tum Epstein's home studio into a museum; and the organisation and critical reception of the Epstein Memorial Exhibition held in Edinburgh in 1961. The second part of this thesis, entitled 'Writing a Legacy', attends to the analysis of texts which were written about or by Epstein throughout his career. This will be done through a close examination of those texts which have come to shape our understanding of Epstein's place in the history of art and will focus on five case studies: the writings of T. E. Hulme; Epstein by Bernard Van Dieren; a series of interviews with Epstein by Arnold Haskell, entitled The Sculptor Speaks; Epstein's role in protesting against repairs to ancient sculpture in the British Museum; and a chapter entitled 'My Place in Sculpture' from the 1954 edition of Epstein's autobiography. The final part of the thesis, entitled 'Selected Works', will focus on six separate sculptures as case studies for assessing different aspects of Epstein's artistic output. The works which will be examined: The Rock Drill (1913), The Risen Christ (1917-19), Madonna and Child (1926-27), Genesis (1929), Albert Einstein (1933), and Madonna and Child (1950-52)

    Jacob Viner’s Reminiscences from the New Deal (February 11, 1953)

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    This paper presents and reproduces an unpublished oral history interview given by Jacob Viner in 1953. The interview released by Viner for the Columbia Oral History Project gives us a valuable opportunity to throw light on his advisory activity during the New Deal Era. In our introduction we attempt to make a critical appraisal of Viner's reminiscences and to state the contribution they can provide to our general knowledge of the period. In addition, we also attempt to find out some biographical and interpretative elements useful to understand Viner’s own vision and his contribution to important economic policy processes during the New Deal.

    Adam Smith on public expenditure and taxation

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    This paper presents Adam Smith’s view on taxation and public expenditure, by means of an almost literal reading of the Wealth of Nations famous passages on the "duties of the sovereign" and on the "maxims of taxation". Contrarily to the commonest usage of these passages, we will show that their core is the preoccupation with the public expenditure soaring and the defence of decentralisation. Furthermore and also contrarily to the existing interpretations we defend the non-existence of any contradiction between Smith’s income and price theory (and the incidence hypothesis), provided due attention is paid to the guiding role of the "maxims".Adam Smith, taxation, public expenditure

    How Might Adam Smith Pay Professors Today?

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    Adam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.

    ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?

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    The conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,

    Villiers de L´Isle-Adam: tradução e exorcismo ou a propósito das palavras pesadas em balanças de teias de aranha e do fantástico em Claire Lenoir

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2011A presente tese é fundamentada na obra Tribulat Bonhomet, de Villiers de L'Isle-Adam (1838-1889). Obra composta de quatro contos e uma novela. Tanto a obra quanto o autor permitem muitas reflexões acerca da literatura, desde a literatura de humor até a de horror, mas sobretudo literatura fantástica. E é sobre esta que me detenho, especificamente na novela Claire Lenoir. Como Tribulat Bonhomet permanece inédito em português, apresento uma tradução e sobre essa tradução ? que se encontra ao fim, como anexo ? elaborei minha tese, sobre uma via dupla: tradução e teoria literária. Dedico o Capítulo 1 a essa duplicidade, separadamente, apresentando em 1.1 a literatura fantástica, fazendo o esboço de um tipo de literatura que provoca um exorcismo do real, um afastamento entre o leitor e a realidade. Na seqüência, em 1.2 abordo as perspectivas de tradução de um texto literário, a partir, principalmente, de Friedrich Schleiermacher (1768-1834) e Antoine Berman (1942-1991). Ambos os tópicos servirão de base para os dois capítulos subseqüentes. No Capítulo 2, dedico-me ao processo de tradução do romance, levando em conta as perspectivas abordadas no Capítulo 1.2, fazendo comentários acerca da tradução e comparando-a com outras traduções. Por último, no Capítulo 3, partindo da forma como Villiers de L'Isle-Adam mescla realidade e ficção ? e tomo aí como base o texto traduzido ? retomo os temas esboçados no Capítulo 1.1, da literatura fantástica, para especificar os elementos estranhos que geram o fantástico na obra e provocam um exorcismo do real. A conclusão, portanto, dá-se sobre uma duplicidade: há um exorcismo do real na literatura fantástica; e há um exorcismo do real em Villiers ? mediante a inserção de elementos fantásticos.Cette thèse est basée sur l'oeuvre Tribulat Bonhomet, de Villiers de L'Isle-Adam (1838-1889). Oeuvre composée de quatre récits et une nouvelle. L'oeuvre et l'auteur permettent de nombreuses réflexions sur la littérature, de la littérature d'humour jusqu´à l'horreur, mais surtout sur la littérature fantastique. Et c'est sur cette dernière que je me pencherai spécifiquement avec la nouvelle Claire Lenoir. Comme Tribulat Bonhomet reste inédite en portugais, je présente une traduction, et c´est sur cette traduction ? qui se trouve en fin de volume en pièce jointe ? que j´ai élaboré ma thèse selon une double voie: la traduction et la théorie littéraire. Je consacre le Chapitre 1 à cette duplicité, séparément, en présentant en 1.1 la littérature fantastique, faisant le croquis d'un type de littérature qui provoque un exorcisme du réel, une distanciation entre le lecteur et la réalité. Ensuite, en 1.2 je discute sur les perspectives de la traduction d'un texte littéraire, à partir, principalement, de Friedrich Schleiermacher (1768-1834) et d'Antoine Berman (1942-1991). Les deux thèmes formeront la base des deux chapitres suivants. Dans le Chapitre 2, je me consacre au processus de traduction de l'oeuvre, en tenant compte des perspectives discutées dans la partie 1.2, en faisant des commentaires concernant la traduction et en la comparant à d'autres traductions. Enfin, au Chapitre 3, à partir de la manière dont Villiers de L'Isle-Adam mélange fiction et réalité ? et je me base ici à partir du texte traduit ? je reprends les thèmes mentionnés dans le Chapitre 1.1, sur la littérature fantastique, en précisant que des éléments étranges génèrent le fantastique dans l'oeuvre et provoquent un exorcisme du réel. La conclusion, donc, se fonde sur une duplicité: il est un exorcisme du réel dans la littérature fantastique, et il est un exorcisme du réel chez Villiers ? par l'inclusion d'éléments fantastiques

    Indenture of Land Sold by Jacob Cochanour to Adam Hutt

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    Indenture regarding land sold by Jacob Cochanour of Flamborough West to Adam Hutt of Stamford Township. This land included 100 acres in Lot. no. 11, Stamford - instrument no. 5057, July 9, 1816

    THE THEOLOGICAL FOUNDATION OF ADAM SMITH'S WORK

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    The paper will discuss the theological foundation to Smith's writings. Teleology, final causes and divine design were initially seen as central to understanding Smith's writings. Over time, this view fell out of fashion. In the period after World War II, with the rise of positivism, commentators tended to overlook or downplay this interpretation. In the last decade, or so, teleology has started to be restored to its former position as an essential element in understanding Smith. After spelling out Smith's teleology and his view of final causes, divine design and the ends of nature, we try to explain the Panglossian nature of the 'new theistic view' of Smith. While our view differs somewhat, we agree with the essence of the 'new view' claim: a theological view exists in Smith which underpins his moral and economic theories.Political Economy,
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