607 research outputs found
Dorothy Wordsworth and Hartley Coleridge : the poetics of relationship
No full textMy thesis studies Hartley Coleridge and Dorothy Wordsworth to redress the unjust neglect of Hartley’s work, and to reach a more positive understanding of Dorothy’s conflicted literary relationship with William Wordsworth and Samuel Taylor Coleridge. I provide a complete reassessment of the often narrowly read prose and poetry of these two critically marginalized figures, and also investigate the relationships that affected their lives, literary self-constructions, and reception; in this way, I restore a more accurate account of Hartley and Dorothy as independent and original writers, and also highlight both the inhibiting and cathartic affects of writing from within a familial literary context.
My analysis of the writings of Hartley and Dorothy and the dialogues in which they engage with the works of STC and William, argues that both Hartley and Dorothy developed a strong relational poetics in their endeavour to demarcate their independent subjectivities. Furthermore, through a survey of the significance of the sibling bond – literal and figurative – in the texts and lives of all these writers, I demonstrate a theory of influence which recognizes lateral, rather than paternal, kinship as the most influential relationship. I thus conclude that authorial identity is not fundamentally predetermined by, and dependent on, gender or literary inheritance, but is more significantly governed by domestic environment, familial readership, and immediate kinship.
My thesis challenges the long-standing misconceptions that Hartley was unable to achieve a strong poetic identity in STC’s shadow, and that Dorothy’s independent authorial endeavour was primarily thwarted by gender. To replace these misreadings, I foreground the successful literary independence of both writers: my approach reinstates Hartley Coleridge’s literary standing as a major poet who bridged Romanticism and Victorian literature, and promotes Dorothy Wordsworth as one of the finest descriptive writers of nature and relationship
Richardson, Barbauld, and the construction of an early modern fan club
No full textMPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Gender and the politics of the gaze in Bronte's Wuthering Heights
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009.O objetivo deste estudo é apresentar uma análise de como a imagem de Catherine é moldada pelo olhar masculino, como ela enfrenta os três tipos de olhar - o olhar dos personagens, o olhar do leitor, e o olhar do autor - e finalmente, se o olhar masculino é interrompido. O parâmetro teórico desta análise, o conceito do olhar masculino, é teorizado por Laura Mulvey no artigo "Prazer Visual e Cinema Narrativo" (1975) o qual critica a relação entre o olhar masculino e a imagem feminina do prazer visual moldado pela sociedade patriarcal. Através da crítica de Mulvey do prazer visual generizado em filmes, que pertence ao contexto do cinema clássico de Hollywood, articulo sua teoria em relação ao romance Wuthering Heights de Emily Brontë para examinar a dinâmica do olhar masculino em relação à personagem feminina Catherine. Este estudo teve também por objetivo analisar o quanto o paradigma teórico de Mulvey produzido para cinema poderia ser aplicado especificamente em um texto literário escrito no século XIX.The objective of this thesis is to present an analysis of whether Catherine's image has been shaped by the male gaze, how she contends with the three looks of the male gaze - the look of the characters, the look of the reader, and the look of the author - and finally, how the male gaze is broken. The theoretical parameter of this analysis, the concept of the male gaze, is theorized by Laura Mulvey in the article "Visual Pleasure and Narrative Cinema" (1975) which critiques the relation between the male gaze and the female image within the patriarchal molding of visual pleasure. Borrowing Mulvey's critique of the gendering of visual pleasure in films, which pertains to the context of classical Hollywood cinema, I have articulated her theory in relation to Emily Brontë's Wuthering Heights, to examine the dynamics of the male gaze regarding the female character, Catherine. This study also aimed at examing the extent to which Mulvey's theoretical paradigm produced for cinema could be articulated specifically in relation to a literary text written in the nineteenth century
Bobbin Up by Dorothy Hewett
No full text'Bobbin Up was written in 1958 during eight weeks of the coldest Sydney winter on record', recalled Dorothy Hewett in her introduction to the Virago Modern Classics reprint of her first novel in 1985. Encouraged by Frank Hardy, Hewett wrote it for the Mary Gilmore Award for fiction, to a tight deadline. After being rescued from a cupboard by one of the judges, it won second prize. Published by the leftist Australasian Book Society in 1959, the first edition was a success and the 3,000 copies sold out quickly. But it was not available again until Seven Seas in East Berlin published an English export edition along with its German translation, Die Mädchen von Sydney, in 1965, with a print run of 10,000 copies, from which other Eastern bloc translations followed
"In this moment of alarm and peril": Female Education, Religion and Politics In the Late Eighteenth Century, With special reference to Catharine Macaulay and Hannah More
No full textPhDCatharine Macaulay and Hannah More are conventionally represented as
ideological opposites. Through an analysis which centres on their writings, this
thesis critically examines that representation, and more broadly explores
contemporary perceptions of the roles of women of the middling sort in the late
eighteenth century. It argues that revolution, particularly the French Revolution,
created a climate wherein the duties of women became the subject of increasing
debate. The discussion challenges and builds upon recent work on women's
writing and history, by examining how and why the role of women changed at this
time. This work is concerned with contemporary representations of women, and
concentrates on analysis of primary texts and archival material over a wide range
of genres, including educational treatises, plays, popular tracts, political pamphlets,
historical writing and newspapers - the latter proving a major resource.
Following a critical introduction, the thesis falls into four chapters. Chapter one
discusses the reputation, critical reception and public fame of Macaulay and More,
thereby providing insights into contemporary sexual and social politics. Women
were considered arbiters of morals and manners - believed to play a vital role in
ensuring social stability - and the second chapter examines how the threat of
revolution led to increasing anxiety and debate about the nature of female
education. The third and fourth chapters discuss religion and politics respectively,
and argue that beliefs about the interdependency of Church and State, together with
the feminization of religion, legitimized women's involvement in politics and
enlarged their sphere of influence.
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The conclusion argues that the political and religious climate provided
opportunities for women to reassess and redefine their roles; while often remaining
within parameters defined by commonly held perceptions of femininity, they
politicized the domestic, extended female agency, and elevated the status of
women
"A Symbol of the New African": Drum magazine, popular culture and the formation of black urban subjectivity in 1950s South Africa.
No full textPhDThis thesis examines the emergence of black urban subjectivity in South Africa
during the 1950s, focussing on the ways in which popular American genres were
utilised in the construction of black urban identities that served as a means of
resistance to apartheid. At the centre of this process was Drum magazine:
founded in South Africa in 1951 , it became the largest selling magazine on the
African continent in 1956. Drum's success was due to the way in which it
enabled the relocation of black identity from the "traditional" towards the
"modern'. The 1940s gave rise to widespread migration of black South Africans
from rural to urban areas and this newly urbanised community was seeking
models of black urban identity. Yet the Nationalist government was attempting
to curtail the emergence of a black urban proletariat, which posed a threat to
white political supremacy. Through apartheid legislation black identity was
constructed as essentially tribal and rural. As a means of resisting this, urbanised
black South Africans turned to, and appropriated, readily available forms of
American culture. Drum published Americanised images and stories: gangsters,
black detectives, black comic heroes, and pulp romances. This popular material
appeared alongside some of the finest investigative journalism ever published.
While Drum magazine is widely acknowledged as having provided a platform
for the emergence of black South African writing in English, its popular content
has been dismissed by critics as apolitical escapism, imitation and capitulation to
American culture. This thesis challenges the dismissal of the popular that has
dominated analyses of Drum since the 1960s, arguing that such a position denies
the agency of local writers and audiences. My analysis reveals that American
forms were adopted in critically discerning ways and chosen for their ability to
convey local meaning and create positions from which to resist aparthei
[Review of] Dorothy Sterling. Black Foremothers: Three Lives
Get PDFBlack Foremothers is a much needed book written about the lives of three important black women: Ellen Craft, Ida B. Wells and Mary Church Terrell. The author, Dorothy Sterling, is to be commended for her ability to piece together the lives of these women and present them in such an interesting manner. In the foreword, Margaret Walker states that the author is highly qualified to write biographies of black women because of her intense study of American black people for at least twenty-five years
Rosewood Family Reunion, Part 3. Florida Memorial University Ceremony
No full textRosewood Family Reunion Ceremony at Florida Memorial University
Florida Memorial University presents to Willie Evans, Dorothy Jose, Annette Goins, Mary Hall
Sandra Maxwell
Arnett Doctor
Rosewood families: Bradley, Carrier, Edwards, Evans, Goins, Robinsonhttps://digitalcommons.fiu.edu/aads_lectureseries/1027/thumbnail.jp
Two eighteenth-century English adaptations of the Celestina : Celestina: or the Spanish bawd : a tragi-comedy; and the Bawd of Madrid.
No full textPhDThe introductory chapter discusses previous studies of Celestina
imitations and adaptations, and the position of early Celestinesque
works in Spanish literature. I then move further afield to investigate
the diffusion of the Celestina in the rest of Europe, especially in
England. Chapter II comments on the general influence of Spain on
English literature with particular reference to the two eighteenth-century
adaptations of the Celestina. Chapter III suggests some
implications of the simultaneous appearance of these two adaptations.
Chapters IV-VI are devoted to a closer examination of the dramatic
adaptation, A Tragi-Comedy; an investigation into its sources, and
the manner in which it remodels its original for the stages culminates
in a discussion of the adapters' identity. Chapters VII-IX deal with
The Bawd of Madrid; a biographical sketch of its author, Captain
Stevens, is followed by a discussion of which version of the Celestina
he used and of the sources for the description of Madrid in his first
chapter. Chapter IX looks at the way he reworks the Spanish Tragi-comedia
into a narrative account. I bring together in Chapter X
elements from both adaptations for purposes of comparison. The final
chapter shows the similarities between the fictional world of the
Celestina and the environment of early eighteenth-century London, and
I suggest why these English adaptations may have been particularly
apposite at this time
Presbyterian missionaries to the New Hebrides, 1848-1920: a study particularly of mission families
Get PDFDeposited with permission of the author. © 1977 Mary Dorothy KeaneBetween 1848 and 1920, sixty two ordained Presbyterian ministers drawn from Scotland, British North America, and the Australasian colonies were commissioned as missionaries to the New Hebrides. Though there was a considerable turnover, one half served less than ten years, a significant proportion, one third, served twenty years or more, and the average length of service was fourteen years. This thesis has as its subject the mission community established by these men, all but two of them married; a community in marginal contact with an alien culture, considered in comparison with their own culture to be degenerate. The mission community had as its fundamental purpose the regeneration of the heather through Christianisation. Attention will be given to the manner as well as the decisions of church government; to the family nature of the mission with particular emphasis on family concepts through a study of mission homes, wives and children; to the suffering endured and finally to quite obvious changes brought about in native life through the work of the mission community. As an introduction, this preface will outline the motivation of the missionaries, the geographical and cultural environment of the new Hebrides, as well as present a review of historical accounts and discussion of source materials available. Finally reasons for the time span chosen will be stated.
It was argued by those Protestants, such as Moderate Calvinists, who believed in the doctrine of universal atonement, the South Seas had been discovered through the Providence of God. It could be argued that there was an obligation to take the Gospel to the perishing heathen.1 Scottish and British North American Presbyterian churches, divided even though they were, both Reformed and Free were persuaded by men such as John Geddie to support missions to the heathen, though there was still a significant opposition to such activity, often on the grounds of greater need at home than on specific doctrinal grounds. (For complete preface open document
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