1,473 research outputs found
España Romana (218 a. de J.C.-414 de J.C.). Édition totalement renouvelée, I : Angel Montenegro Duque et José María Blázquez Martínez, La conquista y la explotación económica ; II : Julio Mangas Manjarrés e.a., La sociedad, el derecho, la cultura
No full textRaepsaet Georges. España Romana (218 a. de J.C.-414 de J.C.). Édition totalement renouvelée, I : Angel Montenegro Duque et José María Blázquez Martínez, La conquista y la explotación económica ; II : Julio Mangas Manjarrés e.a., La sociedad, el derecho, la cultura. In: L'antiquité classique, Tome 52, 1983. p. 568
España Romana (218 a. de J.C.-414 de J.C.). Édition totalement renouvelée, I : Angel Montenegro Duque et José María Blázquez Martínez, La conquista y la explotación económica ; II : Julio Mangas Manjarrés e.a., La sociedad, el derecho, la cultura
No full textRaepsaet Georges. España Romana (218 a. de J.C.-414 de J.C.). Édition totalement renouvelée, I : Angel Montenegro Duque et José María Blázquez Martínez, La conquista y la explotación económica ; II : Julio Mangas Manjarrés e.a., La sociedad, el derecho, la cultura. In: L'antiquité classique, Tome 52, 1983. p. 568
GONZAGA DUQUE: CRÍTICA, ARTE E A EXPERIÊNCIA DA MODERNIDADE
No full textA presente dissertação propõe analisar a atuação de
Gonzaga Duque como
crítico de arte. Este trabalho reconstrói o percurso das
influências estéticas que
compuseram o universo teórico de referência para a atuação
de Gonzaga Duque
como crítico de arte. Esse estudo aborda com maior ênfase
o engajamento
simbolista do autor, mas igualmente compõe um quadro de
diferentes fontes e
experiências críticas citando artistas e críticos
contemporâneos de seu período,
como por exemplo, Baudelaire, Zola e Ruskin. Este estudo
indica que Gonzaga
Duque conseguia realizar uma crítica ao mesmo tempo
experimental e teórica e
que nutria essa certa generosidade de se manter sempre
aberto aos desafios do
presente, conseguindo forjar uma concepção singular de
modernidade. A
dissertação também se propõe analisar os artigos de
crítica de arte referentes a
alguns artistas relevantes no período, realizando uma
análise formal concomitante
com o texto do autor. Dessa forma, esse estudo permite
pensar as amplitudes, mas
também os limites da crítica de arte, principalmente no
que tange a compreensão
de certa modernidade plástica, não incorporada pelo autor,
explicitando a sua
condição de sujeito circunscrito no seu meio cultural. O
estudo permite pensar as
especificidades deste período histórico compondo um
cenário social e cultural,
com seus principais referenciais, indicando os aspectos
singulares que permitiu ao
Gonzaga Duque realizar uma crítica prol de um alargamento
das fronteiras da
visualidade na arte brasileira.The present dissertation aims to analyze the performance
of Gonzaga Duque
as an art critic. This work reconstructs the trajectory of
the aesthetic influences
that had composed the theoretical universe of reference
for the performance of
Gonzaga Duque as an art critic. This study emphasizes the
relationship of the
author with the Symbolism, but equally approaches
different sources and critical
experiences involving contemporaries` artists and critics
with relevance for its
period, such as Baudelaire, Zola and Ruskin. This study
indicates that Gonzaga
Duque has a successful acting as critic, performing at the
same time experimental
and a theoretical analysis opened to the challenges of the
present, building a
singular conception of modernity. The dissertation also
aims to analyze the art
reviews themselves with peculiar emphasis to some relevant
artists in the period.
This study it allows the meditation about the amplitude,
but also the limits of the
critic, mainly referring to the comprehension of a certain
plastic modernity, not
incorporated by the author. Finally, the study allows
thinking the specificities of
this historical period composing a social and cultural
scene, with its main
elements, indicating the singular aspects that allowed to
the Gonzaga Duque to
cross the borders of the Brazilian art
Gonzaga Duque: a Brazilian \' flâneur\'
No full textNesta dissertação apresenta-se uma biografia de Gonzaga Duque, comentários de suas obras, uma fortuna crítica, cujo conteúdo expressa os comentários e estudos feitos por importantes críticos, reconhecendo a importância literária de Gonzaga Duque, sua produção textual, suas tentativas como um artista preocupado com a propagação da arte e suas evoluções, ou mesmo constatando sua existência entre os consagrados pelo paideuma (Machado de Assis, Cruz e Souza, entre outros nomes), sem estar oficialmente presente nesta seleção. Analisou-se o romance de Mocidade morta: sua estrutura textual, seu aspecto simbolista e sua estética, sua crítica à arte e à política da época e suas personagens. Procurou-se demonstrar a importância deste observador da sociedade brasileira, que o menosprezou por não pertencer aos grupos políticos em destaque, sendo um autor corajosamente diferencial e boêmio.In this paper its been presented a biography of Gonzaga Duque, comments about his works, a fortunate criticism which contents express the comments and studies done by important critics, recognizing the literary importance of Gonzaga Duque, as well as, his textual production, his attempts as an artist worried about the spread of arts e its evolution or even finding out his existence among the prestigious writers by paideuma (Machado de Assis, Cruz e Souza among other names) even without being included in that list. Its been analysed the novel Mocidade morta: its textual structure, its symbolist aspect and aesthetics, its criticism to arts and politics at that time and its characters. Its been demonstrated the importance of this watcher of brazilian society, that despised him because he didnt belong to the most prestigious political groups, being a brave and Bohemian author
REGIONAL AND URBAN SCIENCE IN FRANCE: RANKINGS OF AUTHORS AND INSTITUTIONS AND PUBLICATION PATTERNS DURING THE NINETIES
No full textThis article analyses the evolution experienced by research in urban and regional science in France between 1991 and 2000, comparing these changes with wider international trends. Nine of the leading international journals of regional and urban studies were used in drawing up rankings of countries, authors and institutions and in exploring publication patterns. We examine the strategy adopted by the French in establishing themselves within the world's top five in regional and urban research and report a number of interesting findings when comparisons are drawn internationally.REGIONAL AND URBAN SCIENCE, BIBLIOMETRICS, RANKINGS
The Blow That Was Heard Across the Channel - Elizabeth I\u27s Indirect Response to John Knox\u27s The First Blast
No full text
Sofia Patino-Duque\u27s incisive and creative essay was written for my course on "Political Thought in Early Modern Britain." Patino-Duque began with a deep interest in the question of how Queen Elizabeth I of England (reign 1558-1603) managed to rule her kingdom, despite and in the face of the patriarchal and often oppressive gender regime that prevailed in early modern Europe. Sofia also wanted to explore the ways that "political thought" – usually conceived as a rarefied field of intellectual endeavor – actually affected political life on the ground. She chose to do this by looking at the famously misogynistic polemical tract The First Blast of the Trumpet Against the Monstrous Regiment of Women, written by John Knox, the legendary Calvinist reformer and one of the fathers of Scottish Protestantism. Knox\u27s work, written on the eve of Elizabeth\u27s unexpected accession to the throne, expatiated in lurid terms upon the unfitness and ungodliness of feminine governance. Patino-Duque\u27s paper tried to show how Eliza- beth I, after arriving at the pinnacle of power, navigated and indeed at times managed to exploit the very patriarchal assumptions and misog- ynistic tropes that found expression in Knox\u27s book. Patino-Duque\u27s thoughtful essay, built on a highly creative and historically nuanced concept, stands as a testimony both to its author\u27s skill and to the can- ny and sophisticated techniques of self-presentation deployed by one of early modern Europe\u27s most impressive political figures
O duque da senzala
No full textEsta dissertação, “O duque da senzala”, é constituída por uma obra literária (novela), seguida por um ensaio teórico sobre reflexões entre o diálogo de Literatura e História e o processo de criação do autor, em que aborda os seguintes aspectos: dos objetivos da ficção histórica, da pesquisa histórica à ficção, narrador e a voz, de vultos do passado à personagem de ficção, foco narrativo e enredo.This dissertation, "The Duke of Senzala", consists of a literary work (novel), followed by a theoretical essay on reflections between the dialogue of Literature and History and the process of creation of the author, which addresses the following aspects: goals from historical fiction, from historical research to fiction, narrator and voice, from past figures to fictional character, narrative focus and plot
Roberto Pineda Duque: un músico incomprendido, de Luis Carlos Rodríguez Álvarez
No full texthis review presents the book entitled Roberto Pineda Duque: a misunderstood musician, written by Luis Carlos Rodriguez Alvarez. The author presents a discussion of the most outstanding aspects of the research about this Colombian composer (Antioquia 1910 - Bogota 1977)Esta reseña presenta una revisión del texto Roberto Pineda Duque: un músico incomprendido, escrito por Luis Carlos Rodríguez Alvarez. En esta, la autora de la reseña presenta una discusión de los aspectos más sobresalientes de este trabajo de investigación sobre este compositor moderno colombiano nacido en Antioquia en 1910 y fallecido en Bogotá en 1977
- …
