1,721,262 research outputs found
Politics: An Interview with W. J. T. Mitchell
No full textIn this wide-ranging interview W. J. T. Mitchell discusses his commitment to politics, cultural politics, and the politics of culture. Always engaging, always stimulating, always provocative, he speaks at length about Barack Obama, the events of 11 September 2001, Guantanamo Bay, Abu Grhaib, and his time travelling, lecturing, and teaching in some of the world's most highly charged territories: Israel, Palestine, Cuba, and China. Forever listening and learning, in this interview Mitchell displays his passion for and his dedication to intellectual life. Here, as in the rest of his work, he provides the best kind of object lesson in how reading, looking, studying, criticising, analysing, and trying to understand all raise the question, in their own unique ways, of what it means to be political, what it means to do politics
W. J. T. Mitchell : Blake's Composite Art > a study of the Illuminated Poetry, 1978
No full textPiquet Françoise-Marie. W. J. T. Mitchell : Blake's Composite Art > a study of the Illuminated Poetry, 1978. In: Dix-huitième Siècle, n°11, 1979. L'année 1778. pp. 529-530
Como caçar (e ser caçado por) imagens: entrevista com W. J. T. Mitchell
No full textW. J. T. Mitchell, professor de história da arte e de Inglês na Universidade de Chicago, é editor do periódico Critical Inquiry e autor de diversos livros e artigos. Focando seus estudos na problematização da interface entre visão e linguagem nas artes plásticas, na literatura e na mídia, Mitchell propõe métodos bastante originais de se abordar as imagens, construindo novas perspectivas para o que ele denomina, seguindo Panofsky, uma Iconologia. Em suas reflexões, cunhou a difundida expressão “virada imagética” (pictorial turn).</jats:p
W. J. T. Mitchell – O vizualnoj kulturi i ikonologiji. Razgovor
Get PDFTijekom svibnja 2013. godine, na Filozofskom fakultetu u Rijeci, održan je sedmi skup ikonografskih studija, na temu Ikonologija na raskršću. Jedan od glavnih govornika skupa bio je W. J. T. Mitchell, profesor engleske književnosti i povijesti umjetnosti na University of Chicago. Mitchell je ujedno i urednik interdisciplinarnog časopisa Critical Inquiry, koji se bavi kritičkom teorijom umjetnosti i humanističkih znanosti. Mitchell je autor brojnih knjiga, među koje spadaju i: Cloning Terror: The War of Images, 9/11 to the Present (2011.), What do Pictures Want?: The Lives and Loves of Images (2005.), Picture Theory: Essays on Verbal and Visual Representation (1994.), Iconology: Image, Text, Ideology (1986), The Politics of Interpretation (1983.).Gostovanje na spomenutom skupu u Rijeci bilo je povodom za razgovor s ovim znanstvenikom o pitanjima vizualne kulture, ikonologije i medija
W. J. T. Mitchell – O vizualnoj kulturi i ikonologiji. Razgovor
Get PDFTijekom svibnja 2013. godine, na Filozofskom fakultetu u Rijeci, održan je sedmi skup ikonografskih studija, na temu Ikonologija na raskršću. Jedan od glavnih govornika skupa bio je W. J. T. Mitchell, profesor engleske književnosti i povijesti umjetnosti na University of Chicago. Mitchell je ujedno i urednik interdisciplinarnog časopisa Critical Inquiry, koji se bavi kritičkom teorijom umjetnosti i humanističkih znanosti. Mitchell je autor brojnih knjiga, među koje spadaju i: Cloning Terror: The War of Images, 9/11 to the Present (2011.), What do Pictures Want?: The Lives and Loves of Images (2005.), Picture Theory: Essays on Verbal and Visual Representation (1994.), Iconology: Image, Text, Ideology (1986), The Politics of Interpretation (1983.).Gostovanje na spomenutom skupu u Rijeci bilo je povodom za razgovor s ovim znanstvenikom o pitanjima vizualne kulture, ikonologije i medija
Ekphrasis as visual analysis from W. J. T. Mitchell: Still Life / Style Leaf by Mónica Bengoa
Get PDF[EN] This research aims to prove the usefulness and relevance of the use of ekphrasis in the analysis of contemporary visual works that encompass the relationship between image and text, through the study of W. J. T. Mitchell s (1942) theories of image. These approaches are tested through the study of the work Still Life / Style Leaf (2014) from the Chilean visual artist Monica Bengoa. This, with the intention of enriching the national artistic discussion, from a linguistic point of view, and expanding the study margins beyond the limits of the dominant formalist and historiographic perspective; providing ekphrasis as an alternative and complementary tool to traditional visual analysis, based on a specific theory to avoid speculation.[ES] La presente investigación pretende demostrar la utilidad y pertinencia del uso de la écfrasis como tropo lingüístico en el análisis de obras visuales contemporáneas que abarquen la relación entre imagen y texto, mediante el estudio de las teorías de la imagen de W. J. T. Mitchell (1942). A través del estudio de caso de la obra Still life / Style leaf (2014) de la artista visual chilena Mónica Bengoa (1969), se ponen a prueba estos planteamientos. Esto con la intención de enriquecer la discusión artística, desde el punto de vista lingüístico, y ampliar los márgenes de estudio más allá de los límites de la perspectiva formalista e historiográfica dominante; aportando la écfrasis como herramienta alternativa y complementaria al análisis visual tradicional, en base a una perspectiva teórica concreta, con tal de evitar la especulación.Gerdes Palominos, M. (2022). Écfrasis como análisis visual según W. J. T. Mitchell: Still Life / Style Leaf de Mónica Bengoa. ANIAV - Revista de Investigación en Artes Visuales. (10):85-97. https://doi.org/10.4995/aniav.2022.15867OJS859710Agudelo, P. A. (2011). Los ojos de la palabra: la construcción del concepto de écfrasis, de la retórica antigua a la crítica literaria. Lingüística y literatura Nº 60, 75-92.Alarcón Martínez, L. (2020). Textere: texto y textil. Recuperado el 16 de diciembre de 2020, de https://textoytextil.wordpress.com/acerca-de/Alberdi Soto, B. (2016). Escribir la imagen: la literatura a través de la écffrasis. Literatura y lingüística Nº 33, 17-38. https://doi.org/10.4067/S0716-58112016000100002Arias, L. M. (2016). ¿Qué queremos decir cuando decimos “imagen”?: una aproximación desde la teoría de las funciones del lenguaje . Cuaderno57, 137-155.Bengoa, M. (2020). Mónica Bengoa. Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/obra/still-life-style-leaf/Bengoa, M. (2014). Still life / Style leaf. [Instalación], ARCO.Delpiano, M. J. (2020). Mónica Bengoa. Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/texto/literatura-ylibro-en-la-obra-en-fieltro-de-monica- bengoa/García Varas, A. (2011a). Lógica(s) de la imagen. En A. García Varas, Filosofía de la imagen (págs. 15-55). Salamanca: Eds. Universidad Salamanca.García Varas, A. (2011b). Prólogo. En A. García Varas, Filosofía de la imagen (págs. 11-14). Salamanca: Eds. Universidad Salamanca.Horacio. (1986) Arte Poética. Edición de Aníbal González. Madrid: Taurus.Justo Mellado, P. (2020). Mónica Bengoa. Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/texto/monica-bengoa-en-arco-2014- justo-pastor-mellado/Lessing, G. E. (1990) Laocoonte, E. Barjau (trad.). Madrid: Tecnos.Madrid Letelier, A. (2020). Mónica Bengoa. Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/texto/el-cuadro-en-el-texto-mesas-de-trabajos/Mitchell, W. J. T. (2011a). El Giro Pictorial. Una respuesta. Correspondencia entre Gottfried Boehm y W. J. T. Mitchell (II). En A. García Varas, Filosofía de la imagen (págs. 71-86). Salamanca: Eds. Universidad Salamanca.Mitchell, W. J. T. (2011b). ¿Qué es una imagen? En A. García Varas, Filosofía de la imagen (págs. 107-154). Salamanca: Eds. Universidad Salamanca.Mitchell, W. J. T. (2009). Teoría de la imagen: ensayos sobre representación verbal y visual. Madrid: Akal.Mónica Bengoa. (2020). Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/exhibicion/arco-2014/Mónica Bengoa. (2020). Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/exhibicion/la-mar-de-musicas/Perec, G. (2008). Lo infraordinario. Madrid: Impedimenta.Plutarco (1989). Obras morales y de costumbres (Moralia) V. Madrid: Editorial Gredos.Tognetti, A. (2016). Écfrasis: pensar lo pictórico desde lo poético. Barcelona.Viveros-Fauné, C. (2020). Mónica Bengoa. Recuperado el 16 de diciembre de 2020, de http://monicabengoa.cl/texto/el-literalista-la-fotografia-hecha-a-mano-de-monica-bengoa
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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