2,284 research outputs found
QUINT, Summer J. (Dr.)
No full textTelegram from Dr. Summer J. Quint from Los Angeles, CA, USA, to Gen. Alvaro Obregón, congratulating him on his election victory. Mr. J.H. Perestrejo transcribes the message to Gen. Obregón. / Telegrama del Dr. Summer J. Quint, de Los Angeles, Cal., E.U.A. al Gral. Alvaro Obregón, felicitándolo por su triunfo electoral. El Sr. J.H. Perestrejo transcribe el mismo mensaje al Gral. Obregón
QUINT, Summer J. (Dr.)
No full textTelegram from Dr. Summer J. Quint from Los Angeles, CA, USA, to Gen. Alvaro Obregón, congratulating him on his election victory. Mr. J.H. Perestrejo transcribes the message to Gen. Obregón. / Telegrama del Dr. Summer J. Quint, de Los Angeles, Cal., E.U.A. al Gral. Alvaro Obregón, felicitándolo por su triunfo electoral. El Sr. J.H. Perestrejo transcribe el mismo mensaje al Gral. Obregón
S. de Madariaga, Charles-Quint ; J. Godechot, Napoléon
No full textM. J. S. de Madariaga, Charles-Quint ; J. Godechot, Napoléon. In: Bulletin de l'Association Guillaume Budé, n°2, juin 1970. pp. 318-319
Work From Home Space: Joanna Quint
No full textThe home office of Joanna Quint, Wolf Law Library\u27s Cataloging & Acquisitions Specialist. Her cat Ivan, pictured here, provided cataloging assistance during the COVID-19 pandemic.https://scholarship.law.wm.edu/covidimages/1005/thumbnail.jp
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Work From Home Space: Joanna Quint
No full textThe home office of Joanna Quint, Wolf Law Library\u27s Cataloging & Acquisitions Specialist. Her cat Ivan, pictured here, provided cataloging assistance during the COVID-19 pandemic.https://scholarship.law.wm.edu/covidimages/1005/thumbnail.jp
J. Strzygowski, Byzantinische Denkmäler III. Ursprung und Sieg der altbyzantinischen Kunst (par C. Diez, J. Quint, etc.)
No full textReinach Théodore. J. Strzygowski, Byzantinische Denkmäler III. Ursprung und Sieg der altbyzantinischen Kunst (par C. Diez, J. Quint, etc.). In: Revue des Études Grecques, tome 19, fascicule 83,1906. pp. 75-76
6. Georges Zoras, Brève histoire de Charles Quint par Jean Axayolou
No full textC. J. 6. Georges Zoras, Brève histoire de Charles Quint par Jean Axayolou. In: Mélanges de l'Université Saint-Joseph, tome 41, 1965. p. 283
Nine New Poets: An Anthology by Arlo Quint
No full textNine New Poets: An Anthology by Arlo Quint is an experimental poetry/poetics project that explores issues of style, form, sincerity, persona, canonmaking, and meaning in modern poetry. Its title gets at the basic form of the project; it is a poetry anthology written by one person. The fictional premise of the anthology is that there are a group of poets hand-making poetry booklets whose only distribution is at the Boston Public Library and whose only readership is each other and whoever else might discover the books in the stacks. A librarian discovers this coterie and edits an anthology of their work intended to introduce them to the outside world. This fictional anthology is the main text of this thesis. The fiction is broken at the end of the anthology, with an afterword by the author. The anthology has been a major tool used in the world of modem poetry in attempts to define what kind of poetry people read. The two most important wouldbe canon makers in modem poetry are Donald Allen and Donald Hall who began what has been called the battle of the anthologies in the early 1960\u27s. The terms of this battle are not exact but, in general, Hall\u27s anthology promotes a style of poetry grounded in the New Critical understanding of poetry whereas the Allen could be said to promote poetry grounded in styles or theories identified with a few particular locales and poetry movements, namely Black Mountain College, the Beat movement, the New York School, and the San Francisco Renaissance. There is a strong division in contemporary poetry that can be traced back to these competing anthologies. Those that see themselves in the tradition promoted by Allen might accuse the other tradition of using a rhetoric of sincerity or being overly reliant on the lyric I. Those poets that are more in line with Hall\u27s tradition might accuse the other tradition of being cliquish, having no substance, or writing nonsense. This thesis attempts to explore this division in contemporary poetry in its own terms. What might be considered the mark of a poetry clique, their very own anthology, is adopted as a formal device. Within the poetry of this anthology the lyric I is used while openly adopting the styles of other poets and the styles of other poets are used as the substance of poetry. The personae of the poets are established in prose pieces and interviews as well as the poetry in an attempt to see how a grouping of not just poets butpmonaktie~m ight really function as a formal device. My hope is that this experiment reveals something of the way in which meaning is made in contemporary poetry
A. Molinié-Bertrand et J.-P. Duviols (dir.), Charles Quint et la Monarchie universelle
No full textHugon Alain. A. Molinié-Bertrand et J.-P. Duviols (dir.), Charles Quint et la Monarchie universelle. In: Histoire, économie et société, 2003, 22ᵉ année, n°2. L'opéra, à la croisée de l'histoire et de la musicologie, sous la direction de Hervé Lacombe. pp. 288-289
L'Espagne sous Charles-Quint, Philippe II et Philippe III..., par Ranke, traduit et annoté par J-B. Haiber.
No full textMarion Jules. L'Espagne sous Charles-Quint, Philippe II et Philippe III..., par Ranke, traduit et annoté par J-B. Haiber.. In: Bibliothèque de l'école des chartes. 1845, tome 6. pp. 476-477
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