1,721,486 research outputs found
J. Kirkpatrick. — L'étude des langues vivantes
No full textProcureur Marcel. J. Kirkpatrick. — L'étude des langues vivantes. In: Revue internationale de l'enseignement, tome 44, Juillet-Décembre 1902. pp. 373-374
J. Kirkpatrick, The Marquesan Notion of the Person
No full textLavondès Henri. J. Kirkpatrick, The Marquesan Notion of the Person. In: L'Homme, 1985, tome 25 n°96. pp. 177-178
Iden Lecture (1985): Jeane J. Kirkpatrick
No full text8th Oscar Iden Lecture and celebration of the 66th anniversary of the establishment of the Institute for the Study of Diplomacy. Harry Smith introduced and welcomed Jeane J. Kirkpatrick who lectured on the topic of foreign policy. She remarked on U.S. relations with Europe, the European wars, and isolationism. Kirkpatrick spoke of the League of Nations, United Nations and NATO
G. M. White & J. Kirkpatrick, eds., Person, Self, and Experience. Exploring Pacific Ethnopsychologies
No full textPanoff Michel. G. M. White & J. Kirkpatrick, eds., Person, Self, and Experience. Exploring Pacific Ethnopsychologies. In: L'Homme, 1988, tome 28 n°106-107. Le mythe et ses métamorphoses. pp. 365-366
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
J. Kirkpatrick, Professeur honoraire à l'Université d'Édimbourg. — Handbook of Idiomotic English as now written and spoken, Paris, Boyveau et Chevillet, 1912
No full textLouf E. J. Kirkpatrick, Professeur honoraire à l'Université d'Édimbourg. — Handbook of Idiomotic English as now written and spoken, Paris, Boyveau et Chevillet, 1912. In: Revue internationale de l'enseignement, tome 64, Juillet-Décembre 1912. pp. 470-471
J. Kirkpatrick, Professeur honoraire à l'Université d'Édimbourg. — Handbook of Idiomotic English as now written and spoken, Paris, Boyveau et Chevillet, 1912
No full textLouf E. J. Kirkpatrick, Professeur honoraire à l'Université d'Édimbourg. — Handbook of Idiomotic English as now written and spoken, Paris, Boyveau et Chevillet, 1912. In: Revue internationale de l'enseignement, tome 64, Juillet-Décembre 1912. pp. 470-471
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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