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[Presentation on Research of Peter Ives]
No full textPresentation on research interests of the author. This presentation is from the Conference on Language Endangerment and Political Instability held at the University of North Texas in Denton, Tx on October 4-6, 2018
Author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012 /
No full textTitle from acquisitions documentation.; Part of the collection: Portraits of author Peter FitzSimons speaking at the National Library of Australia, Canberra, 13 November 2012.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia
Review of: Charles Ives: The Ideas Behind The Music by J. Peter Burkholder
No full textThis article is a review of the book Charles Ives: The Ideas Behind The Music by J. Peter Burkholder
The song of Australia [music] /
No full text"Australia's national song specially featured by Peter Dawson throughout the world".; "Specially arranged by Professor Ives".; Complete text of song on p. 4.; For voice and piano.; Also available online http://nla.gov.au/nla.mus-vn342047; N, MUS/116
Moral Good, the Beatific Vision, and God’s Kingdom Writings by Germain Grisez and Peter Ryan, S.J.. Edited by Peter J. Weigel
No full textFor close to half a century, the work of Germain Grisez has been highly influential, and his writings continue to receive considerable attention from philosophers and theologians of diverse viewpoints. His co-author for this work is the professor and noted moral theologian Fr. Peter Ryan, S.J., currently the executive director of the Secretariat of Doctrine and Canonical Affairs of the United States Conference of Catholic Bishops (USCCB). These two eminent scholars explore fundamental questions about Christian eschatology, moral theory, the purpose of human life, and the promise of human fulfilment. The authors examine Christian teaching on the final destiny of persons, investigating the meaning of God's kingdom, the hope of the beatific vision, and the centrality of moral goodness and divine grace in one's final end. This work is an ideal source for students, scholars, ministers and lay persons interested in basic questions of Christian theology, the philosophy of religion, ethical theory, and Catholic doctrin
Murder on the mountain: author talk with Peter J. Wosh
No full textAuthor talk by Peter J. Wosh on May 5th, 2022, on his book, "Murder on the Mountain: crime, passion, and punishment in gilded age New Jersey.
Boston University Symphonic Winds, October 18, 1983
No full textThis is the concert program of the Boston University Symphonic Winds performance on Tuesday, October 18, 1983 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Canzona by Peter Mennin, Chorale and Alleluia by Howard Hanson, Variations on "America" (trans. by W. E. Rhoads) by Charles Ives, and Symphony for Band by Vincent Persichetti. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Poems by W.S. Graham
No full textRupert Loydell and Dr. Kym Martindale, both poets, writers and lecturers, read from a range of poems by W.S. Graham. Graham, born in Scotland, moved to Cornwall in 1944 where he made many friends amongst the artistic community of St. Ives. Some of these friendships are mourned in his moving elegies for St Ives artists Roger Hilton, Bryan Wynter and Peter Lanyon
Lunchtime Talk with Author and Attorney Peter Godwin
No full textAuthor and attorney Peter Godwin gave a lunchtime talk about the topics discussed in his book, The Fear, which focuses on the human rights situation in Zimbabwe under the rule of Robert Mugabe
All made of tunes Charles Ives and the uses of musical borrowing
No full textCharles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each oneBurkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowin
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