8,375 research outputs found
Echinobothrium notoguidoi Ivanov 1997
No full textEchinobothrium notoguidoi Ivanov, 1997 Type host. Mustelus schmitti Springer (Pisces, Triakidae). Site of infection. Spiral intestine. Type locality. Argentina, Buenos Aires Province, Mar del Plata (38 º00ʹS, 57 º 33 ʹW). Holotype: MLP 3893. Paratypes: MLP 3894 (4 specimens). Remarks. Paratype in the U. S. National Parasite Collection. Reference. Ivanov (1997).Published as part of Lunaschi, Lia I., Álvarez, Victor Hugo Merlo & Damborenea, Cristina, 2012, Type material housed in the Helminthological Collection of the Museo de La Plata, Buenos Aires, Argentina, pp. 1-59 in Zootaxa 3199 on page 30, DOI: 10.5281/zenodo.20896
Acanthobothrium marplatensis Ivanov & Campbell 1998
No full textAcanthobothrium marplatensis Ivanov & Campbell, 1998 Type host. Rioraja castelnaui (Ribeiro) (Pisces: Rajidae). Site of infection. Spiral intestine. Type locality. Argentina, Buenos Aires Province, Mar del Plata (38 º00ʹS, 57 º 33 ʹW). Holotype: MLP 4025. Paratype: MLP 4026. Remarks. Paratypes (5) US National Parasite Collection; paratypes (2) deposited in the British Museum (Natural History) Collections of The Natural History Museum, London, UK. Reference. Ivanov & Campbell (1998 a).Published as part of Lunaschi, Lia I., Álvarez, Victor Hugo Merlo & Damborenea, Cristina, 2012, Type material housed in the Helminthological Collection of the Museo de La Plata, Buenos Aires, Argentina, pp. 1-59 in Zootaxa 3199 on page 31, DOI: 10.5281/zenodo.20896
Echinobothrium megacanthum Ivanov & Campbell 1998
No full textEchinobothrium megacanthum Ivanov & Campbell, 1998 Type host. Myliobatis goodei Garman (Pisces, Myliobatidae). Site of infection. Spiral intestine. Type locality. Argentina, Rio Negro Province, Golfo San Matías, San Antonio Oeste (40 ° 44 ʹS, 64 ° 56 ʹW). Holotype: MLP 3958. Remarks. Paratypes deposited in the Institute of Parasitology, České Budĕjovice Czech Republic and the United States National Parasite Collection in Beltsville, Maryland, USA. Reference. Ivanov & Campbell (1998 b)Published as part of Lunaschi, Lia I., Álvarez, Victor Hugo Merlo & Damborenea, Cristina, 2012, Type material housed in the Helminthological Collection of the Museo de La Plata, Buenos Aires, Argentina, pp. 1-59 in Zootaxa 3199 on page 30, DOI: 10.5281/zenodo.20896
Measuring and analyzing German and Spanish customer satisfaction of using the iPhone 4S Mobile Cloud service
Get PDFThis paper presents the customer satisfaction analysis for measuring popularity in the Mobile Cloud, which is an emerging area in the Cloud and Big Data Computing. Organizational Sustainability Modeling (OSM) is the proposed method used in this research. The twelve-month of German and Spanish consumer data are used for the analysis to investigate the return and risk status associated with the ratings of customer satisfaction in the iPhone 4S Mobile Cloud services. Results show that there is a decline in the satisfaction ratings in Germany and Spain due to economic downturn and competitions in the market, which support our hypothesis. Key outputs have been explained and they confirm that all analysis and interpretations fulfill the criteria for OSM. The use of statistical and visualization method proposed by OSM can expose unexploited data and allows the stakeholders to understand the status of return and risk of their Cloud strategies easier than the use of other data analysis
Recommended from our members
A Norwegian grey zone: Knut Rød, Victor Lind and 'The crucial year, 1942'
No full textThis article uses Primo Levi’s concept of “the grey zone” to explore Knut Rød’s involvement in the transfer of 532 Norwegian Jews from Oslo to Auschwitz in 1942. Rød, the police chief in charge of the operation, was subsequently exonerated of any crime on the grounds that he had simultaneously used his position to help members of Milorg – the Norwegian Resistance. The legal and moral basis of this verdict has been questioned by the artist Victor Lind in a series of artworks, including his “countermonument” The Perpetrator (2005)
The Russian Symbolist Viacheslav Ivanov on Aesthetic Experience as Religious
No full textViacheslav Ivanov (1866, Moscow–1949, Rome) is one of the most prominent Russian symbolist poets and a leading theorist of symbolism at the beginning of the twentieth century. The article demonstrates that Ivanov understood art (and, more broadly, aesthetic experience) as one of the most effective forms of contact between the human being and the spiritual world, as well as with its first cause. Ivanov distinguishes between three “aesthetic principles” of the universe, which all together constitute “the beautiful”—the sublime, beauty, and the chaotic—and links them to the three stages of being of the artist in the process of creative activity. The artist first passes through the chthonian, subconscious stage of demonic chaos. Next, artists undergo the process of ascent into the ideal, spiritual sphere, where they gain experience, which cannot be expressed in words. After that, the process of the descent of the artist towards the earth takes place, where artists attempt to express in the form of artistic symbols the experience that they have acquired. Ivanov sees the artistic symbol as a materially given structure, which nevertheless cannot be described in words. This structure not only expresses a spiritual essence, but also really and energetically manifests it. Hence, Ivanov sees the creator of high, symbolic art (“realist symbolism”) as an artist-theurge (theurgy is the art of the future, of the future mystery on the basis of a synthesis of the arts that receives divine assistance), who contributes to the augmentation of being. For the recipient, the artistic symbol is anagogical (from the Greek ἀναγογή, “leading up”). It leads one up from the real world to a more real one (a realibus ad realiora). According to Ivanov, both the symbol and its content, myth, are of divine origin; they are “embodiments of the divine truth.” Therefore, high art is one of the principal ways of one’s ascent to spiritual reality by means of sensory reality
Victor LaValle
No full textVictor LaValle is the author of the short story collection Slapboxing with Jesus, four novels, The Ecstatic, Big Machine, The Devil in Silver, and The Changeling and two novellas, Lucretia and the Kroons and The Ballad of Black Tom. He is also the creator and writer of a comic book Victor LaValle’s DESTROYER. He has been the recipient of numerous awards including a Whiting Writers’ Award, a United States Artists Ford Fellowship, a Guggenheim Fellowship, a Shirley Jackson Award, an American Book Award, and the key to Southeast Queens. He was raised in Queens, New York. He now lives in Washington Heights with his wife and kids. He teaches at Columbia University. The free, public program begins at 6:00 p.m. at Burns Belfry.https://egrove.olemiss.edu/grisham_vis/1002/thumbnail.jp
[Diary Entry for Saturday, April 13, 1940]
No full textThis page is part of a diary by Sir Ellice Victor Elias Sassoon. He wrote that he slept a lot and read a book about the Burma Road for which the author got the idea at his garden party in 1937. He then said he went to bed at 8 and that Edna came in to ask how he was
OneVerse Ache NT Dedication & Celebration: Dr. Victor Gomez
No full textVictor Antonio Gomez celebrates, dedicates, and shares about OneVerse’s translation of New Testament in the language of the Ache people.
Victor Antonio Gomez, Paraguayan, is married to Cristina Flores and has two daughters: Rocio (22) and Jazmin (Taylor ’16). He has a Ph.D. in theology and served as Baptist pastor and professor of several seminaries before becoming a Bible Translator for the Ache people and Director of LETRA Paraguay. Author and editor of several books, he also serves as Wycliffe Global Alliance Bible Translation Coordinator and Sub-director for the Americas
- …
