1,720,973 research outputs found
Home ground.
No full textCatalogue of exhibition held at the Ivan Dougherty Gallery, 21 April - 3 June 2006.
Curator: Felicity Fenner.Art of: Jenny Bell (Australia), Juan Manual Echavarria (Colombia), Yukultji Napangati (Australia), Ahlam Shibli (Palestine)Includes bibliographical references
French Survey Show of the French/Australien Artists exhchange project ; May 23 - June 13 1987, Ivan Dougherty Gallery
No full textTactile imagination : design research processes.
No full textCatalogue of an exhibition held 24 May - 30 June.Provides an exhibition of art emerging as part of the support for design as research at the Faculty of the Built Environment at UNSW, demonstating creative processes for design with exhibited artwork and presents a discussion of those processes."The thematic group exhibition 'Tactile Imagination' ... represents a path-breaking showcase of creative practice by members of the Design Research cluster in The University of New South Wales' Faculty of the Built Environment ..." -- p. [3];Exhibition curator: Tom LovedayArtists: Rina Bernabei & Kelly Freeman, Tom Loveday, Andrew Macklin, Ainslie Murray, Bill MacMahon & Matthew Johnson, Ann Quinlan & Oya Demirbilek
Shadowy Figures 2003
No full textAs they are made from diffracted light one of the most important pictorial agencies of the holographic image is darkness. Although several holographic artists have employed this unique darkness, which can be constructed in optical holograms by spatio/temporal events during the exposure, the meaning of this darkness has been difficult to interpret by the audience. This holographic research visualises ideas about darkness proposed by Michael Baxandall in the book Shadows and Enlightenment.
Shadowy Figures by Paula Dawson is a digital reflection hologram with a scale of 120x120cm. The project emulates, in 3D, aspects of darkness from three case studies: Giotto’s fresco Joachim and the Shepherds, Masaccio’s fresco Baptism of the Neophytes, and Leonardo da Vinci’s Drapery Study. The hologram demonstrates the relative suitability of the conventions of using darkness established by Giotto, Masaccio and Leonardo da Vinci thereby providing a new means of reading the virtual space of the holographic image.
The work is the primary visual output of research findings of ARC Discovery Project, Shadowy Figures. The significance of Shadowy Figures is demonstrated by its display Light from Shadow: The Legacy of Chiaroscuro in Spatial Imaging at Ivan Dougherty Gallery, Sydney, which was well reviewed and covered extensively by local media. An article on the exhibition by Coyle, R. 2004. Review of Light from Shadow, was published in Convergence, The International Journal of Research into New Media Technologies, 10/3, pp.110-114
Reframe
No full textInstallation photograph of three artworks '5000 Times Again', 'Small World' and 'Round the World' in group exhibition 'Reframe', curated by Karina Clarke at Ivan Dougherty Gallery, University of New South Wales
Don't trust the artist : works by recent studio artists, Gertrude Contemporary Art Spaces, Melbourne.
No full textCatalogue of an exhibition held at the Ivan Dougherty Gallery, Paddington N.S.W., 29 October - 28 November 2009.
Curator: Alexie Glass-Kantor.Art of Pat Foster and Jen Berean, Richard Lewer, Rob McLeish, Geoff Newton, Simon Pericich, Jackson Slattery
Re-frame.
No full textCatalogue of an exhibition held 20 July - 26 August 2006 at Ivan Dougherty Gallery.Art of Nicole Barakat, Suzanne Boccalatte, Julia Charles, Kevin Finn, Selena Griffith, Patrick Hall, Anne Harry, Trent Jansen, Alexander Lotersztain, Rodney Love, Paull McKee, Katherine Moline, Linda Lou Murphy, OPOS, Oxidise, Elliat Rich, Swapan Saha, Six Degrees, Stutchbury & Pape, Szuszy Timar, Mark Vaarwerk.Curated by Karina Clarke
Includes bibliographical references
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
- …
