2,914 research outputs found
Continental Divide: A History of American Mountaineering
No full textIn Continental Divide, Maurice Isserman tells the history of American mountaineering through four centuries of landmark climbs and first ascents. Mountains were originally seen as obstacles to civilization; over time they came to be viewed as places of redemption and renewal. The White Mountains stirred the transcendentalists; the Rockies and Sierras pulled explorers westward toward Manifest Destiny; Yosemite inspired the early environmental conservationists.
Climbing began in North America as a pursuit for lone eccentrics but grew to become a mass-participation sport. Beginning with Darby Field in 1642, the first person to climb a mountain in North America, Isserman describes the exploration and first ascents of the major American mountain ranges, from the Appalachians to Alaska. He also profiles the most important American mountaineers, including such figures as John C. Frémont, John Muir, Annie Peck, Bradford Washburn, Charlie Houston, and Bob Bates, relating their exploits both at home and abroad.
Isserman traces the evolving social, cultural, and political roles mountains played in shaping the country. He describes how American mountaineers forged a brotherhood of the rope, modeled on America’s unique democratic self-image that characterized climbing in the years leading up to and immediately following World War II. And he underscores the impact of the postwar rucksack revolution, including the advances in technique and style made by pioneering dirtbag rock climbers.
A magnificent, deeply researched history, Continental Divide tells a story of adventure and aspiration in the high peaks that makes a vivid case for the importance of mountains to American national identity.https://digitalcommons.hamilton.edu/books/1090/thumbnail.jp
Isserman Maurice, Kazin Michael, America Divided. The Civil War of the 1960s.
No full textShapiro Edward S. Isserman Maurice, Kazin Michael, America Divided. The Civil War of the 1960s.. In: Vingtième Siècle, revue d'histoire, n°69, janvier-mars 2001. D'un siècle l'autre. pp. 215-216
American Divided: The Civil War of the 1960s
No full textIn America Divided, Maurice Isserman and Michael Kazin provide the definitive history of the 1960s, in a book that tells a compelling tale filled with fresh and persuasive insights. Ranging from the 1950s right up to the debacle of Watergate, Isserman (a noted historian of the Left) and Kazin (a leading specialist in populist movements) not only recount the public and private actions of the era\u27s many powerful political figures, but also shed light on the social, cultural, and grassroots political movements of the decade. Indeed, readers will find a seamless narrative that integrates such events as the Cuban Missile Crisis and Operation Rolling Thunder with the rise of Motown and Bob Dylan, and that blends the impact of Betty Friedan, Martin Luther King, and George Wallace with the role played by organizations ranging from the Student Non-Violent Coordinating Committee to the Campus Crusade for Christ. The authors\u27 broad ranging approach offers us the most sophisticated understanding to date of the interaction between key developments of the decade, such as the Vietnam War, the rise and fall of the Great Society, and the conservative revival. And they break new ground in their careful attention to every aspect of the political and cultural spectrum, depicting the 1960s as a decade of right-wing resurgence as much as radical triumph, of Protestant apocalyptic revivalism as much as Roman Catholic liberalism and rising alternative religions. Never before have all sides of the many political, social, and cultural conflicts been so well defined, discussed, and analyzed--all in a swiftly moving narrative. With America Divided, the struggles of the Sixties--and their legacy--are finally clear.https://digitalcommons.hamilton.edu/books/1074/thumbnail.jp
Michael Harrington: An ``Other American\u27\u27
No full textThis talk was presented at Sacred Heart University on February 17, 1993 as part of a lecture series in memory of Max Dickstein, Daniel Friedman Gottlieb, and Ned Gottlieb. It will be included in Prof. Isserman\u27s forth-coming biography of Michael Harrington
Fallen Giants: A History of Himalayan Mountaineering from the Age of Empire to the Age of Extremes
No full textThe first successful ascent of Mount Everest in 1953 by Sir Edmund Hillary and his Sherpa teammate Tenzing Norgay is a familiar saga, but less well known are the tales of many other adventurers who also came to test their skills and courage against the world’s highest and most dangerous mountains. In this lively and generously illustrated book, historians Maurice Isserman and Stewart Weaver present the first comprehensive history of Himalayan mountaineering in fifty years. They offer detailed, original accounts of the most significant climbs since the 1890s, and they compellingly evoke the social and cultural worlds that gave rise to those expeditions.
The book recounts the adventures of such figures as Martin Conway, who led the first authentic Himalayan climbing expedition in 1892; Fanny Bullock Workman, the pioneer explorer of the Karakoram range; George Mallory, the romantic martyr of Mount Everest fame; Charlie Houston, who led American expeditions to K2 in the 1930s and 1950s; Ang Tharkay, the legendary Sherpa, and many others. Throughout, the authors discuss the effects of political and social change on the world of mountaineering, and they offer a penetrating analysis of a culture that once emphasized teamwork and fellowship among climbers, but now has been eclipsed by a scramble for individual fame and glory.https://digitalcommons.hamilton.edu/books/1087/thumbnail.jp
Interview of community organizer, teacher, and author Maurice Broaddus
No full textCommunity organizer, teacher, and author Maurice Broaddus is interviewed by University of Florida doctoral student Kimberly Williams following the Zora Neale Hurston Festival in Eatonville, Florida. He talks about how faith and hope informs his writing and activism work, and shares how as a student, he originally majored in biology but later transitioned into creative writing. Broaddus speaks of his start in the horror genre and how that was his genesis to work through rage and pain. He explains what Afrofuturism means to him and how it parallels his activism regarding oral history, community engagement, and teaching. Maurice states "Afrofuturism offers us a chance to see ourselves" and that the Zora Neale Hurston's scholarship and Afrofuturism tenets both promote living and creating an authentic self
Translation and response between Maurice Blanchot and Lydia Davis
No full textWhen an author translates a text by another writer, this translation is one form of a response to that text. Other responses may appear in their own writings that are more inflected with their authorial persona. Lydia Davis translated six books by Maurice Blanchot, including fiction and theoretical writings. Blanchot’s concept of the récit privileges non-conventional forms of narrative and it can be considered to have influenced Davis, a view shared in critical writing about Davis. However, responses to his fiction can also be found in Davis’s work. This article reads Lydia Davis’s story “Story” as a response to Maurice Blanchot’s récit, La Folie du jour, translated by Davis as “The Madness of the Day”. Both texts develop a narrative that questions the possibility of arriving at a single story: Blanchot’s narrator cannot tell the story of how he came to have glass ground into his eyes, while Davis’s narrator must try to understand a contradictory story told to her by her lover. However, Davis responds to Blanchot by reversing the perspective in the story: where Blanchot’s narrator must and cannot create a story that explains his situation in a judicial/medical context, Davis’s narrator is struggling to understand her lover’s story which does not explain the situation that they find themselves in. Davis’s narrator is therefore motivated by an emotional need to find an acceptable story that is absent from Blanchot’s narrator. This difference in motivation is central to the difference between Davis’s and Blanchot’s approach, and complicates any reading of his influence on her because she responds to his text in her own
Kenny, Maurice; 1984-10-30
No full textBiography: Maurice Kenny was born in Watertown, New York State and has been a poet, editor, publisher, and professor at North Community College and the University of Oklahoma. He earned a B.A. in English literature in 1956 from the Butler University. Kenny’s writing and editorial work have influenced many Native Americans toward an appreciation of values and political insight into their cultures. He was greatly influenced by Louise Bogan who helped to direct his growing sense of voice and craft. Kenny has been a leading figure in the Renaissance of Native American poetry since the 1970’s. He passed away in 2016.
-Internet Public Library\u27s Native American Author\u27s Project, Maurice Kenny, 2020-09-1
Maurice Annenberg papers
No full textMaurice Annenberg (1907-1979) was a Baltimore printer, businessman, entrepreneur, and author of works on the history of printing, advertising, and the graphic arts. He wrote three books: Advertising, 3000 B.C.-1900 A.D., Type Foundries of America and Their Catalogues, and A Typographical Journey through the Inland Printer, 1883-1900. The collection consists of correspondence; typography and other printing samples; trade catalogs; publications; photographs; programs; and speeches about the history of printing and advertising. The Marylandia and Rare Books Department also holds a portion of his personal library
2020-2021 Maurice Carlos Ruffin
No full textMaurice Carlos Ruffin is the author of We Cast a Shadow, which was published by One World Random House. The novel is a New York Times Editor’s Choice. Ruffin is the winner of several literary prizes, including the Iowa Review Award in fiction and the William Faulkner–William Wisdom Creative Writing Competition Award for Novel-in-Progress. His work has appeared in the Oxford American, Garden & Gun, and Kenyon Review. A New Orleans native, Ruffin is a professor of Creative Writing at Louisiana State University, and the 2020-2021 John and Renee Grisham Writer-in-Residence at Ole Miss.https://egrove.olemiss.edu/grisham_res/1027/thumbnail.jp
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