715 research outputs found
Furious Angels
No full textReunited by tragedy, Andrew and Will are unlikely pawns in a high-stakes game of A.I. and religious fanaticism. Answering a call from beyond the grave they are unwittingly thrown into a vast technological world both deadly and fascinating. This is the breathtaking first book in the series by Irish author Dr Damien Mac Namara
How Is Damien Hirst a Cultural Entrepreneur?
No full textabstract: An on-going academic debate occupying Entrepreneurship researchers for the past several decades is concerned with defining what an entrepreneur is and what an entrepreneur does. The debate also extends to exploring the influence different types of entrepreneurs have on their environment. In the new creative economy, entrepreneurship has become a central issue for the regeneration of urban space. This essay first differentiates between economic and cultural entrepreneurs and second explores what influence cultural entrepreneurs, especially, have on urban developments. By using Damien Hirst as exemplar for the discussion of the entrepreneurial character and spheres of action, the analysis of his career demonstrates how difficult it is in practice to draw a line between artistic, cultural and commercial activities in the creative economy. Hirst’s approach to contemporary conceptual art and his factory-like art production are both controversial and successful as defined by the author. Nevertheless, there seems to be agreement that his entrepreneurial artistic work has had a profound impact on the revitalization of East London and thus can be used as model for urban planners. The author posits that Hirst is a cultural entrepreneur based on this model for creating/regenerating viable economic urban spaces who embraces the blending of the artistic and market spheres
Transforming the Reading Experience of Scientific Documents with Polymorphism
No full textDespite the opportunities created by digital reading, documents remain mostly static and mimic paper. Any improvement in the shape or form of documents has to come from authors who contend with current digital formats, workflows, and software and who impose a presentation to readers. Instead, I propose the concept of polymorphic documents which are documents that can change in form to offer better representations of the information they contain. I believe that multiple representations of the same information can help readers, and that any document can be made polymorphic, with no intervention from the original author. This thesis presents four projects investigating what information can be obtained from existing documents, how this information can be better represented, and how these representations can be generated using only the source document. To do so, I draw upon theories showing the benefit of presenting information using multiple representations; the design of interactive systems to support morphing representations; and user studies to evaluate system usability and the benefits of the new representations on reader comprehension
Les limites de la mise en ordre sportive: Analyse des débats suscités par les performances appareillées d'Oscar Pistorius
No full textInternational audienc
L’« Incroyable » trésor de Damien Hirst présenté à Venise en 2017
No full textCet article se propose de revenir sur l’exposition Treasures from the Wreck of the Unbelievable de l’artiste britannique Damien Hirst. Présentée à Venise en 2017, elle mettait en lumière le prétendu trésor de l’épave « l’Incroyable », découvert au large des côtes d’Afrique en 2008. Il s’agit d’une lecture personnelle de l’auteur à la suite de sa visite en septembre 2017.This paper aims to analyse the exhibition “Treasures from the Wreck of the Unbelievable” by the British artist Damien Hirst. Presented at Venice in 2017, the exhibition showed the treasure of the so-called “Unbelievable”, discovered off the African West coast in 2008. This paper is a personal analyze of the author after her visit in September 2017
Le “cas Pistoriusˮ ou la remise en cause d’une structure d’ordre contemporaine
No full textNational audienc
The 'auto cannibal'
No full textThe relentless triumph of technology is increasingly dismissive of the human desire for interaction; we are deprived of experiences with the ordinary and become less aware of the potential such objects contain. The author primarily considers art as a means of understanding the world and his practice is based on personal observations and autonomous processes. This can often lead to an over-analysis of the mundane, which is directly confronted in each of my projects through an enthusiasm for the objects we not only take for granted, but do so to the extent that we barely notice their existence. Drawing inspiration from literature, philosophy and ideas which surround permanence in a society which is frequently considered throwaway, the author is influenced by personal insecurities and have developed a creative style that not only explores construction - in the obsessive means by which a work is made; but also one that celebrates the process of destruction - in that the materials the author uses have the potential to instigate their own demise in a process I generally refer to as autocannibalism
Produire du sens sportif: Reconfiguration du rôle du Comité Médical au sein de la FFSHP (1968-1977)
No full textInternational audienc
Le “cas Pistoriusˮ ou la remise en cause d’une structure d’ordre contemporaine
No full textNational audienc
Oscar Pistorius, the questioning of a contemporary structure of order
No full textInternational audienc
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