1,721,153 research outputs found
Israel Finkelstein, The Archaeology of the Israelite Settlement. Israel Exploration
No full textDe Contenson Henri. Israel Finkelstein, The Archaeology of the Israelite Settlement. Israel Exploration. In: Syria. Tome 67 fascicule 2, 1990. pp. 529-530
Israel Finkelstein, The Archaeology of the Israelite Settlement. Israel Exploration
No full textDe Contenson Henri. Israel Finkelstein, The Archaeology of the Israelite Settlement. Israel Exploration. In: Syria. Tome 67 fascicule 2, 1990. pp. 529-530
Raw data for Chapter 22 "Phytolith results from Tomb 16/H/50"
No full textThis electronic dataset is connected to the following print publication:
Wade, Kali R., and John M. Marston. 2024. Chapter 22: Phytolith results from Tomb 16/H/50. In Megiddo VII: The Shmunis Excavations of Tomb 50 and Burial 45. Edited by Melissa S. Cradic, Matthew J. Adams, and Israel Finkelstein. Monograph Series of the Institute of Archaeology, Tel Aviv University, Tel Aviv. In press
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Wer hat Recht - Israel Finkelstein oder die Bibel? Ein theologischer Kommentar zu einer archäologischen Debatte
No full textResenha: The Forgotten Kingdom - the archaeology and history of Northern Israel
No full textResenha do novo livro de Israel Finkelstein, publicado em inglês em 2013. Israel Finkelstein apresenta nova visão acerca do reino do Norte Israel, apontando a compilação e redação final das narrativas bíblicas pelos judaítas, depois da queda do reino do Norte Israel. É uma bela obra que resume o desenvolvimento das pesquisas arqueológicas do autor
Resenha: The Forgotten Kingdom - the archaeology and history of Northern Israel
No full textResenha do novo livro de Israel Finkelstein, publicado em inglês em 2013. Israel Finkelstein apresenta nova visão acerca do reino do Norte Israel, apontando a compilação e redação final das narrativas bíblicas pelos judaítas, depois da queda do reino do Norte Israel. É uma bela obra que resume o desenvolvimento das pesquisas arqueológicas do autor
Resenha: The Forgotten Kingdom - the archaeology and history of Northern Israel
No full textResenha do novo livro de Israel Finkelstein, publicado em inglês em 2013. Israel Finkelstein apresenta nova visão acerca do reino do Norte Israel, apontando a compilação e redação final das narrativas bíblicas pelos judaítas, depois da queda do reino do Norte Israel. É uma bela obra que resume o desenvolvimento das pesquisas arqueológicas do autor
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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