1,775 research outputs found
Ismael Vargas
No full textInvitación tipo afiche a la exposición "Acumulaciones" de Ismael Vargas realizada en la Galería Madeleine Hollaender en Guayaquil del 8 al 31 de julio de 1986. Afiche a color de 50 x 40 cm.Unidad Documental Simple1 aficheAfiche en buen estado
Ismael Vargas
No full textInvitación tipo afiche a la exposición "Acumulaciones" de Ismael Vargas realizada en la Galería Madeleine Hollaender en Guayaquil del 8 al 31 de julio de 1986. Afiche a color de 50 x 40 cm.Unidad Documental Simple1 aficheAfiche en buen estado
Ismael Olabarrieta
No full textInvitación a la exposición de pintura de Ismael Olabarrieta, realizada del 18 de agosto al 4 de septiembre de 1998 en la Galería Madeleine Hollaender ubicada en Mascote y 9 de Octubre, Guayaquil. Invitación tipo afiche a color de 43x31 cm. Contenido: portada: obra del artista. Interior: biografía.Unidad Documental Simple2 afichesFilos desgastados y manchas en el papel
Ismael Olabarrieta
No full textInvitación a la exposición de pintura de Ismael Olabarrieta, realizada del 18 de agosto al 4 de septiembre de 1998 en la Galería Madeleine Hollaender ubicada en Mascote y 9 de Octubre, Guayaquil. Invitación tipo afiche a color de 43x31 cm. Contenido: portada: obra del artista. Interior: biografía.Unidad Documental Simple2 afichesFilos desgastados y manchas en el papel
Ismael Olabarrieta
No full textInvitación tipo afiche a la exposición de pintura de Ismael Olabarrieta, realizada del 18 de agosto al 4 de septiembre de 1998 en la Galería Madeleine Hollaender ubicada en Mascote y 9 de Octubre, Guayaquil. Afiche a color de 43x31 cm. Contenido: portada: obra del artista. Interior: biografía.Unidad Documental Simple1 afich
Ismael Vargas
No full textInvitación a la exposición "Acumulaciones" de Ismael Vargas realizada en la Galería Madeleine Hollaender en Guayaquil del 8 al 31 de julio de 1986. Invitación tipo afiche a color de 50 x 40 cm.Unidad Documental Simple5 afichesManchas y desgaste del color. 1 aafiche presenta manchas en ambas carillas, rotura grande, desprendimiento de color por pegamento de álbum, agujeros por perforadora
Ismael Olabarrieta
No full textInvitación tipo afiche a la exposición de pintura de Ismael Olabarrieta, realizada del 18 de agosto al 4 de septiembre de 1998 en la Galería Madeleine Hollaender ubicada en Mascote y 9 de Octubre, Guayaquil. Afiche a color de 43x31 cm. Contenido: portada: obra del artista. Interior: biografía.Unidad Documental Simple1 afich
UMA CONVERSA COM RAIMUNDO FARIAS BRITO
No full textIn this article we intended to establish a virtual dialogue with Farias Brito so that this philosopher can tell us relevant facts about his personal, professional and academic life, in order to help us understand his philosophical thoughts, buring the beginning of the second half of the 19th century. As a mediator of this colloquial exchange, we selected for the author´s speech passages of Laerte Ramos de Carvalho´s work entitled The philosophical Formation of Farias Brito as well as Farias Brito´s own citations from the book purpose of the World., published by the interview technique with the intention of recreating the signifi cant and inspiring ideasof Farias Brito´s thought at the same time we elucidates some polemical aspects of his life and work.Neste artigo pretendemos estabelecer um diálogo virtual com Farias Brito, propiciando espaço para que o próprio fi lósofo se manifeste, contando fatos relevantes de sua vida pessoal, profi ssional e acadêmica que poderão nos ajudar a compreender seu pensamento fi losófi co, construído a partir da segunda metade do século XIX. Como mediador deste colóquio, para as falas do autor, selecionamos as passagens da obra de Laerte Ramos de Carvalho, A Formação Filosófi ca de Farias Brito e também citações da obra do próprio Farias Brito, Finalidade do Mundo, publicada pelo Instituto Nacional do Livro em 1957. Utilizaremos a técnica da entrevista com o intuito de recriar as idéias signifi cativas e inspiradoras do pensamento de Farias Brito, procurando elucidar aspectos polêmicos da sua vida e obra. Neste artigo estabelecemos um diálogo virtual com o Farias Brito, com o intuito de resgatar algumas passagens da vida e da obra deste fi lósofo brasileiro
A paródia bíblica em Galiléia de Ronaldo Correia de Brito
No full textThis research, when select Galiléia (2008), by Ronaldo Correia de Brito, was aimed to main study the biblical parody employed by the author in the aesthetic transfiguration of the interior reality. Thereby was could analyze that when author gives a new context to the Bible, the parody configures itself in this creative approach to the past text. Brito rewrites the biblical
text with a new perspective on events. The intent of parody in Galiléia was not ridiculing the Bible, but use it as a model by which places the contemporary interior at focus. The analysis of the parody allowed the reflection and understanding to the writing. By appropriation
textual, the novel of the Brito showed his self-consciousness ficcional and self-reflexivity. The argumentation of the parody was based on the presuppositions espoused by Linda Hutcheon that drafted its own theory that characterizes all modern art. They are also in agreement with the poetics of postmodernism of the Linda Hutcheon, complemented to the thinking of other theorists such as Fredric Jameson, Jean Francois Lyotard, Stuart Hall, and Roland Barthes, the analysis of the literary criticism of this study.A presente pesquisa, ao selecionar Galiléia (2008), de Ronaldo Correia de Brito, teve como principal objetivo estudar a paródia bíblica empregada pelo autor na transfiguração estética da realidade do sertão. Desse modo foi possível analisar que quando o autor dá a
Bíblia um novo contexto, a paródia se configura nessa abordagem criativa do texto do passado. Brito reescreve o texto bíblico com nova perspectiva nos acontecimentos. A intenção da paródia em Galiléia não foi ridicularizar a Bíblia, mas utilizá-la como modelo por meio da qual coloca o sertão contemporâneo sob foco. A análise da paródia possibilitou o entendimento e a reflexão da escrita. Pela apropriação textual, o romance de Brito revelou sua autoconsciência ficcional e autorreflexividade. A argumentação da paródia foi baseada nos pressupostos defendidos por Linda Hutcheon que elaborou a sua própria teoria que caracteriza toda arte moderna. Também são de acordo com a poética do pós-modernismo de Linda Hutcheon, complementadas com o pensamento de outros teóricos como Fredric Jameson, Jean François Lyotard, Stuart Hall, e Roland Barthes, as análises de crítica literária deste estudo
Systematic reviews with language restrictions and no author contact have lower overall credibility: a methodology study
No full textZhen Wang,1–3 Juan P Brito,4 Apostolos Tsapas,5 Marcio L Griebeler,4 Fares Alahdab,1,3 Mohammad Hassan Murad,1,3,61Robert D and Patricia E Kern Center for the Science of Health Care Delivery, 2Division of Health Care Policy and Research, Department of Health Sciences Research, 3Knowledge and Evaluation Research Unit, 4Division of Endocrinology, Diabetes, Metabolism, and Nutrition, Mayo Clinic, Rochester, MN, USA; 5Aristotle University of Thessaloniki, Thessaloniki, Greece; 6Division of Preventive, Occupational and Aerospace Medicine, Mayo Clinic, Rochester, MN, USABackground: High-quality systematic reviews (SRs) require rigorous approaches to identify, appraise, select, and synthesize research evidence relevant to a specific question. In this study, we evaluated the association between two steps in the conduct of an SR – restricting the search to English, and author contact for missing data – and the overall credibility of a SR.Methods: All SRs cited by the Endocrine Society's Clinical Practice Guidelines published from October 2006 through January 2012 were included. The main outcome was the overall A Measurement Tool to Assess Systematic Reviews (AMSTAR) score, as a surrogate of SR credibility. Nonparametric Kruskal–Wallis tests and multivariable linear regression models were used to investigate the association between language restriction, author contact for missing data, and the overall AMSTAR score.Results: In all, 69 SRs were included in the analysis. Only 31 SRs (45%) reported searching non-English literature, with an average AMSTAR score of 7.90 (standard deviation [SD] =1.64). SRs that reported language restriction received significantly lower AMSTAR scores (mean =5.25, SD =2.32) (P<0.001). Only 30 SRs (43%) reported contacting authors for missing data, and these received, on average, 2.59 more AMSTAR points (SD =1.95) than those who did not (P<0.001). In multivariable analyses, AMSTAR score was significantly correlated with language restriction (beta =-1.31, 95% confidence interval [CI]: -2.62, -0.01, P=0.05) and author contact for missing data (beta =2.16, 95% CI: 0.91, 3.41, P=0.001). However, after adjusting for compliance with reporting guidelines, language restriction was no longer significantly associated with the AMSTAR score.Conclusion: Fewer than half of the SRs conducted to support the clinical practice guidelines we examined reported contacting study authors or searched non–English literature. SRs that did not conduct these two steps had lower quality scores, suggesting the importance of these two steps for overall SR credibility.Keywords: evidence-based medicine, research design, validity, quality of evidenc
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