1,721,136 research outputs found
YouTube y el 'International Music Score Library Project (IMSLP)' en su interpretación musical histórica: un análisis preliminar
No full textIrving, David R. M. "YouTube y el 'International Music Score Library Project (IMSLP)' en su interpretación musical histórica: un análisis preliminar". En: Musicología en web. Patrimonio musical y Humanidades Digitales, editado por María Gembero-Ustárroz y Emilio Ros-Fábregas (Kassel: Reichenberger, 2021), pp. 253-263, ISBN 978-3-967280-14-2.Esta contribución pretende presentar una reflexión inicial sobre el impacto que han tenido plataformas digitales democratizadoras como YouTube y el 'International Music Score Library Proyect (IMSLP)' en la interpretación y estudio de la música antigua durante las dos últimas décadas, y analizar algunas conexiones de estas herramientas con la música interpretada en directo, su almacenamiento en línea y su difusión. Sobre los músicos dedicados a la interpretación histórica (denominados coloquialmente en inglés 'early musicians, historically informed performers' y 'period performers') hay estudios de referencia de Harry Haskell, Bernard D. Sherman, John Butt, Bruce Haynes y Geoffrey Burgess, entre otros. La interpretación musical histórica está condicionada por el acceso a fuentes originales que a menudo se conservan en lugares recónditos. Este campo de especialización sigue siendo minoritario en el mundo de la "música clásica" y depende de la capacidad de los interpretes, muchas veces alejados unos de otros, para conectar, experimentar y explorar. En los años noventa del siglo XX, músicos de todo el mundo especializados en el repertorio antiguo adoptaron las nuevas tecnologías digitales para promover, ampliar y extender su actividad en la interpretación y la investigación. Desde principios del siglo XXI ha habido un cambio radical en el acceso a las ediciones musicales y a los materiales audiovisuales a través de canales digitales. Este cambio se ha producido no solo como resultado de la distribución 'top-down' de productos por parte de editoriales comerciales, sino también gracias a que los usuarios comparten información y datos de forma altruista y generalmente de acceso gratuito. Muchas bibliotecas públicas y archivos han facilitado además el acceso a reproducciones digitales de fuentes originales generadas desde la Edad Media hasta el siglo XX.Peer reviewe
Papers of Irving David Saulwick
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/66638Files kept by Irving Saulwick, made up of loose documents stored in folders or bundles, with no evident control system. Some items are untitled, others have one or more titles, which may appear inscribed or typed on the folder cover or leading edge (or both).
The majority of content in this Series falls within the following broad categories:
a) newsclippings (most often reporting findings of the Saulwick Age Poll in its multiple incarnations) sourced from The Age, The Sydney Morning Herald, and, less frequently, other Australian or international newspapers;
b) various items of correspondence to and from Irving Saulwick, generally relating to the development and administration of Saulwick Polls;
c) poll questionnaires (usually blank or annotated forms, in very rare instances a completed survey);
d) popular and academic articles on polling, written by Irving Saulwick and others.124154
Acquisition: [2013.0008] "Papers of Irving David Saulwick
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Sarah Justine Eyerly. Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania [Reseña bibliográfica]
No full textReseña bibliográfica de: Sarah Justine Eyerly. Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Bloomington : Indiana University Press, 2020. ISBN: 978-0-253-04766-3.Studies of musical cultures that arose from Protestant Christian evangelizing in the early-modern world have long been overshadowed by scholarly concentration on more than half a millennium of Catholic missions or Protestant activities from the nineteenth century onwards. Sara Justina Eyerly,who is based at Florida State University and is currently making waves with her work on Moravian missions and Indigenous hymnody in North America, has made an important and timely contribution to this field with her new book "Moravian Soundscapes: a Sonic History of de Moravian Missions in Early Pennsylvania".Peer reviewe
Psalms, Islam, and Music: Dialogues and Divergence about David in Christian-Muslim Encounters of the Seventeenth Century
No full textPeer reviewe
Esoteric elements in the Early Music Revival: the Dolmetsch Circle, Marco Pallis, and Traditionalism, from Haslemere to the Himalayas
No full textArnold Dolmetsch (1858-1940) and Mabel Dolmetsch (1874-1963) are well known for their work in reviving early instruments and performance practices of western Europe. Marco Pallis (1895-1989), a musician and mountaineer who undertook multiple expeditions to the Himalayas and adopted Tibetan Buddhism in 1936, counted among their students and patrons. One of Pallis's teachers, the lama Geshe Wangyal (1901-1983), visited him in England and also met the Dolmetsches. Pallis became a significant contributor to Traditionalism, a school of religious thought founded by René Guénon (1886-1951). Based on the perennial philosophy, Traditionalism searches for sources of primordial tradition to redress the West's perceived losses of spirituality, and expresses critiques of modernity. Pallis became aware of the work of another key Traditionalist writer, Ananda Coomaraswamy (1877-1947), through Arnold Dolmetsch. Arnold's well-known resistance to modernity and technological "progress" is attributed mainly to the ethos of the Arts and Crafts movement, but the possibility of a Traditionalist influence invites consideration. Examining letters from Pallis to the Dolmetsches, other archival sources, and Pallis's published writings, this article proposes that esotericism and particularly Traditionalism played a more significant role in the early twentieth-century early music revival than has previously been acknowledged.Peer reviewe
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
