2,447 research outputs found
Joxemiel Bidador, euskalzale handi, langile nekaezin eta dohaitsu, poeta eta adiskide
No full textJOSE ANGEL IRIGARAY. Joxemiel Bidador, euskalzale handi,langile nekaezin eta dohaitsu,poeta eta adiskid
The modernist angel: Art at the Limits of the Human in D. H. Lawrence, H. D. and Mina Loy
No full textPhDThe subject of this thesis is a figure that might provisionally be called the *modemist
angel'. Focusing on modernist literature, and more particularly on the work of D. H.
Lawrence, H. D. and Mina Loy, it aims to isolate from the many angels found in all periods
and all types of art a historically specific and intellectually coherent paradigm: an angel of
and for its modernist times. A figure of precisely this type could be said to exist in the
form of Walter Benjamin's 'angel of history'. Critics who address the question of the
modern angel in texts by Franz Kafka and Rainer Maria Rilke often do so in conjunction
with the problem posed by the angel of history. Beginning with a chapter on Benjamin,
this thesis nevertheless follows a different trajectory. Over five chapters, it explores a
modernist landscape formed not only by Lawrence, H. D. and Loy, but also by European
and American writers such as A. R. Orage, Allen Upward, Ezra Pound, Wallace Stevens,
Havelock Ellis, Edward Carpenter, Sigmund Freud and Friedrich Nietzsche. Although the
angel that emerges from this investigation might, in some respects, be said to anticipate
Benjamin's later version, this figure is also very different, standing for a project that is
distinctively, and recognisably, modernist in nature. He/she (the sex of the modernist
angel is often open to question) represents an attempt to reconcile the divine
responsibilities of the artist with the material and gendered conditions of being,
specifically of being human, in the modem world. This thesis looks again at the clash of
intellectual paradigms in the early-twentieth century - notably, the confrontation of the
Romantic view of art as a superhuman or sacred undertaking with the psychoanalytical or
evolutionary idea that all human endeavour is underpinned by sub-human motives - and
suggests the angel as a new and instructive figure through which to think the perilous
limits between the human and the divine in modernist literature
Against purity : identity, western feminisms and Indian complications
No full textThis thesis argues that Western feminist theoretical models of identity can be
productively complicated by the insights of postcolonial feminisms. In particular,
it explores ways that Western feminist theory might more adequately sustain a
focus on 'women' while keeping open a space for differences such as race and
nation. Part One identifies a number of themes that emerge from recent Indian
feminist scholarship on the intersections of sex, gender, race, nation and
community identities. Part Two uses these insights to look critically at the work
of four Western theorists, Rosi Braidotti, Judith Butler, Donna Haraway and Luce
Irigaray. I argue that strategies which privilege sexual difference as primary
cannot deal adequately with differences such as race and nation. But I also argue
that strategies which privilege destabilizing identity can be equally constrained
by the logic of dualisms which has made it so difficult for feminists to sustain a
focus on women and their differences. Part Three discusses how the insights to
be drawn from Indian ferninisms might be taken on board by Western ferninisms
in order to develop more complex models of power, identity and the self.
Throughout the thesis I draw on a Foucauldian understanding of power as
productive, and on Foucault's insight that subjects and identities emerge, not
through the imperatives of a single symbolic system, but through the intersection
of multiple networks of discourses, material practices and institutions. I argue
that, by attending to women's complex location within intersecting landscapes of
gender, nation, race and other community identities, feminist models of identity
can dispense with a logic of dualisms in order to redefine, and not only
destabilize 'women' as the subject of/for feminism. This requires working against
purity on three levels. First, it requires a model of power that gives up on the
search for pure, power-free zones and works instead with the instabilities power
produces as it both enables and constrains women. Second, it requires seeing
'women' as a complex, impure category that bleeds across the apparently coherent
borders of identity categories such as gender, race and nation, and contesting
discursive constructs of 'Woman' as the pure space of origin upon which these
apparently discrete categories stand. Third, it requires the development of
alternative models of the self that take these complex, impure spaces as a valid
and valorised position from which to act and to speak
F.W. Angel memorial lecture ; 1970; F.W. Angel memorial lecture, 1970
No full textThe Third Annual F.W. Angel Memorial Lectur
Un acta de ayuntamiento en lengua vasca
No full textTranscripción de un texto en euskera encontrado en una biblioteca popular. Presenta acuerdos y cuentas del Ayuntamiento de Ezkabarte (Navarra), entre ellos un acta municipal (1773). Se presenta la traducción al españolTranscription of a text in Basque found in a popular library. The author presents the agreements and accounts of the town council of Ezkabarte (Navarra), among which there is a municipal record (1773). The author introduces his translation to Spanish of this tex
Una variante del Cantar de la palaciana de Tardets
No full textVersión de la canción de "la palaciana de Tardets" (1584). Se compara con la versión de Guerra y considera que este último es más suletino. Estudia y traduce los versosVersion of the song of "la palaciana de Tardets" (1584). This is compared with Guerra's version and the author considers that the latter is mostly in Basque from Soule. The author then studies and translate the verse
'F- F- Felt it': Breathing Feminist, Queer and Clown Thinking into the Practice and Study of Sarah Kane’s Cleansed and Blasted
No full textThis thesis uses studio practice, scholarly research, close reading of text, performance observation and conversation with practitioners to establish diverse readings of Sarah Kane’s Cleansed. It includes original material from the 2012 productions of Cleansed in Japan (Kamome-za Fringe Theatre), and in Ireland (Bare Cheek Theatre). It notes practice on Cleansed in gallery spaces (Cast-Off Drama, UK). It offers a dramaturgical approach to workshopping the play from a feminist and queer position, informed by theories of gender and transgender, and the marginalised, loving and delinquent practice of clowning. The research discusses principles of breath, voice and sexuate difference drawing primarily on the philosophies of Luce Irigaray, on the voice practice of Cicely Berry and the clown teaching of Sue Morrison.
The work challenges the ‘in-yer-face’ theatre discourse on Kane arguing that it represents a McDonaldization of its subject matter, and an insidious trivialisation of her texts. It offers new thinking on the opening night of Blasted (1995), suggesting that the ‘furore’ was fuelled by collective male hysteria and superstition; its roots centred in mourning. Analysing Cleansed in relation to Edward Bond’s Saved and Lear, it explores tropes of ghosts, stitching and the silent scream, and argues that Kane militates for gynocentric time and becoming. It analyses the symbol of the perimeter fence as a feature of 1980s Britain, noting the strength of binary associations configured in it with reference to both English football hooliganism (male) and the Greenham Common Women’s Peace Camp (female). It argues that Kane sets up heteronormative binaries in Cleansed to debate and contest them.
A key conclusion of the thesis is that Cleansed politically addresses and dramatises issues of transgender experience presenting accounts of gender violence, mutability, transitioning, the sharp fractures and silences of gender dysphoria, but also, ultimately, queer desire, love and optimism
The role of Irigaray's angel in Notre Dame-Des-Fleurs and Teorema
No full textLuce Irigaray's work on gender has, since it first emerged, represented a kind of\ud
paradox for many theorists: her concept of the angel necessitates an acknowledgement of\ud
the role religion--specifically Roman Catholicism--has played in the creation of gender\ud
categories. In their artistic work, Italian writer and filmmaker Pier Paolo Pasolini and\ud
French author Jean Genet both turned back to Catholicism in order to re-conceptualize\ud
gender and sexuality. The subjects of focus in Genet and Pasolini???s narratives are ones\ud
who identify as homosexual, bisexual, or engage in transvestism- those who have no\ud
idealized figure or godhead that represents their experience. This paper will consider the\ud
way in which religious performance and ritual allows for parousia and transcendence via\ud
concrete realizations of Irigaray???s ???angel.??
E-book : Industrial Transformation In The Developing World (author: Michael T. Rock & David P. Angel)
No full textArsip Kuliah Online 2010: E-book : Industrial Transformation In The Developing World (author: Michael T. Rock & David P. Angel
E-book : "industrial Transformations In The Developing World (author: Michael T. Rock & David. P Angel)
No full textArsip Kuliah Online 2010: E-book : "industrial Transformations In The Developing World (author: Michael T. Rock & David. P Angel
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