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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Long-term cortical plasticity of interhemispheric inhibition in piano players: A transcranial magnetic stimulation study
No full textEvent-related desynchronization (ERD): Laterality effects in the sensory and motor systems
No full textThat does not sound right: Sounds affect visual ERPs during a piano sight-reading task
No full textProlonged musical training induces important audio-visuo-motor plastic processes. However, little is known about how the musicians’ brain resolves multimodal conflicts while preparing for musical action. We run an electroencephalographic (EEG) investigation on how visual processing for action (score reading) is affected by preceding task-irrelevant piano sounds, usually associated to the same or to a different action. Presentation of an incongruent sound, 100 msec before a musical score with one single note, reduces Event-Related Potentials (ERPs) associated to score reading (N170) localised in the right temporo-parietal junction, as well as ERPs associated to conflict strength (N2) localised in the anterior cingulate cortex, superior and inferior right frontal cortex. These results suggest that listening to task-irrelevant auditory action effects (musical notes) interferes with both higher-order visual and frontal conflict monitoring processes. We conclude that, in the musicians’ brain, the automatic translation of musical sounds into motor plans, spread its effects to visually specific processing as well as strategic and amodal action monitoring mechanisms
Effect of hemispheric dominance on motor cortical representation of upper limb muscles: a study using transcranial magnetic stimulation
No full text
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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