1,720,964 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Nao informado

    Labour and (Class) Struggle in James Barke’s Compositionist Imaginaries: Dreaming with Rob Roy, Marx & Burns

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    James Barke’s literary imagination of working lives is primarily concerned with how different modes of labour generate a tension between refusal of work and the material constraints on fully engaging in it. Putting into conversation the Marxist autonomist method of ‘compositionism’ with Barke’s own theories of art and class struggle, this article traces how Barke’s fiction represents toil on the one hand, and the yearning for a life beyond the tyranny of capital on the other, as defining the horizons of working-class life

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Cripping Work, Welfare and the Nation: Autonomist Narratives of Disability in Modern Scottish Writing

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    This thesis explores what I will call autonomist narratives of disability, namely representations of disability that intensify critiques of waged work and welfare capitalism, in twentieth- and twenty-first century Scottish writing. Disability has never been considered as a category of analysis through which to study Scottish writing. My investigation will argue that what forecloses a disability studies approach in Scottish literature, and makes invisible narratives of disability in Scottish writing, are derogatory metaphors and narratives of disability specific to Scottish studies and culture. Both these discourses on disability and the nationalist contextualism of Scottish literature in which they are rooted, which emphasises the importance of national(ist) contexts in the study of Scottish writing, dominated cultural discourses in the run-up to the 2014 independence referendum. This thesis will therefore propose a post-indyref perspective on Scottish literature with a two-fold aim: to foreground the persistence of disablist discourses in Scottish studies and of their nationed and contextualist roots; and to examine the ways in which such discourses can be interrogated through the very logics they disqualify from analysis in the discipline of Scottish literature alongside the narratives of disability these logics inform. In order to respond to the latter and make visible the former, I will develop an autonomist disability perspective which brings together disability studies with Marxist autonomist theory. Through the lenses of this perspective, my analysis will examine the critique of waged work and welfare capitalism which emerges from the intersection between narratives of disability, work, welfare and the nation in twentieth- and twenty-first century Scottish writing. In doing so, it will argue that autonomist narratives of disability in Scottish writing problematise the discourse of welfare state nationalism that originates at the same intersection but has never been theorised as relevant to Scottish literature
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