1,720,954 research outputs found

    Parfume: The Story Of A Murderer by Patrick Süskind – through the book and film

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    Parfum: Zgodba o morilcu predstavlja fantazijski roman (v izvirniku je izšel v Nemčiji kot Das Parfum) nemškega avtorja Patricka Süskinda, ki je bil objavljen leta 1985. Na prvi pogled roman raziskuje čut vonja in njegov vpliv na čustva posameznika oz. posameznice. Vendar je poleg tega tudi roman o identiteti, komunikaciji in smrtnosti človeškega duha. Jedro magistrske naloge predstavlja dotični roman in njegova filmska adaptacija. Ukvarjala se bom s primerjalno analizo dela v obeh medijih. Obravnavala bom povezavo med literaturo in filmom kot dvema različnima umetniškima zvrstema. Osrednji cilj naloge je iskanje in analiziranje razlik ter podobnosti med literarno predlogo in filmom. Teoretični del magistrske naloge bo temeljil na razmerju med literaturo in filmom ter obravnavi načinov prenosa literarnega dela v filmsko obliko.Perfume: The Story of a Murderer is a fantasy novel (originally published in Germany as Das Parfum) by German author Patrick Süskind, published in 1985. At first sight, the novel explores the sense of smell and its relationship with the emotional meaning that different scents can have for an individual. But it is also a novel about identity, communication and the mortality of the human spirit. The core of the master\u27s thesis is the novel and its film adaptation. I will focus on a comparative analysis of the work in both media. I will examine the relationship between literature and film as two different artistic genres. The main aim of the thesis is to find and analyse the differences and similarities between the literary template and the film. The theoretical part of the master thesis will be based on the relationship between literature and film and on the ways in which a literary work can be translated into a film form

    The reflection of erotic poetry written by Vinko Möderndorfer

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    Diplomsko delo poskuša osvetliti pesniški opus in ustvarjanje enega izmed vodilnih sodobnih ljubezenskih lirikov, Vinka Möderndorferja. Gre za avtorja, čigar ustvarjalni opus je v slovenskem prostoru najbolj prepojen z erotiko. Möderndorferjeva pesniška zapuščina šteje zavidljivih sedemnajst zbirk. Njegovo umetniško ustvarjanje se kljub temu ne giba le na področju poezije, temveč tudi dramatike in proze. Gre za mnogostranskega in izjemno ustvarjalnega umetnika, ki je za svoje delo prejel številne nagrade in pohvale. Diplomsko delo se začne s krajšim orisom nastanka slovenske poezije, nadaljuje pa s pregledom sodobnejših tokov, v katere se Möderndorfer kot pesnik uvršča. V nadaljevanju naloge sledi teoretična podlaga erotične poezije, njen nastanek, razvoj, predvsem pa poudarek na njenih značilnostih. V nalogi je prav tako predstavljeno triindvajset pomembnejših avtorjev in avtoric, ki so vplivali in pripomogli k razvoju erotične poezije. Zadnji del naloge pa se podrobneje posveča Vinku Möderndorferju in njegovemu delu. Jedro predstavlja pregled njegove poezije in njenih značilnosti ter lastnosti.The diploma focuses on love poetry of the »oeuvre« of Vinko Möderndorfer, one of the most important contemporary Slovene poets. He is one of the most popular and influential poets in the field of love and erotic poetry. The author has published seventeen poetry volumes and is equally important as a playwright and novelist. He has received several awards for his literary work. His work is translated into several languages. The diploma starts with a short introduction of the history of Slovene poetry in the romantic period and continues analyzing the modern Slovene poetry of the 20th century which is also important as a context for Möderndorfer’s poetics. One of the dimensions of the diploma is dedicated to the theoretical reflection of the erotic poetry. The research offers a choice of twenty-three authors who marked the development of the Slovene erotic poetry. The last and crucial part of the diploma focuses on the features of the erotic poetry written by Vinko Möderndorfer

    Japanese Haiku Poetry Through Slovene Literature

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    Haiku je kratka japonska pesniška oblika, ki jo je v 17. stoletju utrdil pesnik Macuo Bašo. Praviloma je pesem trivrstična in vsebuje sedemnajst zlogov, ki so razporejeni po načelu 5 – 7 – 5. V treh kratkih stihih je zgoščen trenutek, največkrat iz narave, ki se povezuje z dogajanjem v človekovi notranjosti. Magistrska naloga se začne s strnjenim pregledom zgodovinskega razvoja in okoliščin, ki so vplivale nastanek japonske države. Ob tem je v pregled sočasno vključen tudi razvoj japonske lirike, saj je ta ključen za razumevanje in kasnejšo umestitev haiku poezije. Jedro naloge predstavlja popis haiku poezije in se osredotoča na njen izvor, razvoj, jezik, filozofsko doktrino ter njen vpliv na svetovne literarne tokove. V nadaljevanju se fokus dela usmeri k fenomenu haikuja v slovenskem književnem prostoru, natančneje k poeziji. Skozi predstavitev najbolj prepoznavnih slovenskih »haiku avtorjev« skuša naloga prikazati razcvet in vpliv dotične japonske pesniške oblike. Zadnji del naloge pa se podrobneje posveča izpostavljenim podobnostim oz. razlikam med »japonskim« in »slovenskim« haikujem in njegovi umeščenosti v slovensko književnost.Haiku is a short Japanese poetic form, established in the 17th century by the poet Matsuo Başo. Traditional Japanese haiku consists of three phrases and contains seventeen syllables, arranged on the principle of 5 – 7 – 5. The master\u27s thesis begins with an overview of the historical development and circumstances that influenced the formation of the Japanese state. At the same time, the development of Japanese lyric is included in the review and it is crucial for the understanding and later placement of haiku poetry. In the continuation the thesis presents an inventory of haiku poetry in Japan. It focuses on its origins, formation and development, language, philosophical doctrine and its impact on the world literary trends. The core of the thesis is the phenomenon of haiku in the Slovenian literary space. Through the presentation of the most recognizable Slovenian "haiku authors", the master\u27s thesis tries to show the flourishing and influence of the Japanese haiku form. The last part of the master\u27s thesis is devoted to the highlighted similarities or differences between “Japanese” and “Slovenian” haiku and its place in the Slovene literature

    Political Theatre of the 21st Century - the Work of Oliver Frljič

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    Diplomska naloga se ukvarja s tematiko sodobnega političnega gledališča in njegovega položaja v družbi. Posvetila se bom uprizoritveni umetnosti kot orodju za artikulacijo realnih, aktivnih, političnih in družbenih vprašanj ter njihovo reprezentacijoali je gledališče zrcalo družbe ali le »sedativ« družbe? Poskušala bom opredeliti vlogo političnega gledališča v družbenem sistemu, njegov vpliv, vlogo gledalca ipd. Ugotavljala bom tudi, kakšno vlogo nosi dominantna ideologija in na kakšen način ta vdira v umetnosttorej ali gre le za reprodukcijo nekega družbenega konsenza, ki določa »pravila« družbenega sistema ali pa gledališče vseeno ponuja neke alternative. Podrobneje se bom posvetila tudi publiki in učinku, ki ga »politična predstava« pusti na gledalcu. Zanima me ali daje gledališče le nek občutek angažiranosti, življenja v iluziji, ali lahko pride do pravih sprememb, oziroma ali si jih gledalec sploh želi. Nalogo bom začela s splošnim orisom zgodovine političnega gledališča, nadaljevala pa z analizo slovenskega in jugoslovanskega političnega gledališča v 20. in 21. stoletju. V nadaljevanju se bom posvetila opredelitvi načinov in »taktik«, ki jih tako gledališče uporablja in prikazala njihovo reprezentacijo, učinek in vpliv. Na koncu pa bom svoje raziskovanje ponazorila na primeru hrvaškega gledališkega režiserja Oliverja Frljića. Analizirala bom nekaj njegovih predstav in tako predstavila področje političnega gledališča.The diploma deals with the analysis of contemporary political theatre and its position in today’s society. I will base my focus on theatre as a form of art that can also serve as a representation of current political and social questions, issues and dilemmas. I will try to define the role of political theatre in today’s social system, its influence, the role of the spectator etc. One of the dimensions of the diploma is dedicated to the importance of the dominant ideology, its role and the way it behaves in art. The diploma starts with a short introduction of the evolution of political theatre in general and continues analysing the history of Slovenian and Yugoslavian political theatre of the 20th and the 21st century. It continues with the description and analysis of various tactics and manners of political theatre, their effects and influence. The last and crucial part of the diploma focuses on the features of the political theatre written by Croatian theatre director Oliver Frljić

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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