1,720,965 research outputs found
Kito-ryu jujutsu y la desolación de la Kodokan judo’s Koshiki-no-kata -Recordando a Inoue Shoji (1927-2018)
No full text[ES] Inoue Shōji (1927-2018) nació en la prefectura de Tokushima, Japón. Practicó jūdō en su juventud. Más tarde, estudió el jūjutsude la Kitō-ryū durante un tiempo con Odaka Shigeru. Durante su trayectoria profesional como guarda de prisiones, aceptó una oferta para convertirse en terapeuta de jūdō. Enseñó jūdō y un repertorio limitado de la Kitō-ryū, incluyendo ejercicios que fueron adoptados por el jūdōKōdōkan con el nombre de koshiki-no-kata[Las Formas Antiguas], en un dōjō del distrito de Yamashina-ku, en Kyōto. Con el jūdō Kōdōkan en continuo deterioro hacia un deporte normal, y perdiendo su propósito y valores fundamentales, Inoue valoró cada vez más los valores de las artes marciales tradicionales preservados en el jūjutsude la Kitō-ryū. Su entusiasmo se reflejó al comenzar a realizar demostraciones públicas en diversos eventos en Japón y al convertirse en representante de la Kitō-ryū en el Nihon Kobudō Kyōkai. Probablemente, el momento máximo de gloria de Inoue fue su demostración pública en 2013 con motivo del Fifth International Judo Federation (IJF) World Kata Judo Championships, celebradoen Kyōto. Fue esta presentación la que lo presentó a la comunidad internacional del jūdō y le dio cierta fama. Para la mayoría de los jūdōkas extranjeros, este fue su primer contacto con a Kitō-ryū. Independientemente de la calidad de la demostración de Inoue, su perspectiva mostró un contrapeso frente a la reinvención histórica del Kōdōkan y la caricatura de la katadeportiva de la IJF. Varios videoclips, disponibles en abierto en YouTube, son el recuerdo de su arte. Inoue Shōji tenía el rango de 8º dan del Kōdōkan, y murió pacíficamente en Kyōto el 30 de octubre de 2018.[EN] Inoue Shōji (1927-2018) was born in Tokushima prefecture, Japan. As a youngster he took up jūdō. Later, he studied Kitō-ryū jūjutsufor some time with Odaka Shigeru. During his professional career as a prison guard he followed up on an offer to become a jūdō therapist. In a dōjō in the Yamashina-ku ward in Kyōto he taught both jūdō and a limited catalogue of Kitō-ryū that included exercises that were adopted into Kōdōkan jūdō under the name koshiki-no-kata[The Antique Forms]. With Kōdōkan jūdō continuing to deteriorate into an ordinary sport and losing its core values and purpose, Inoue increasingly appreciated the traditional martial arts values preserved in Kitō-ryū jūjutsu. His enthusiasm was reflected in beginning to give public demonstrations at various events in Japan and becoming a representative of Kitō-ryū in the Nihon Kobudō Kyōkai. Inoue’s supreme moment of glory likely was his public demonstration in 2013 at the occasion of the Fifth International Judo Federation (IJF) World Kata Judo Championships held in Kyōto. It was this performance that introduced him to the international jūdō community and brought him certain fame. For most foreign jūdōka this was their first contact with Kitō-ryū. Irrespective of the quality of Inoue’s display, his approach offered a counterweight against the Kōdōkan’s historic reinvention and the IJF sports katacaricature. Several video clips publicly available on YouTube remain as a lasting memory of his art. Inoue Shōji held the rank of Kōdōkan 8thdan, and peacefully died in Kyōto on October 30th, 2018.[PT] Inoue Shoji (1927-2018) nasceu na prefeitura de Tokushima, no Japão. Praticou jūdō na sua juventude. Mais tarde, estudou o jūjutsuda Kitō-ryū com Odaka Shigeru. Durante sua carreira profissional como guarda prisional, aceitou uma proposta para se reconverter em terapeuta de jūdō. Ensinou jūdō e um repertório limitado da Kitō-ryū, incluindo exercícios que foram adotados pelo jūdōKōdōkan com o nome de koshiki-no-kata[As Formas Antigas], num dojo do distrito de Yamashina-ku, em Quioto. Com o jūdōKōdōkancontinuando a se deteriorar em um esporte comum e perdendo seus valores fundamentais e propósito, Inoue valorizou, cada vez mais, os valores das artes marciais tradicionais preservados no jūjutsuda Kitō-ryū. O seu entusiasmo refletiu-se ao começar a realizar demonstrações públicas em diversos eventos no Japão e ao ser representante da Kitō-ryū na Nihon Kobudō Kyōkai. O momento supremo de glória de Inoue provavelmente foi sua demonstração pública em 2013, no Fifth International Jūdō Federation(IJF), World Kata Jūdō Championships, celebrado em Quioto. Foi esta demonstração que o apresentou à comunidade internacional do jūdō e lhe deu uma certa fama. Para a maioria dos jūdōkas estrangeiros, este foi o seu primeiro contacto com a Kitō-ryū. Independentemente da qualidade da demonstração de Inoue, a sua abordagem ofereceu um contrapeso contra a reinvenção histórica doKōdōkan e a caricatura da katadesportiva da IJF. Vários vídeos, disponíveis no Youtube, são uma recordação da sua arte. Inoue Shoji tinha a graduação de 8° dan do Kōdōkan, e morreu pacificamente em Quioto, em 30 de outubro de 2018
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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