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    Ingunn Lunde, Martin Paulsen, eds., From Poets to Padonki

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    « Nihil est in lingua quod non prius fuerit in oratione. » Les changements dans la langue sont perçus au début comme des variations de l’usage et donc de la norme. Ingunn Lunde, professeur à l’université de Bergen, fondatrice et directrice de la série « Slavica Bergensia », est l’une des slavistes occidentales les plus attentives aux changements que connaît le russe d’aujourd’hui et à l’évolution de la norme chez les russophones. Elle pilote, dans le cadre du Conseil de la recherche scientifi..

    Review of "Language on Display" by Ingunn Lunde

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    The book under review is devoted to the late shifts in language culture that took place in postperestroika Russia. Taking into consideration the strong Russian tradition that closely links standard language (literaturnyi iazyk) and the language of literature (iazyk literatury), and consequently “the role of literature in establishing and maintaining the standard language” (34), Ingunn Lunde explores debates and discussions that have taken hold in contemporary Russia, analyzing in particular writers’ responses to them, both explicit (through interviews, for example) and implicit (in their literary works)

    Ingunn Lunde. Language on Display: Writers, Fiction and Linguistic Culture in Post-Soviet Russia. Russian Language and Society

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    The book under review is devoted to the late shifts in language culture that took place in postperestroika Russia. Taking into consideration the strong Russian tradition that closely links standard language (literaturnyi iazyk) and the language of literature (iazyk literatury), and consequently “the role of literature in establishing and maintaining the standard language” (34), Ingunn Lunde explores debates and discussions that have taken hold in contemporary Russia, analyzing in particular writers’ responses to them, both explicit (through interviews, for example) and implicit (in their literary works)

    From Poets to PadonkiIngunn LUNDE

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    Ingunn LUNDE, Martin PAULSEN, eds., From Poets to Padonki, Linguistic Authority & Norm Negotiation in Modern Russian Culture, Bergen : University of Bergen, 2009, 349 p. (Slavica Bergensia, 9) « Nihil est in lingua quod non prius fuerit in oratione. » Les changements dans la langue sont perçus au début comme des variations de l’usage et donc de la norme. Ingunn Lunde, professeur à l’université de Bergen, fondatrice et directrice de la série « Slavica Bergensia », est l’une des slavistes occid..

    Dialogue and rhetoric : communication strategies in Russian text and theory /

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    Met opdracht "To Professor Thomson, with best wishes for 2000! Ingunn Lunde, Bergen, 6.1.2000"Papers originally presented at a symposium on "Dialogue and Rhetoric" held in Bergen on 14-17 January 1999.Includes bibliographical references and index.Thomson, Franci

    Vi synger og vi ler - og lærer russisk: nye genrer i språkundervisningen

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    Ingunn Lunde introduserer to nye genrer i språkundervisning i russisk: fremføring av russiske sanger samt dramatisering av anektdoter. På den måten får studentene både god uttale, økt ordforråd og et innblikk i en viktig del av russisk kultur. Lunde beskriver bakgrunn for, gjennomføring av og evaluering av tiltaket (studentene var meget begeistret!), og planlegger en utvidelse av denne genren og undervisningsformen

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Languages and Styles of Post-Soviet Russian Prose

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