1,720,952 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Seismic waves and acoustic waves: from earthquake to music
INGV is currently the largest European scientific institution dealing with Earth Sciences research and real-time
surveillance, early warning, and forecast activities in geophysics and volcanology. The Laboratorio Didattica e
Divulgazione Scientifica of INGV organizes every year rich educational and outreach activities with schools of
different levels and with general public to convey scientific knowledge and to promote research on science and
nature, focusing on volcanic and seismic hazard. The activities encompass a wide variety of formats, such as the
opening of our labs to schools for guided visits, contributing to national (e.g., the Italian “Week of the Scientific
Culture”, launched by the Ministry of Education and Research) and international (e.g., the European “Night of the
Researchers”) events, editing educational videos, creating multimedia tools also available on the Web. Moreover,
we contribute to expositions and science festivals organizing exhibitions with experiments, models, and exhibits
designed to teaching and learning geophysics. Finally, we offer guided visits to the control rooms run by our
Institute, which ensures the round-the-clock volcanic and seismic surveillance of the whole Italian territory.
During the Week of the Scientific Culture and the Night of the Researchers we opened our Institute to the general
public, in order to show our laboratories, to talk about new researches on Earth Sciences and to explain the
volcanic and seismic risk and the related surveillance activities. These initiatives are widely appreciated by the
community and we organized special events with the aim to inspire curiosity toward scientific research, and to
facilitate the approach of the general public to science and nature. The special event of the 2010 programmes
was a scientific-musical format: Seismic waves and acoustic waves, from earthquake to music. The aim of this
project was to involve the public in scientific events offering happening where the scientific language is mediate
through the language of the music. In this way, scientific phenomenon are brought in using emotion, making
easier the understanding of the scientific themes. The format started with short lectures on earthquake and seismic
wave propagation to move on the comparison between the seismic waves and the acoustic waves. We used
seismograms, acoustic instruments, the voice, and the Earth sounds to explain the relation between earthquake
waves and music. The scientific talks were organized to create a trail that, through emotion and curiosity, guides
the public to the discovery and comprehension of the scientific phenomenon. The final part of the event was
devoted to classical/jazz/blues live concerts performed by groups and ensembles, some of them arranged by INGV
researchers. As a general result, thanks to this project we joined science and community, merging the INGV
mission with the public expectation. This scientific-musical format represented an experimental outreach project,
new, stimulating, and appreciated by the audience that can be used as good practice of scientific divulgation.PublishedVienna- Austria5.9. Formazione e informazioneope
Seismic waves and acoustic waves: from earthquake to music
INGV is currently the largest European scientific institution dealing with Earth Sciences research and real-time
surveillance, early warning, and forecast activities in geophysics and volcanology. The Laboratorio Didattica e
Divulgazione Scientifica of INGV organizes every year rich educational and outreach activities with schools of
different levels and with general public to convey scientific knowledge and to promote research on science and
nature, focusing on volcanic and seismic hazard. The activities encompass a wide variety of formats, such as the
opening of our labs to schools for guided visits, contributing to national (e.g., the Italian “Week of the Scientific
Culture”, launched by the Ministry of Education and Research) and international (e.g., the European “Night of the
Researchers”) events, editing educational videos, creating multimedia tools also available on the Web. Moreover,
we contribute to expositions and science festivals organizing exhibitions with experiments, models, and exhibits
designed to teaching and learning geophysics. Finally, we offer guided visits to the control rooms run by our
Institute, which ensures the round-the-clock volcanic and seismic surveillance of the whole Italian territory.
During the Week of the Scientific Culture and the Night of the Researchers we opened our Institute to the general
public, in order to show our laboratories, to talk about new researches on Earth Sciences and to explain the
volcanic and seismic risk and the related surveillance activities. These initiatives are widely appreciated by the
community and we organized special events with the aim to inspire curiosity toward scientific research, and to
facilitate the approach of the general public to science and nature. The special event of the 2010 programmes
was a scientific-musical format: Seismic waves and acoustic waves, from earthquake to music. The aim of this
project was to involve the public in scientific events offering happening where the scientific language is mediate
through the language of the music. In this way, scientific phenomenon are brought in using emotion, making
easier the understanding of the scientific themes. The format started with short lectures on earthquake and seismic
wave propagation to move on the comparison between the seismic waves and the acoustic waves. We used
seismograms, acoustic instruments, the voice, and the Earth sounds to explain the relation between earthquake
waves and music. The scientific talks were organized to create a trail that, through emotion and curiosity, guides
the public to the discovery and comprehension of the scientific phenomenon. The final part of the event was
devoted to classical/jazz/blues live concerts performed by groups and ensembles, some of them arranged by INGV
researchers. As a general result, thanks to this project we joined science and community, merging the INGV
mission with the public expectation. This scientific-musical format represented an experimental outreach project,
new, stimulating, and appreciated by the audience that can be used as good practice of scientific divulgation.PublishedVienna- Austria5.9. Formazione e informazioneope
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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