2,453 research outputs found
Reptricket. Förord till Lars Gustafsson: Mot noll
No full textIntroduction to a collection of philosophical essays by Swedish author Lars Gustafsson (b. 1936)
Author Functions in Lars Kepler\u27s The Hypnotist: An Analysis
No full textThis paper examines Foucault\u27s notion of the author function as it pertains to Lars Kepler\u27s bestselling 2011 crime thriller, The Hypnotist. Lars Kepler is the pseudonym of a Swedish husband-wife writing duo, making him the perfect subject for analysis centering on illusory notion of the author. This paper will answer these questions: Who is the true author of The Hypnotist? What factors influence the author function of this bestelling novel? And what can The Hypnotist phenomenon tell us about the relationships between authors and their readers? This paper will demonstrate that no literary works may be ascribed to an individual person, and that authors hold no privileged knowledge of the works they produce, because authors cease to be authors the moment pen is lifted from page
3D roll-forming of hat-profile with variable depth and width
No full textThe use of roll-formed products in automotive, furniture, buildings etc. increases every year due to the low part-production cost and the complicated cross-sections that can be produced. The limitation with roll-forming until recent years is that one could only produce profiles with a constant cross-section in the longitudinal direction. About eight years ago ORTIC AB [1] developed a machine in which it was possible to produce profiles with a variable width (“3D roll-forming”) for the building industry. Experimental equipment was recently built for research and prototyping of profiles with variable cross-section in both width and depth for the automotive industry. The objective with the current study is to investigate the new tooling concept that makes it possible to roll-form hat-profiles, made of ultra high strength steel, with variable cross-section in depth and width. The result shows that it is possible to produce 3D roll-formed profiles with close tolerances
3D roll-forming of hat-profile with variable depth and width [Elektronisk resurs]
No full textThe use of roll-formed products in automotive, furniture, buildings etc. increases every year due to the low part-production cost and the complicated cross-sections that can be produced. The limitation with roll-forming until recent years is that one could only produce profiles with a constant cross-section in the longitudinal direction. About eight years ago ORTIC AB [1] developed a machine in which it was possible to produce profiles with a variable width (“3D roll-forming”) for the building industry. Experimental equipment was recently built for research and prototyping of profiles with variable cross-section in both width and depth for the automotive industry. The objective with the current study is to investigate the new tooling concept that makes it possible to roll-form hat-profiles, made of ultra high strength steel, with variable cross-section in depth and width. The result shows that it is possible to produce 3D roll-formed profiles with close tolerances.</p
Acetate<em>,</em> naturally
No full textThe Beatles author, Hans Olof Gottfridsson, reveals a newly-unearthed version of Why, a record subsequently cut by the band and Tony Sheridan.</p
En komparativ analys av Lars Noréns och Ulf Lundells dagböcker : – genre, subjekt och åldrande
No full textMed utgångspunkt från dagbokens specifika form av självframställning undersöker uppsatsen åldrande och maskulinitet i Lars Noréns och Ulf Lundells dagboksserier (2000–2022). Frågor som ställs är hur jaget i dagböckerna konstrueras och hur intersektionen åldrande och maskulinitet framställs. Analysen använder Philippe Lejeunes studier av dagboksgenren. Lejeune beskriver den självbiografiska dagboken som en form av "antifiktion” på grund av dess intima koppling till i stunden pågående liv. Andra teoretiska utgångspunkter är Michel Foucaults essä ”Vad är en författare” och Roland Barthes ”The Death of the Author”, vilka problematiserar relationen mellan den fysiska författaren och texten. Uppsatsen hävdar att en autofiktiv text är en iscensättning av jaget. Som utgångspunkt används antagandet att genus såväl som ålder är socialt konstruerade identiteter. Några kortare akademiska studier om jaget i Noréns En dramatikers dagbok är publicerade, men hittills ingen om Lundells Vardagar Uppsatsen visar på en outforskad sida av de subjekt som framträder i dagböckerna, de jag som belyser den åldrande mannens självförståelse och hemvist i samtiden
En komparativ analys av Lars Noréns och Ulf Lundells dagböcker : – genre, subjekt och åldrande
No full textMed utgångspunkt från dagbokens specifika form av självframställning undersöker uppsatsen åldrande och maskulinitet i Lars Noréns och Ulf Lundells dagboksserier (2000–2022). Frågor som ställs är hur jaget i dagböckerna konstrueras och hur intersektionen åldrande och maskulinitet framställs. Analysen använder Philippe Lejeunes studier av dagboksgenren. Lejeune beskriver den självbiografiska dagboken som en form av "antifiktion” på grund av dess intima koppling till i stunden pågående liv. Andra teoretiska utgångspunkter är Michel Foucaults essä ”Vad är en författare” och Roland Barthes ”The Death of the Author”, vilka problematiserar relationen mellan den fysiska författaren och texten. Uppsatsen hävdar att en autofiktiv text är en iscensättning av jaget. Som utgångspunkt används antagandet att genus såväl som ålder är socialt konstruerade identiteter. Några kortare akademiska studier om jaget i Noréns En dramatikers dagbok är publicerade, men hittills ingen om Lundells Vardagar Uppsatsen visar på en outforskad sida av de subjekt som framträder i dagböckerna, de jag som belyser den åldrande mannens självförståelse och hemvist i samtiden
Författaren i arbete. Biografens maskinrum som heterotopi i Eyvind Johnsons Romanen om Olof
No full textJohan Klingborg, Department of Culture and Aesthetics, Stockholm University The Author at Work: The Projection Room as Heterotopia in Eyvind Johnson’s The Novel about Olof (Författaren i arbete. Biografens maskinrum som heterotopi i Eyvind Johnsons Romanen om Olof) The sociological understanding of Swedish proletarian literature usually goes like this: in order to become a working class author the ‘proletarian’ writer paradoxically needs to abandon labor. While Eyvind Johnson’s four-part autobiographical Künstlerroman The Novel about Olof (1934–37) at first glance appears to follow that trajectory, this article shows how a particular line of work—namely, the work as a projectionist—in fact plays a fundamental role in the protagonist’s development towards writerly consciousness. The article takes as its point of departure the pivotal closing sequence of the third part, in which Olof, employed as a projectionist, starts to read an edition of the Odyssey during the screening of a film. Through a media-archaeological analysis of that scene, the article argues that Olof is reading in the projection room because historically it has functioned precisely as a space for reading. Not only was the projection room secluded and out of reach from the mechanisms of perception control in the auditorium; it also granted a livelihood without claiming all of the worker’s attention. In the words of Michel Foucault, the projection room can thus be regarded as a heterotopia—i.e. a space that simultaneously stands in relation to, and inverts, the power dynamics of all other spaces—both with regard to the cinema building and to capitalist society at large. The article shows how Olof ’s willingness and ability to read is indeed connected to his access to this heterotopian space for reading. Moreover, it argues that Olof is reading the Odyssey specifically because the Homeric epic is analogous to the tasks of the projectionist. The repetitive labor of the projectionist makes them a Penelope figure: the former is repeatedly winding and rewinding, while the latter is continually weaving and unweaving
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