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Dr. İnci Ayan Birol'un sanatı ve Türk Bezeme Sanatına katkıları
No full textDR. İNCİ AYAN BİROL’UN SANATI VE TÜRK BEZEME SANATLARINA KATKILARI Türk Bezeme Sanatları’nda özel bir yere sahip olan Dr. İnci Ayan Birol, önemli bir sanatkâr ve eğitimcidir. Aynı zamanda eğitim alanında yapmış olduğu hizmetleri incelendiğinde bu yönüyle de dikkate değerdir. İstanbul Üniversitesi Fen Fakültesi Fizik-Matematik Bölümü’nde okurken, sanat eğitimini de aynı paralellikte yürütmüştür. Cumhuriyet döneminin çok değerli şahsiyetleri olan, Ord. Prof. Dr. Süheyl Ünver’den (1958-1970), Muhsin Demironat’ dan (1974-1983) ve Rikkat Kunt’ dan (1976-1985) yılları arasında tezhip dersleri almıştır. Marmara Üniversitesi’nden gelen teklif üzerine, 1988 yılında Güzel Sanatlar Fakültesi Geleneksel Türk El Sanatları Bölümü Tezhip-Minyatür Anasanat Dalı’na öğretim görevlisi olarak atanmış ve 2000 yılında emekli olmuştur. Selçuk Üniversitesi’nde Geleneksel Türk Sanatları Bölümü kurucu üyeliğinde de bulunan Dr. İnci A. Birol, lisans ve yüksek lisans derslerini, 12 yıl devam ettirmiştir. Üniversite bünyesinde birçok öğrenci yetiştirmiş usta-çırak usulünde de çok sayıda sanatkârın eğitimine katkıda bulunmuştur. XVI. yüzyıl klasik dönemin sanat anlayışı çerçevesinde, sanatımızı yaşatmak, yenilikçi yorumlarla günümüz sanatının biçimlenmesinde ve geleceğe taşınması noktasında, Dr. İnci A. Birol’un katkıları yadsınamaz. Eserlerde millî ve ferdî kimliğin bulunması gerektiğini dile getirmekte, gelenek kavramının üzerinde özellikle durmaktadır. Kültür ve sanat adına yapmış olduğu tüm çalışmaları bir amaç doğrultusundadır. Türk sanatı, Türk bezeme sanatları, teknikleri ve eğitimi üzerine çok sayıda kitap, makale ve bildirileri bulunan Dr. İnci Ayan Birol’un sanatına olan aşkı, bağlılığı ve sanatına yapmış olduğu katkılarıyla, Türk bezeme sanatlarında özel ve ayrıcalıklı bir yere sahip olmuşturDR. İNCİ AYAN BİROL’S ART AND CONTRIBUTIONS TO TURKISH DECORATIVE ART Dr. İnci Ayan Birol has a special place in Turkish Decorative Art as Artist and educator.The services in the field of education She has done are also remarkable in this aspect. While studying at Istanbul University, Faculty of Science, Department of Physics and Mathematics, she carried out her art education in the same parallel. Birol took illumination lessons from Ord. Prof. Dr. Süheyl Ünver (1958-1970), Muhsin Demironat (1974-1983) and Rikkat Kunt (1976-1985), who were valuable personalities in Republican period. She started teaching physics in 1967 and served for 16 years at the Secondary Education and Higher Technical Teacher Training School (Marmara University Faculty of Education). With of the proposal of Marmara University, Birol was appointed as a lecturer to the Faculty of Fine Arts in 1988 and continued for 12 years in the Illumination-Miniature Department of the Department of Traditional Turkish Handicrafts, which was established in 1982, and retired in 2000. Dr. İnci A. Birol is also a founding member of the Department of Traditional Turkish Arts at Selçuk University, continued, her undergraduate and graduate courses for 12 years between Istanbul and Konya. She contributed to the education of many craftsmen in the master-apprentice manner. Birol’s contributions of the XVI century classical period, cannot be denied in keeping Turkish art alive, shaping today’s art with innovative interpretations and carrying it to the future. She indicates that national and individual identity should be present in the works and emphasizing the concept of tradition. The intellectuality relationship between meaning and art and simplicity is felt in all the works of İnci A. Birol. Apart from illumination and miniature works, she also has oil paintings, watercolor works applied in different fields and techniques. All her works in the name of culture and art are in line with a purpose. She has numerous books, articles and papers on Turkish art, Turkish decorative arts, techniques and education, has a special and privileged place in Turkish decorative arts with her love, devotion and contributions to her art
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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