21,104 research outputs found
Silvestre Illera Sarria, violín (Colombia)
No full textConcierto interpretado por Silvestre Illera. Comienza su carrera musical en el Conservatorio de la Universidad del Cauca en el año de 1 974, fecha en la que asiste a clases de violín con Hugo L. Valencia y con José Tomás Illera en 1978. Un año después ingresa a la Orquesta de Cámara de esta Institución. Ha participado en los talleres de violín realizados por el Instituto Colombiano de Cultura con los nlaestros Daniel Heifetz y Alberto Lysy en 1981 Y 1982 respectivamente.
El programa del concierto incluyó obras de J. S. Bach, T. Vitali, L. v. Beethoven, F. Kreisler-Pugnani
Assertive communication tools as a fundamental axis within the acting direction process, in light of two academic stage productions
No full textEn la presente investigación se realiza un análisis de las herramientas de dirección actoral de Judith Weston y Michael Chejov, haciendo énfasis en los elementos que se relacionan directamente con algunas técnicas de comunicación asertiva. Para dicho análisis se realiza una revisión del oficio de la dirección escénica y los diferentes roles adoptados y se segmenta el proceso creativo en cuatro etapas Preproducción - Producción - Montaje - Postproducción.Finalmente se desarrolla un análisis a partir de la experiencia en el montaje escénico de las obras Souvenir asiático de Martha Marquez y La fábula del gato muerto y el pollo decapitado de Sebastián Illera (Montajes académicos de la Universidad Distrital Francisco José de Caldas - Facultad de artes ASAB).In this research, an analysis of the acting direction tools proposed by Judith Weston and Michael Chekhov is conducted, with a particular focus on elements directly related to certain assertive communication techniques. This analysis includes a review of the craft of stage direction and the various roles it entails, segmenting the creative process into four stages: Pre-production, Production, Staging, and Postproduction. Lastly, the study develops an analysis based on the experience gained from staging the plays Souvenir Asiático by Martha Marquez and La Fábula del Gato Muerto y el Pollo Decapitado by Sebastián Illera (academic productions from theUniversidad Distrital Francisco José de Caldas - Faculty of Arts ASAB)
Report on Meteorological Research March 1, 1935 (m-1)
No full textThe object of the report was to elucidate in detail the various features of the research program in meteorology being carried on at the Daniel Guggenheim Airship Institute in Akron, Ohio. Mr. L. J. Fangman, of the U.S. Weather Bureau, was collaborating with the author in carrying out work such as a study of autographic records of the various meteorological elements during frontal passages with a view to the possible prediction of the intensity of the accompanying disturbance as it may affect the operation of aircraft and a study of atmospheric gustiness with a view to finding the dependence between frequency end amplitude of velocity fluctuations and the vertical temperature and velocity gradients
(Fourth) Report on Meteorological Activities at the DGAI (8-1-36)(Weather Bureau Copy)
No full textThis report is on the investigations of frontal phenomena at the Daniel Guggenheim Airship Institute in Akron, Ohio from January 1, 1935 through August 1, 1936. The investigation was carried out with the cooperation of the U.S. Bureau of Aeronautics, the U.S. Weather Bureau, the California Institute of Technology, and the Guggenheim Airship Institute. Mr. R.C. Robinson of the Weather Bureau cooperated with the author in carrying out the investigation. The object of the investigation was to determine the intensity of the atmospheric disturbances (i.e. rapidity of wind shift and gustiness) accompanying the passage of cold fronts, along with a study of the characteristics of the air masses involved and other features which might affect the intensity of the disturbance. The report treated thirty cold fronts which passed the station during 1935 to 1936
Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg
No full textDaniel Akech
No full textabstract: Daniel was a little boy when the war came to his village. He witnessed people being shot and running for shelter. There was no food or water so he drank urine and ate tree leaves.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 24Region: Upper NileThis picture and bio was donated to the "Lost Boys Found" oral history project from The Arizona Lost Boys Cente
Daniel Emmett postcard
No full textPostcard of Daniel Emmett and his home in Mount Vernon, Ohio. Emmett is considered to be the author of the antebellum song "Dixie," written in 1859, which became the unofficial song of the Confederate soldiers during the American Civil War. He was born in Mount Vernon in 1815 and taught himself the fiddle, and later became associated with minstrel shows and helped to define that genre. Minstrel shows traveled around the United States, presenting skits and musical performances. Emmett also composed many other songs, including "Old Dan Tucker," "Turkey in the Straw," and "The Blue Tail Fly." He died in 1904
Daniel Jau Maper
No full textabstract: Daniel Jau Maper was herding cattle when Arabs attacked his village.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 27Region: Upper NileThis picture and bio was donated to the "Lost Boys Found" oral history project from The Arizona Lost Boys Cente
Daniel A. Ngor
No full textWhen Daniel was five years old Arab soldiers attacked his village.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age : 23Region: Upper NileThis picture and bio was donated to the "Lost Boys Found" oral history project from The Arizona Lost Boys Cente
Personal Papers (MS 80-0002)
No full textLetter from Mary T. Steyn of The Readers Digest to Daniel W. Kempner providing some information on the author of an article he was asking about
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