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    Postcards from the edge of time: archaeology, photography, archaeological ethnography

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    In this photo-essay we present and discuss an experiment with digital photography as part of our archaeological ethnography within the Kalaureia Research Programme, on the island of Poros, Greece. We contextualize this attempt by reviewing, briefly but critically, the collateral development of photography and modernist archaeology, and the links between photography and anthropology, especially with regard to the field of visual anthropology. Our contention is that at the core of the uses of photographs made by both disciplines is the assumption that photographs are faithful, disembodied representations of reality. We instead discuss photographs, including digital photographs, as material artefacts that work by evocation rather than representation, and as material memories of the things they have witnessed; as such they are multi-sensorially experienced. While in archaeology photographs are seen as either official records or informal snapshots, we offer instead a third kind of photographic production, which occupies the space between artwork and ethnographic commentary or intervention. It is our contention that it is within the emerging field of archaeological ethnography that such interventions acquire their full poignancy and potential, and are protected from the risk of colonial objectification. <br/

    Practices of personal adornment in Neolithic Greece

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    The objective of this thesis is the reconsideration of the practices of personal adornment during the Neolithic period in Greece, through the assemblage, extensive bibliographic documentation, and critical evaluation of all the available data derived from more than a hundred excavated sites -an archaeological archive of wide geographical and chronological scope. In addition, a thorough study of the ornament corpus from the Middle/Late Neolithic lakeside settlement of Dispilio in Kastoria was conducted.The anthropological and archaeological literature on theoretical and methodological issues concerning practices of personal adornment is presented first. Then follows the examination of technologies and processes of production, consumption, recycling, deposition, and diffusion; as well as the investigation of social correlates of personal adornment, as they are reflected in the choice of different raw materials (shell, clay, bone, stone, and metal) and ornament types (beads, pendants, and bracelets) across Neolithic Greece.Σκοπός της παρούσας διατριβής είναι η επανεξέταση των πρακτικών προσωπικής κόσμησης κατά τη νεολιθική περίοδο στην Ελλάδα μέσω της επανεκτίμησης των διαθέσιμων στοιχείων που προέρχονται από περισσότερες από εκατό ανεσκαμμένες νεολιθικές θέσεις, καθώς και της λεπτομερειακής μελέτης του corpus κοσμημάτων που προέρχονται από τη λιμναία θέση της Μέσης/Νεότερης Νεολιθικής στο Δισπηλιό Καστοριάς.Αρχικά γίνεται κριτική παρουσίαση των θεωρητικών και μεθοδολογικών απόψεων της ανθρωπολογικής και αρχαιολογικής βιβλιογραφίας σε σχέση με το ζήτημα των πρακτικών προσωπικής κόσμησης. Στη συνέχεια εξετάζονται οι πτυχές της παραγωγής, των τεχνολογικών επιλογών, των συνθηκών χρήσης, ανακύκλωσης και εναπόθεσης καθώς και οι ενδείξεις της ενδοκοινοτικής, διακοινοτικής και χρονολογικής διασποράς τους. Εξετάζονται, τέλος, τα ερμηνευτικά προβλήματα παραγωγής και χρήσης των τεχνουργημάτων αυτών που σχετίζονται με τη σωματική κόσμηση, άμεσες αρχαιολογικές μαρτυρίες των οποίων αποτελούν οι οστέινες, οστρέινες, λίθινες, πήλινες και μετάλλινες χάντρες, περίαπτα και δακτύλιοι

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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