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Mrs. Licenciado Cortazar and Melchor Pacheco Calderon
No full textPhotograph shows bust portrait of Mrs. Licenciado Cortazar and Melchor Pacheco Calderon. Both are wearing lace dresses.Photographer's name on mount:''"Ideal Studio...San Francisco [California].'' Inscription on back:''"Mama conserve este...El retrato que acompana a mi es el de las esposa del Senor Lic. Cortazar, la mejor y gran distingo de entre mis amigas...Melchor.
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
War veterans from Jefferson County
No full textHandwritten on reverse: "Veterans of Civil, Spanish - American and World War outside the Eagles Home, Steubenville. J. E. Bishop."
This photograph shows a large group of people standing and sitting, posed, in front of the Fraternal Order of Eagles building in Steubenville, Ohio. The house is decorated in red, white and blue, with American Flags waving everywhere. A flag hangs at the top of the house which reads: "Steubenville, O. F.O.E. 421."
The five Civil War Veterans seated at the front of the photograph, all wearing Grand Army of the Republic ribbons, appear together in another photograph.
Just right of center stands a group of men wearing kilts , some holding bagpipes. The light colored uniforms bear "F.O.E. 412" on the collars.
An embossed stamp reads: "Ideal Studio. C. M. Caruso.
Raymond F. Swaim, 1918.
No full textRaymond F. Swaim, 1918. Mr. Swaim was in a general merchandise and fertilizer business, called Swaim Brothers.Source: Booklet, "Winston-Salem, City of Industry," 1918
Benjamin F. Butler, 1918.
No full textBenjamin F. Butler, 1918. Mr. Butler was a grocer for the store, Butler & Wade.Source: Booklet, "Winston-Salem, City of Industry," 1918
Henry R. Stowe, 1918.
No full textHenry R. Stowe, 1918. Mr. Stowe was in the automobile repair business.Source: Booklet, "Winston-Salem, City of Industry," 1918
William O. Gilbert, 1918.
No full textWilliam O. Gilbert, 1918. Mr. Gilbert was a shoe repairer.Source: Booklet, "Winston-Salem, City of Industry," 1918
John R. Elkins, 1918.
No full textJohn R. Elkins, 1918. Mr. Elkins was a grocer.Source: Booklet, "Winston-Salem, City of Industry," 1918
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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