304 research outputs found
Simulazione di laboratorio di canopie urbane bidimensionali
No full textE' stata realizzata una sperimentazione in laboratorio finalizzata allo studio dello strato limite atmosferico in condizioni di stabilità neutra in presenza di una canopia urbana, costituita da un array di building bidimensionale. L'obiettivo della ricerca è l'analisi delle caratteristiche della turbolenza del flusso nel caso di canyon urbani, ponendo particolare attenzione sugli scambi di energia e di materia che avvengono tra i canyon ed il flusso esterno alla canopia. Nello specifico, lo studio è stato focalizzato su un singolo canyon
"Si tout sujet est portrait” : figurations du moi dans Le Monde désert de Jouve et La Mort difficile de Crevel
No full textThe analysis of two novels from the 1920s selected as emblematic cases – Le Monde désert by Jouve and La Mort difficile by Crevel – leads the author to point out the connections between the figuration of the subject in literature and the portrait in painting. Indeed, the survival of the portrait itself as a pictorial genre can be seen as a sign of its involvement in the enquiry of identity and subjectivity. This article describes the three main axes that organise subjectivity as a portrait: the fluctuation between stasis and movement, the relational dimension and the fictional one. The portrait becomes the ideal model of a subject conceived as the result of a creative process. Hence, painting is not to be considered a mere narrative theme but a key to the interpretation of the novels and a metaphor of the construction of the subject
«Una strania fenice». Marco Santagata: gli studi, le opere
No full textIl libro raccoglie contributi sulla figura e le opere di Marco Santagata, italianista e scrittore. Ne sono autori Annalisa Andreoni, Gian Mario Anselmi, Gabriele Baldassari, Roberto Barbolini, Pietro G. Beltrami, Claudia Berra, Alberto Bertoni, Laura Bosio, Cristiana Brunelli, Alberto Casadei, Roberta Cella, Michele Feo, Francesco Ferretti, Gianfranco Fioravanti, Serena Fornasiero, Christian Genetelli, Klaus W. Hempfer, Giuseppe Indizio, Vincenzo Manca, Grazia Melli, Cristina Montagnani, Matteo Palumbo, Laura Paolino, Diego Quaglioni, Amedeo Quondam, Gerhard Regn, Laura Regnicoli, Francisco Rico, Raffaele Ruggiero, Gino Ruozzi, Salvatore Settis, Silvana Tamiozzo, Chiara Tognarelli, Paola Vecchi Galli, Tiziano Zanato. Chiude il volume la Bibliografia degli scritti di Marco Santagata.
Marco Santagata (Zocca, 28 aprile 1947 ‒ Pisa, 9 novembre 2020) è stato studioso di letteratura italiana e romanziere. A lungo docente all’Università di Pisa, è autore di studi fondamentali su Petrarca – culminati nel commento al Canzoniere (1996, 20042) –, su Dante, Boccaccio, la poesia del Quattrocento e Boiardo, e sulla tradizione lirica fino a Leopardi, Pascoli e d’Annunzio. A ciò ha affiancato una felice produzione narrativa: tra i suoi romanzi Il copista (2000), Il maestro dei santi pallidi (2002, Premio Campiello 2003), L'amore in sé (2006, Premio Stresa), Come donna innamorata (2015, finalista al Premio Strega). La sua poliedrica natura di intellettuale impegnato e curioso del mondo lo ha portato anche ad occuparsi attivamente di politica culturale e universitaria e di divulgazione.The book collects contributions on the figure and works of Marco Santagata, scholar of Italian literature and novelist. The authors are Annalisa Andreoni, Gian Mario Anselmi, Gabriele Baldassari, Roberto Barbolini, Pietro G. Beltrami, Claudia Berra, Alberto Bertoni, Laura Bosio, Cristiana Brunelli, Alberto Casadei, Roberta Cella, Michele Feo, Francesco Ferretti, Gianfranco Fioravanti, Serena Fornasiero, Christian Genetelli, Klaus W. Hempfer, Giuseppe Indizio, Vincenzo Manca, Grazia Melli, Cristina Montagnani, Matteo Palumbo, Laura Paolino, Diego Quaglioni, Amedeo Quondam, Gerhard Regn, Laura Regnicoli, Francisco Rico, Raffaele Ruggiero, Gino Ruozzi, Salvatore Settis, Silvana Tamiozzo, Chiara Tognarelli, Paola Vecchi Galli, Tiziano Zanato. The volume closes with the Bibliography of Marco Santagata's writings.
Marco Santagata (Zocca (Modena), 28 April 1947 ‒ Pisa, 9 November 2020) was a scholar of Italian literature and novelist. Long a professor at the University of Pisa, he is the author of fundamental studies on Petrarch - culminating in the commentary on the "Canzoniere" (1996, 20042) -, on Dante, Boccaccio, fifteenth-century poetry and Boiardo, and on the lyric tradition up to Leopardi, Pascoli and d'Annunzio. Alongside this he has a successful narrative production: among his novels "Il copista" (2000), "Il maestro dei santi pallidi" (2002, Campiello Prize 2003), "L'amore in sé" (2006, Stresa Prize), "Come donna innamorata" (2015, finalist for the Strega Prize). His multifaceted nature as a engaged intellectual has also led him to actively deal with cultural and university politics and dissemination
CORRIGENDUM to The mechanisms of acute interstitial nephritis in the era of immune checkpoint inhibitors in melanoma
No full textIn this article, the authors’ first names and surnames were incorrectly listed in the wrong order. The correct author list is: Marco Tucci, Anna Passarelli, Annalisa Todisco, Francesco Mannavola, Luigia Stefania Stucci, Stella D’Oronzo, Michele Rossini, Marco Taurisano, Loreto Gesualdo and Franco Silvestris
The Climate Show:Episode 27: Conceptualizing just transition litigation
No full textIn this episode, Assistant Professor Linnéa Nordlander speaks to Professor Annalisa Savaresi from the University of Eastern Finland about the phenomenon of just transition litigation. The episode focuses on the article ‘Conceptualizing just transition litigation’, published in Nature Sustainability, of which Professor Savaresi is the lead author and Linnéa Nordlander is among the co-authors
Storie postcoloniali
No full textan essay on the rewriting of history in the work of postcolonial author
THE ROLE OF THE FIRM IN FIGHTING POVERTY DURING THE PANDEMIC: THE ITALIAN SYNERGY OF BARILLA-CARITAS
No full textThe aim of this research is to study firms as a means of distribution, and not only of production, of wealth. In crisis and emergency situations, such as the one caused by the COVID-19 pandemic,
a particularly serious problem of growing and widespread poverty emerges. The author believes that
in these situations the ethical function of firms becomes central. This function can be carried out effectively not only through the efficient management of the firm, but also through ethical actions, as the
creation of alliances and synergies between businesses and the Church, which help the processes of
distribution of wealth in society, in general, and in the weaker social classes in particular
Ruling minorities within groups of companies and their problems: Proposals from the European literature, 1776-1976
No full textThe author aims to find the systematic causal links between majorities and
minorities, especially to demonstrate how, even as corporate governance systems change, the same links remained unchanged, at least starting from the
original forms of limited liability (colonial) companies. The main cause of the
oppression of minorities lies in the power of control, which instead of belonging
to the majority of share capital holders, is held by close minority shareholders.
For this purpose, the author presents a historical reconstruction of the problem
concerning the balance of powers between dominant minorities and disjoint
majorities within the groups of companies
La storia della miniatura attraverso le attività del Ministero della Pubblica Istruzione: per una breve biografia novecentesca della disciplina / The History of the Miniature through the Activities of the Ministry of Education: for a Brief Biography of the Discipline in the 20th Century
No full textAbstract: Based on the method of the History of art history, this article attempts to contribute to the reconstruction of the Italian history of illumination history. The main subject of the research is the development of the historiographical method as it emerges from a critical analysis of some studies published in the «Bollettino d’arte» over about fifty years. The quantity and quality of the contributions dedicated to the philological study, the identification of the author and the dating of the illuminations discovered and investigated in the Italian territory during the first half of the century allowed the analysis to highlight the general path of consolidation and emancipation of the realm of the History of Illumination from the method of the History of paintings, from which it depended at least until the 1960s.Inserendosi nel solco metodologico della storia della storia dell’arte, il saggio è dedicato al tentativo di ricostruire in filigrana lo sviluppo della storiografia italiana della miniatura per come emerge da una rilettura critica di alcuni contributi comparsi sul «Bollettino d’arte» nell’arco di un cinquantennio. Luogo di riflessione e divulgazione delle conoscenze specialistiche che si assestavano parallelamente in studi accademici e cataloghi, l’archivio storico della rivista ministeriale restituisce un repertorio esemplare di ricerche in grado di sintetizzare la complessità del pro-cesso. La densità dei contributi dedicati allo studio filologico, all’attribuzione e alla datazione delle miniature scoperte e riscoperte nel territorio italiano nel corso della prima metà del secolo consente all’analisi, benché specificamente condotta sulla rivista governativa, di mettere in evidenza il percorso generale di consolidamento ed emancipazione del settore della storia della miniatura dal metodo peculiare della storia della pittura, da cui dipese almeno inizialmente, fino al raggiungimento di una piena specializzazione negli anni Sessanta del Novecento.
Based on the method of the History of art history, this article attempts to contribute to the reconstruction of the Italian history of illumination history. The main subject of the research is the development of the historiographical method as it emerges from a critical analysis of some studies published in the «Bollettino d’arte» over about fifty years. The quantity and quality of the contributions dedicated to the philological study, the identification of the author and the dating of the illuminations discovered and investigated in the Italian territory during the first half of the century allowed the analysis to highlight the general path of consolidation and emancipation of the realm of the History of Illumination from the method of the History of paintings, from which it depended at least until the 1960s
Space Architecture Education in Milan
No full textThis paper suggest a method to develop project education activity teaching architecture and industrial design practices.
The thesis is based on the application of a methodology called “project research”, developed by the author inside the Design Faculty of the Politecnico di Milano, to formative context of the fourth year of the Laboratory of Industrial Design “Space Design”. The methodology related to the project research consists of the elaboration of new knowledge through the project experience in which theory and practice overlapped and in which the external environment, the real purchaser, the industrial reality, are the principal interlocutors of the designer.
The application of the project research methods to the formative context is recommended if the objective of the Laboratory of Industrial Design “Space Design” is oriented to a professional formation which put the students in the conditions to operate in a real context with external stimuli to the academic environment.
The focal point of the thesis expressed in this paper is the proposal of a education program in which the theoretical lectures of the academic instructors interweave with external resources, as experiences of professionals from the scientific and industrial world, with the aim to stimulate students curiosity and get them accustomed to the complexity. It could be useful to place the theoretical teaching next to the real practice of the “workshop” through: the research, that is the capability to found information; the analysis, that is the capability to manage and organize them; finally, the elaboration of concept design, which represent the visualization of the first hypothesis in which the project requirements and the designer intuition join together.
The results attended with this method could consent to the students to acquire a double management capability: the information management, from which it could derive the student attitude to the industrial design research, and the project management, from which could arise the attitude to the practice of industrial design.
The paper describes the proposed method through the case study of the fourth year of the Laboratory of Industrial Design “Space Design”, in which the author is scientific coordinator, started from this year at the Design Faculty of the Politecnico di Milano
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