36,795 research outputs found
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
Get PDFThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Interview with Anne Russell
No full textInterview with Anne Russell, playwright and author of several books on local history, including Wilmington: A Pictoral History
Modelling and analysis of memristor-based electrical networks for neuromorphic computing hardware
Get PDFRecent developments in artificial intelligence (AI) have stimulated the design of software programs that use AI techniques, also called AI applications. These new applications are very convenient for their users. However, a big drawback is that they consume a lot of energy. This motivates the development of new computing technology that makes AI applications more energy-efficient. The field of neuromorphic computing aims to develop this technology by taking inspiration from the brain. To do so, new analogue computing hardware is required. The new nanoscale materials used in this computing hardware are developed in specialised labs. Due to the small scale of these materials, it is difficult to grasp the behaviour of these materials. However, it is predicted that these materials behave like electrical networks constructed of electrical components such as resistors, memristors (i.e., resistors with memory), and capacitors. Motivated by this, in this thesis, we use mathematical modelling and analysis techniques to study the behaviour of electrical networks comprising resistors, memristors, and capacitors. The objective of this study is, first, to obtain more insight into the behaviour of networks constructed of these electrical components, and, second, to understand if and how these networks can be used to mimic the behaviour of neurons and synapses in the brain
Editor's inscription in Valentine Duval : an autobiography of the last century
No full textEditor Anne Manning's gift inscription to author William Stebbing (1832–1926), "To William Stebbing from his affectionate friend the editor Nov. 2, 1860".Manning, Anne, 1807-1879
Dr. Anne Koch
No full textDr. Anne Koch, author of the book It Never Goes Away: Gender Transition at a Mature Age, meets with students Kolby Nelson after a speech at PCOM.https://digitalcommons.pcom.edu/pa_2020_photos/1065/thumbnail.jp
Dr. Anne Koch and Kolby Nelson
No full textDr. Anne Koch, author of the book It Never Goes Away: Gender Transition at a Mature Age, meets with student Kolby Nelson after a speech at PCOM.https://digitalcommons.pcom.edu/pa_2020_photos/1064/thumbnail.jp
Prairie Gate Literary Festival Welcomes Author Anne Panning
Get PDFMorris will welcome author Anne Panning on Friday, November 2, at 7:30 p.m. in the McGinnis Room of Briggs Library. Panning will read from her new novel, Butter
'The cracked mirror': Anne Sexton's poetics of self-representation
No full textThis thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual
analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an
examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures
which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that
Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's
little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic
masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's
problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing
Embodying inspiration race and disaffected young white men in Burnley
Get PDFYoung white men have often found themselves bearing the burden of designs for the improvement of UK society. Official reports reprised this theme following the racially charged disturbances in Northern England's mill towns in the summer of 2001. So- called disaffected young white men were left ambiguously positioned -and immobilised- on the margins of political discourse. In response, this thesis complicates the ways in which young white men in Burnley, a town affected by the violence, may be appreciated as politically capable. In so doing, it prepares for a more imaginative mapping of roles for them in local social progress, post-2001. Ethnographies of boxing and bodybuilding gyms unpack the variety of affective capacities through which young white men live out complex masculine body cultures. These study the inspiration young men find in these carefully engineered and politically enabling places. Although these gyms nestle amidst Burnley's urban hinteriands, and between otherwise parallel lives, they see fragile bonds of affection grow between young white and Asian men. Those bonds represent small, fragile and politically ambiguous gains, which must nonetheless inform proposals for Burnley’s future. The thesis speculates that if such proposals are to be desirable and possible, those same young men must find them persuasive. It therefore recommends placing colloquial inspirations, and a cautious affirmation of capable individuality, at the heart of visions of social progress in Burnley
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