1,740,322 research outputs found

    Hui-li

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    HUI-LI China Proper SW (-) Hui-li (Sheet G-48-G) ( -

    Ceremony - Cong Li, Hui Li, Li Li

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    LL.M. graduatesCong Li, Hui Li, and Li Li receive their hoods.https://scholarship.kentlaw.iit.edu/commencement_2013/1072/thumbnail.jp

    TC-CHEXI

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    An Original Raw Data Set for Establishing TC- CHEXI Psychometric Propertie

    TC-CHEXI

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    An Original Raw Data Set for Establishing TC- CHEXI Psychometric Propertie

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Understanding the Aroma Profiles of Hui Li Red Sichuan Pepper (Zanthoxylum bungeanum Maxim) Across Harvesting Periods Using Sensory Evaluation, E-Nose and GC-IMS Techniques

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    This study investigated aroma changes in Hui Li red Sichuan pepper across five different harvesting times within their typical optimum period based on 24 traditional solar terms, employing sensory evaluation, electronic nose (E-nose), gas chromatography-ion mobility spectrometry (GC-IMS) combined with relative odour activity value (ROAV) and partial least squares discriminant analysis (PLS-DA). Sensory analysis indicated that peppers were characterised by green, citrus, minty, sweet, woody, and peppery numbing aroma attributes. E-nose revealed the greatest aroma difference in peppers occurred between the early and late optimum harvest stages. GC-IMS identified 71 volatile compounds, with esters being the most abundant. Six key compounds identified were crucial for distinguishing peppers harvested at different times. Findings provided a valuable contribution to decide the optimal harvest window for Hui Li red Sichuan peppers, maximising their applications in the seasoning industry

    Jiao hui li shi /

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    Statement of responsibility from English t.p.; Special collection from London Missionary Society.; http://nla.gov.au/nla.gen-vn1837879.Outlines of church history : from the days of Christ to the present century; based on Sohm's "Outlines", and other author

    Rao_Online_Appendix – Supplemental material for Do People Believe That They Are More Deontological Than Others?

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    Supplemental material, Rao_Online_Appendix for Do People Believe That They Are More Deontological Than Others? by Ming-Hui Li and Li-Lin Rao in Personality and Social Psychology Bulletin</p

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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