1,650 research outputs found
FIGURE 3 in A short biography of Hubert Ludwig and a note on the publication dates of his monograph Die Seewalzen (1889 – 1892)
No full textFIGURE 3. Selection of title pages of individual parts (fascicle 1, fascicle 2/3, fascicle 13/14) of Hubert Ludwig's Die Seewalzen. Single parts were distributed by the author or on behalf of the author through the publisher C. F. Winter (Leipzig and Heidelberg, Germany). Copies formerly in the private library of the German zoologist Karl August Möbius (1825–1908) [MRM].Published as part of Reich, Mike, 2015, Zootaxa 4052 (2) on pages 332-344, DOI: 10.11646/zootaxa.4052.3.3, http://zenodo.org/record/23782
A short biography of Hubert Ludwig and a note on the publication dates of his monograph Die Seewalzen (1889 – 1892)
No full textReich, Mike (2015): A short biography of Hubert Ludwig and a note on the publication dates of his monograph Die Seewalzen (1889 – 1892). Zootaxa 4052 (2): 332-344, DOI: 10.11646/zootaxa.4052.3.
John (Robert L.). Reich und Kirche im Spiegel französischen Denkens. Das Rombild von Caesar bis Napoleon.
No full textSilvestre Hubert. John (Robert L.). Reich und Kirche im Spiegel französischen Denkens. Das Rombild von Caesar bis Napoleon.. In: Revue belge de philologie et d'histoire, tome 33, fasc. 3, 1955. pp. 666-667
Steve Reich : a bio-bibliography
No full textIn the late 1960s and early 1970s, Steve Reich was considered a fringe experimentalist. His work consisted largely of repeating, slowly changing patterns unlike either the serialism or the aleatory that predominated at that time. Today, however, Reich is one of the most prominent and celebrated contemporary composers, one about whom the scholarly and popular literature offers an assortment of critical, historical, and analytical perspectives. Author D.J. Hoek's bio-bibliography serves as an essential guide to this literature, comprehensively surveying Reich's life and work. Included are details of all of Reich's compositions: dates, instrumentation, premiere performances, and publishers; a discography listing all commercial recordings of the composer's oeuvre; and an annotated bibliography of publications in English, French, German, and Italian. The Reich scholar or aficionado could not find a more thorough encapsulation of his brilliant career
Wilhelm Reich versus the Flying Saucers
No full textThe convenient myth of Wilhelm Reich is that he “lost his mind” in the early 1950s, if not before, and that the last seven years of his life and work — the orgone and radiation experiments, the cloudbuster, and flying saucer intrigues — present an embarrassment. Even the counterculture that embraced Reich, not least William S. Burroughs, Norman Mailer, and filmmaker Dušan Makavejev, tended to distort his theory. The psychosis attached to Reich by his detractors was the culmination of decades of scapegoating by psychoanalysts, Nazis, communists, and conservatives. But Reich’s environmental and Cold War preoccupations and his slow-burning fascination with UFO phenomena were not signs of a madness incipient since his break with Sigmund Freud. They anticipated and reflected much in the American psyche. Defining the presence of a “cinematic self” in the misunderstood analyst once considered an heir to Freud, Wilhelm Reich versus the Flying Saucers rejects orthodox portrayals of Reich’s final years as merely pathological. Combining original analysis and evidence from the Wilhelm Reich Archive, James Reich uncovers the fatal moments in the psychologist’s uncanny identification with the “spaceman,” and the myth of a scientist lost to his own grandiosity and paranoia. Taking seriously the influence of The Day the Earth Stood Still, Bad Day at Black Rock, and other pop cultural narratives on Reich, this “psychoanalytic detective story” concerns existential traps, conscious and unconscious collaborations and betrayals by disciples, and unidentified flying object-relations. Reich’s is an atomic-age passion narrative. Vitally, Reich’s story could be ours. The author is not related to his subject
A Three-dimensional Study of Grand Strategy. An interview with Simon Reich
No full textcontribution à un site webCERI Associate researcher Simon Reich and his co-author Peter Dombrowski have recently published Across Type, Time and Space. American Grand Strategy in Comparative Perspective (Cambridge, 2021). According to the two authors’ claim, the goal of this book is to “offer a framework that scholars can use to compare grand strategies in three dimensions - across type, time and space” and “to reveal both the similarities and the differences between different national grand strategies, as well as their sources of continuity and change in a dynamic global environment.” Interview with Simon Reich by Miriam Périer
Epimere Chlorophylle und deren Derivate
No full textReich H. Epimere Chlorophylle und deren Derivate. Bielefeld; 1982
Hubert Schrade et sa collection de plaques de projection
No full textHistoire de l’art et propagande à la Reichsuniversität de Strasbourg (1941-1944). Hubert Schrade et sa collection de plaques de projection — La récente redécouverte d’une partie de la collection de plaques de projection réunies par Hubert Schrade, professeur d’histoire de l’art, permet de saisir un volet de l’activité pédagogique qui y a été menée à la Reichsuniversität de Strasbourg de 1941 à 1944. Créées par le pouvoir national-socialiste, les Reichsuniversitäten étaient de nouvelles structures d’enseignement pensées comme des relais essentiels de la propagande politique du IIIe Reich. L’histoire de l’art – ou plutôt sa manipulation par Hubert Schrade, lui-même membre du NSDAP – joua un rôle majeur dans les rouages de la propagande mise en place à Strasbourg.Art history and propaganda at the Reichsuniversität of Strasbourg (1941-1944). Hubert Schrade ’ s glass plate collection — Recent rediscovery of part of the glass plate collection assembled by art history professor Hubert Schrade provides insights into the pedagogy used at the Reichsuniversität of Strasbourg from 1941 to 1944.Reichsuniversitäten were new teaching structures created by the Nazi regime and designed to relay the political propaganda of the Third Reich. Art history – or rather the way it was manipulated by Hubert Schrade, who was himself a member of the NSDAP – played a major role in the propaganda machine developed in Strasbourg.
Hervé Doucet is Assistant Professor of contemporary art history at the University of Strasbourg and a member of the research unit ARCHE-EA 3400.Kunstgeschichte und Propaganda an der Reichsuniversität Straßburg (1941-1944). Hubert Schrade und seine Lichtbildersammlung — Der kürzlich wiederentdeckte Teil der vom Kunstgeschichtsprofessor Hubert Schrade angefertigten Lichtbildersammlung erlaubt einen Einblick in pädagogische Aktivitäten, die an der Reichsuniversität Straßburg von 1941 bis 1944 geführt wurden. Die von den nationalsozialistischen Machthabern als neue Lehrinstitutionen gegründeten Reichsuniversitäten sollten als wichtige Vermittlungsinstanzen der politischen Propaganda des III. Reiches dienen. Die Kunstgeschichte – oder besser: ihre Manipulation durch NSDAP-Mitglied Hubert Schrade – spielte eine bedeutende Rolle in der Straßburger Nazi-Propaganda.
Hervé Doucet ist Dozent für Neuere Kunstgeschiche an der Universität Straßburg und Mitglied der Forschungseinheit ARCHE-EA 3400
Renewal of Religious Leadership According to an Ancient Model. Bishop Joseph Hubert Reinkens and Bishop Martin of Tours
No full textIm Jahr 1866 verfasste der damals in Breslau lehrende römisch-katholische Kirchenhistoriker Joseph Hubert Reinkens eine der ersten historisch-kritischen Studien in deutscher Sprache über Martin von Tours, in der er sich u.a. mit Martins bischöflichem Leitungsdienst befasste. Nach dem Ersten Vatikanischen Konzil (1870) wurde Reinkens 1873 der erste Bischof für die Alt-Katholiken im Deutschen Reich. Der Beitrag beschreibt den Einfluss, den Reinkens' Martin-Rezeption auf sein theologisches und praktisches Verständnis des Bischofsamts hatte.In 1866, the Roman Catholic Church historian Joseph Hubert Reinkens published one of the first historical-critical studies on Martin of Tours, in which he dealt with aspects of Martin’s episcopal leadership. In 1873 Reinkens became the first bishop for the Old Catholics in Germany. This article describes the significant impact of his reception of Martin of Tours on Reinkens’s understanding of episcopacy and his own episcopal ministry
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