49,323 research outputs found

    Jing wu ti yu hui fu xing di ba jie li jian shi jiu zhi dian li ji chun jie lian huan da hui te kan /c[bian ji zhu ren Luo Junchou ; bian ji wei yuan Liang Shengchi ... [deng]].

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    書名據封面.內文刊載黃漢勛所著之"精武國術部之的演變"(p. 26).黃漢勛為第一至第三屆"香港精武體育會"之國術主任, 自第五屆起為體育主任.Shu ming ju feng mian.Nei wen kan zai Huang Hanxun suo zhu zhi "Jing wu guo shu bu zhi de yan bian" (p. 26).Huang Hanxun wei di yi zhi di san jie "Xianggang jing wu ti yu hui" zhi guo shu zhu ren, zi di wu jie qi wei ti yu zhu ren

    HUANG,Kung-wangs' Poems Inscribed onLandscape Paintings

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    Poems inscribed on paintings combine poems and paintings closely together. They are artistic fusion of poetry and painting. A poem inscribed on a painting usually serves as a window to the painting to point out, bring about and deepen the meaning of the painting. Hence, poems inscribed on paintings characterize themselves as overlapping the boundaries between literature, painting, landscape poetry and landscape painting. A poem inscribed on a painting not only displays the form of landscape through the painting but also expresses the meaning of the painting and reflects the poet's mind as well. The combination of landscape poetry and landscape painting reached the summit in the Yuan Dynasty when lots of poems inscribed on paintings emerged to express the art of painting through the art of poetry. Further combination of poetry and painting first appeared in the works of HUANG, Kung-wang, who was a famous poet and painter in the Yuan Dynasty. Among the "Four Masters of the Yuan Dynasty", HUANG enjoyed the highest achievements in art and remarkable accomplishment in the creation of poems inscribed on landscape paintings, which exerted an enlightening, deep and long-term influence on the art and literature of the successive Ming and Ching Dynasties. HUANG, Kung-wang's poems inscribed on paintings can be divided into two categories - "poems inscribed on others' paintings" and "poems inscribed on his own paintings". The former represents the poet's (HUANG, Kung-wang's) perception and appreciation of a painting through his own cultural discipline and aesthetic taste and the subsequent creation of a poem to bring about the meaning of the painting. The latter provides the background of his (HUANG, Kung-wang's) creation of poems and gives hints to the inner implications of his paintings and his ideas and appreciation of painting, aiming to achieve the state of "perfect fusion of poetry and painting" through poetry-painting interaction. So, whether "poems inscribed on others' paintings" or "poems inscribed on his own paintings", the poet (HUANG, Kung-wang) have successfully introduced readers to painting and showed them how to enjoy the fun and meaning behind painting. Poems inscribed on landscape paintings use paintings as materials, so the existence of landscape images embodies a visual space. However, the creation of both poetry and painting most addresses the link between, or rather, the fusion of scenery and emotion. As a result, while appreciating a painting with a poem inscribed on it, we had better not limit our view to forms and structures. In stead, HUANG, Kung-wang's approach of appreciating a painting is much recommended. With excellent mental training and great imagination, the scenery of mountains, rivers, clouds, villages, pavilions, or even a blank space on the painting could turn out to be an entire season, life, nature or universe for the mind to enjoy eternally. Besides, HUANG, Kung-wang's poems inscribed on landscape paintings particularly emphasize mental growth and pursuits. It is believed that reading, religious discipline, reclusion, travel and personal integrity can help improve the level of art and literature creation. HUANG, Kung-wang had never learned painting until he was 50. His case is a good example of the Chinese saying, "A great vessel will be long in completion; a great man will take time to shape and mature." In terms of Chinese painting, it means that only through multiple training and discipline can an artist demonstrate a unique style

    Huang, Si-Hui

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    Wickerhamomyces menglaensis Chai, Huang, Cheng, Liu & Hui, 2019, SP. NOV.

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    DESCRIPTION OF <i>WICKERHAMOMYCES MENGLAENSIS</i> HUI & HUANG SP. NOV. <p> <i>Wickerhamomyces menglaensis</i> (meng.la.en′ sis. N.L. masc. adj. <i>menglaensis</i> of or belonging to the city of Mengla, Yunnan Province, PR China, the collection locality of the type strain of the species).</p> <p> In YM broth after 3 days at 25 Ǫ C, the cells are ellipsoidal to elongate (3.0–6.7×5.9–8.2 µm) and occur singly or in pairs. Budding is multilateral (Fig. 2a). On YM agar after 3 days at 25 Ǫ C, the streak culture is butyrous, cream and convex with a smooth surface and has an entire margin. On Dalmau plates after 13 days on YCBS agar at 25 Ǫ C, pseudohyphae are formed (Fig. 2b), but true hyphae are not formed. Ascospores are not observed on YM, 5 % malt extract, cornmeal and YCBAS agar in pure and mixed cultures at 17 and 25 Ǫ C for up to 4 weeks. Glucose and raffinose (weak) are fermented. No fermentation of the following carbohydrates: galactose, sucrose, maltose, lactose, trehalose, D- xylose, cellobiose and melezitose. Assimilation of carbon compounds is as follows: D- glucose, D- xylose (weak), L- arabinose (weak), L- rhamnose (weak), cellobiose, salicin, arbutin, glycerol (weak), starch (weak), inulin (weak), D- glucitol, D- mannitol, D- glucono-1, 5-lactone, DL- lactate, succinate and citrate. Carbon sources not assimilated are as follows: D- galactose, L- sorbose, D- glucosamine, D- ribose, D- arabinose, sucrose, maltose, trehalose, melibiose, lactose, raffinose, melezitose, erythritol, ribitol, xylitol, L- arabinitol, galactitol, <i>myo</i> -inositol, 2-keto-D- gluconate, methanol, D- gluconate, D- glucuronate, D- galacturonate, 5-keto-D- gluconate and ethanol. Assimilation of nitrogen compounds are as follows: nitrate, nitrite, L- lysine (weak), glucosamine (weak) and D- tryptophan (weak). Cadaverine, creatine, creatinine, ethylamine and imidazole are not assimilated. Cell growth is observed in vitamin-free medium. Growth is observed at 35 Ǫ C. No growth on 50 % (w/v) glucose or 5 % (w/v) glucose/sodium chloride (10 %). Urea hydrolysis and diazonium blue B reactions are negative.</p> <p>The holotype, NYNU 1673, was isolated in August 2016, from rotting wood collected in Xishuangbanna Tropical Rainforest in Yunnan Province, PR China. It is preserved in a metabolically inactive state at Microbiology Lab, Nanyang Normal University, Henan, PR China. Ex-type cultures are deposited at the China Center of Industrial Culture Collection (CICC), Beijing, PR China, as strain CICC 31159, and at the Yeast Collection of the Westerdijk Fungal Biodiversity Institute (CBS), Utrecht, The Netherlands, as strain CBS 14689. The MycoBank number is MB 829372.</p>Published as part of <i>Chai, Chun-Yue, Huang, Lin-Na, Cheng, Han, Liu, Wen-Jing & Hui, Feng-Li, 2019, Wickerhamomyces menglaensis f. a., sp. nov., a yeast species isolated from rotten wood, pp. 1509-1514 in International Journal of Systematic and Evolutionary Microbiology 69 (5)</i> on pages 1512-1513, DOI: 10.1099/ijsem.0.003350, <a href="http://zenodo.org/record/6223927">http://zenodo.org/record/6223927</a&gt

    Who Shall Receive Community-Based Occupational Therapy Services? A Logistic Regression Analysis

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    Abstract Date Presented 3/30/2017 Two predictive models of occupational therapy referral were proposed as triage protocols for decision making in community. This finding can help occupational therapists focus on the major predictors of services, case managers make proper referrals, and third-party payers validate the appropriateness of referrals. Primary Author and Speaker: Athena Tsai Contributing Authors: Hui-Fen Mao, Ling-Hui Chang, Wen-Ni Huang, Jye Wang</jats:p

    Xin wu liao dui dang dai hui hua de chong ji.

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    黃仕民.論文(碩士) -- 香港中文大學硏究院藝術學部, 1996.參考文献 : leaves 53-55.Huang Shimin.前言 --- p.1Chapter (一) --- 繪畫中使用新物料的起因及其普遍性 --- p.2Chapter (二) --- 新物料的特質 --- p.5Chapter (三) --- 在當代繪畫中引起的影響 --- p.10Chapter (四) --- 結論 --- p.17附圖 --- p.22附註 --- p.52參考書目 --- p.5

    Letrasilta Huang & Volynkin & Yin & Zhang & Fan & Pan & Wang 2023, gen. n.

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    Species content of Letrasilta gen. n. — L. ratnasambhava S.-Y. Huang, Volynkin & Yin sp. n. — L. cernyi (Volynkin, 2018), comb. n.Published as part of Huang, Si-Yao, Volynkin, Anton V., Yin, Xiong-Yan, Zhang, Yu-Long, Fan, Xiao-Ling, Pan, Zhao-Hui & Wang, Min, 2023, Letrasilta, a new genus for the Striatella cernyi Volynkin species-group with description of a new species from Xizang, China, and a replacement name for the genus group name Striatella Volynkin & S. - Y. Huang, 2019 (Lepidoptera: Erebidae: Arctiinae: Lithosiini), pp. 251-263 in Zootaxa 5315 (3) on page 258, DOI: 10.11646/zootaxa.5315.3.3, http://zenodo.org/record/813056

    Lin-Hsiu Huang - Commencement Address

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    Lin-Hsiu Huang of Kaohsiung, Taiwan, was this year’s student speaker at Morehead State University\u27s Commencement ceremony on Dec. 8, 2018. She is the daughter of mother Hui-Yen Huang (10) and father Wen-Hung Huang (02) and is a candidate for both a Bachelor of Fine Arts in Art with an emphasis in design, and a minor in mathematics

    A Feasibility Study on Body-Worn Inertial Energy Harvesting during Walking and Running.

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    The ability to self-power electronic devices from the movement of the human body has application in a number of fields, including defence, sport and healthcare. To realise this vision, sufficient movement has to be experienced by such an energy harvester. In this poster, we present the results of a study that collected acceleration data from 10 people walking and running on a treadmill for 30 seconds each. Each participant was instrumented with six wireless tri-axial accelerometers at key locations around the body. This dataset was used to analyse the magnitude and frequency distribution of accelerations present on the human body, and subsequently estimate the theoretical maximum output power that can be obtained using an energy harvester
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