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Patterns of the Almanacs (Ri-Shu)
No full text本論文的題目是「《日書》圖像研究」，研究主體是《日書》中以干支為座標體系的式圖，及各種以線條、符號、圖畫組成的圖像，將這些材料從眾多的出土文獻中撿擇出來，歸納在一起使之成為獨立的子題，並按照時代加以排列，考察發展演變的脈胳。
第一章「導論」，說明研究動機，簡介相關出土文獻，回顧前人研究概況，並陳述撰寫的若干想法。
第二章「《日書》表示時空的圖式」，本章探討《日書》以干支表示時空座標體系的式圖，同時聯繫日者使用器具式盤，認為式盤的原始形制可能源自於式圖，是以鉤繩圖作為主要結構，直到西漢初年受到蓋天說的影響，式盤才固定以內圓外方表示天圓地方。
第三章「《日書》表示時空的圖畫」，主要依據日序、六十甲子、十二地支為占。圖畫可以區分為五個類型：第一型圖畫是由一列線條組成，第二型是在圖畫上佈列六十甲子，第三型需要在圖畫之中填入時日等訊息，第四型是以環繞圖畫計數的方式進行，第五型是以圖畫來標示方位。
第四章「《楚帛書》表示時空的圖式」，《楚帛書》應是《論衡•譏日》裡的「歲月之傳」。其十二神像疑與《後漢書•禮儀志》所載歲末大儺「十二獸」有關，用以驅逐疫鬼。依據當時的佈圖習慣，《楚帛書》應以「上南下北」為正，先讀中間的八行文，次讀十三行文，然後才讀邊文，從代表正月的「取於下」開始。
第五章「結語」，說明論證的總結，及未來研究的展望。
希望本論文的撰寫，對《日書》各種圖像的內涵與源流，有更為深入的認識，同時建立系統的研究，在戰國至西漢的思想文化方面，提供一種新的角度或是視野。The main theme of this paper is Patterns of the Almanacs (Ri-Shu). The research subject include a formula maptaking heavenly stems as coordinate system in “Ri Shu” and patterns composed of lines, symbols and pictures of all types. These materials are picked out from numerous unearthed literatures to construct independent sub themes through summarization and then sequenced according to times for investigation of development and evolution traces.
Chapter one is introduction which describes research motivation, briefly introduces relevant unearthed literature, reviews research status in the past, and presents some opinions related to the compilation.
Chapter two is pattern representing time and space in Ri Shu, which mainly discusses the formula map with coordinate system in which heavenly stems are used to represent time and space in Ri Shu, and then in connection with apparatus formula disk used by Ri Zhe, it believes that original shape of formula disk possibly comes from the formula map mainly composed of hooked rope diagram as its main structure.
Until affected by the theory of canopy heavens in beginning of Western Han period, formula disk has been formally decided that its inner circle and outer square represent round top and square bottom respectively.
Chapter three is picture representing time and space in Ri Shu which is mainly based Rixu, sixty Jiazi and twelve earthly branches. The pictures are divided into five types: pictures in first type are composed of a row of lines; second type is arranged with sixty Jiazi on the pictures; the third one is to fill in time and date information into pictures; the forth one is to calculate the number of circled pictures, fifth type is to label orientation by pictures.
Chapter four is pattern representing time and space in Chu Silk Book. Chu Silk Book should be one legend of times in Jiri episode of Lunheng Book. Its twelve god sculptures are suspected to have relevance with twelve animals mentioned in one large ancient festival for celebrating gods driving away the plague held at the end of year that listed in etiquette session of Hou Han Book, with the purpose of dispelling plague ghosts. According to the habit of arranging maps at that time, Chu Silk Book should take upper north and lower south as its front side, read from characters in middle eight lines firstly, followed by those in thirteen lines and then to characters in lateral sides starting from “Take from beneath” representing the first moon.
Chapter five is conclusion which describes summary of evidences and expectation in future research.
It is hoped that through compilation of this paper, readers can deeply understand implications and origins of patterns in Ri Shu and establishes a systematic research for providing a new perspective or sight with respect to thinking cultures from War Period to Western Han Period
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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