1,721,477 research outputs found
‘Hu Hong’ (bad thing): parental perceptions of teenagers’ sexuality in urban Vietnam
Abstract Background Teenagers under 18 years old in Vietnam are considered as minors who usually lack the autonomy to make decisions. They are also sometimes viewed as contributors to social evils including crime, violence and substance use. Moreover, most Vietnamese teenagers have unsafe sex before marriage. The objective of this study is to explore the parental perceptions relating to their teenagers’ sexuality, particularly the social and cultural forces, that may hinder access to sexuality information. Methods Guided by a Community Advisory Board (CAB), this qualitative study uses four focus group discussions (FGDs) consisting of 12 mothers and 12 fathers, as well as twelve individual in-depth interviews (IDIs) with a diverse sample of parents of teens in Ho Chi Minh City (HCMC), Vietnam. Content and discourse analysis were conducted, based on Foucauldian concepts. Results Four themes emerged: 1) Meanings of sexuality and sexuality education, 2) Early sexual intercourse destroys teenagers’ future, 3) Teenagers are not hu hong (spoil/bad thing), are innocent and virgin, and 4) Policing and controlling of sexual intercourse among teens. Parents did not view their teenage children as sexual beings; those who are sexual are considered hu hong. Parents believed that teens need to be policed and controlled to prevent them from becoming hu hong, particularly girls. Controlling of sexuality information by parents was therefore common in HCMC, but differed by gender and educational levels of parents. For example, fathers more than mothers were not comfortable teaching their teenage children about sex and sexuality. Parents with higher education police their teenage children’s usage of the Internet and social media, while parents with lower education control who can be friends with their teenage children. Conclusions Vietnamese parents in general have negative views of sex and sexuality education for their teenage children. Recognizing that many Vietnamese teenagers have unsafe sex before marriage, parents need to change their perceptions and understand the importance of comprehensive sexuality education (CSE), which are included in UNESCO, UNFPA and UNICEF-developed CSE tools
Huzi zhi yan: [6 juan, yi yi, fu lu].
胡宏撰 ; [伍崇曜輯]Date from preface.框13.1 x 9.1 cm., 9行21字, 黑口, 左右雙邊, 無魚尾, 版心中鐫分冊書名, 下鐫叢書名.Hu Hong zhuan ; [Wu Chongyao ji]Kuang 13.1 x 9.1 cm., 9 xing 21 zi, hei kou, zuo you shuang bian, wu yu wei, ban xin zhong juan fen ce shu ming, xia juan cong shu ming
Review of Tumidiclava Girault (Hymenoptera: Trichogrammatidae) from Xingjiang, China, with description of two new species and taxonomic notes on other Holarctic taxa
Aishan, Zhulidezi, Triapitsyn, Serguei V., Hu, Hong-Ying (2015): Review of Tumidiclava Girault (Hymenoptera: Trichogrammatidae) from Xingjiang, China, with description of two new species and taxonomic notes on other Holarctic taxa. Zootaxa 3949 (3): 393-407, DOI: 10.11646/zootaxa.3949.3.
Two new species of Coccophagus Westwood (Hymenoptera: Aphelinidae) from China
Zhang, Lan-Wei, Hu, Hong-Ying, Zhang, Yan-Zhou (2023): Two new species of Coccophagus Westwood (Hymenoptera: Aphelinidae) from China. Zootaxa 5258 (3): 342-350, DOI: 10.11646/zootaxa.5258.3.7, URL: http://dx.doi.org/10.11646/zootaxa.5258.3.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The Methodological Reflection about the Criticism to Hu Hong in The Doubt of Zhi Yan by Zhu Hsi
本文討論《知言疑義》中朱熹對胡宏的批評意見,企圖澄清兩造思路的差異,從而各自呈現兩家思維的特色與要點。《知言疑義》中胡宏的文句多半是本體工夫論合構的發言,因此語多跳躍,致引朱熹之批評。朱熹即由性善論的本體論立場批評胡宏有「性無善惡」之說,及由存有論思路的「心統性情說」批評胡宏的心性相關語句之不佳,以及由「未發涵養已發察識」的工夫次第思路批評胡宏並未重視平日涵養一節。本文將藉由作者所提之「實踐哲學的解釋架構」,以及「存有論哲學」的問題意識分析,以澄清兩造哲學問題意識的不同,因而並未形成真正的衝突,從而亦藉此說明朱熹與胡宏各自論學之重點意旨。The discussion in this article is about the criticism to Hu Hong in The doubt of Zhi yan Proposed by Zhu Hsi. The author is aiming to clear the dissimilar way of thinking between the two philosophers to the effect that both their significant theory could be appeared. Hu Hong’s philosophical announcement always integrates the ontological and practical theory, which results to the ambiguity and give rise to the criticism from Zhu Hsi. Zhu Hsi possessed the position of the goodness of nature to query Hu Hong about his no good and no evil opinion toward the theory of the human nature. In the definition of the mind and nature, master Zhu Hsi proposed the mind comprise the nature and the felling and argued with Hu Hong’s different opining. Concerning about the practical procedure theory, Zhu Hsi insist the cultivation should be built on daily life, and critic Hu Hong’s philosophy being short of this understanding. In this article the author will use the interpretational structure of the practical theory and the theory of being to analyze the different consciousness in these two systems and suggest that there exist no real conflict between them so as to explain both their philosophical thinking
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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