1,721,547 research outputs found
Howard Williams
No full textHoward Williams is pictured his sophomore year at Uintah HIgh School. He is the son of Ira Kimball and Rose Williams. He married Florence Hacking on June 20, 1939. He died June 1, 1984
Interview with Howard Williams
Full text linkAn interview with Howard Williams about life during the Great Depression. Audio is on tape MS016_18-1_73-141https://scholars.fhsu.edu/koh/1372/thumbnail.jp
Pat Neff, talking to Dr. J. Howard Williams
No full text''Pat Neff (R)'' new Southern Baptist President, studies resolutions. Confers with Dr. J. Howard Williams of Oklahoma City on proposal to ban liquor to troops.'
OH229 Howard Williams Oral History
Full text linkHoward Williams recalls his experiences working for the Tennessee Valley Authority (TVA) during the construction of the Kentucky Dam. The interview contains many detailed stories related to the dam from the late 1930s through the mid 1940s. He describes how the TVA deceived some landowners into purchasing their land, the TVA\u27s hiring process, dangerous working conditions, accidental deaths, salaries, labor unions, working the graveyard shift and various other projects he worked on. He retells a story of a black laborer who found a vein of gold while working on the dam and sealed itin concrete so as the prevent other sfrom discovering the vein
Book and Author Luncheon
No full text(Left) Mrs. Ellen Bowie Holland author of Gay as a Grig ; Dr. Charles P. Johnson author of J. Howard Williams: prophet of God and Fiend of man with joint author H. C. Brown Jr. and T. B. Maston; and Mrs. Lowell Gregory autograph copies of their books during the annual Book and Author Luncheon. Fort Worth Star-Telegram Morning April 16, 1964.https://mavmatrix.uta.edu/specialcollections_startelegram1960s/5637/thumbnail.jp
Review of Howard Williams, Kant and the End of War: A Critique of Just War Theory
No full textHarry van der Linden\u27s review of: Howard Williams, Kant and the End of War: A Critique of Just War Theory, Palgrave Macmillan, 2012, 216pp., $90.00 (hbk), ISBN 9780230244207
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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