310 research outputs found
sj-tiff-3-sjs-10.1177_14574969221088685 – Supplemental material for Hepatic resection for breast cancer related liver metastases: A single institution experience
No full textSupplemental material, sj-tiff-3-sjs-10.1177_14574969221088685 for Hepatic resection for breast cancer related liver metastases: A single institution experience by Ian S. Reynolds, Paul M. Cromwell, Janice M. Walshe, John Crown, Donal Maguire, Justin Geoghegan, Niall Swan and Emir Hoti in Scandinavian Journal of Surgery</p
sj-tiff-4-sjs-10.1177_14574969221088685 – Supplemental material for Hepatic resection for breast cancer related liver metastases: A single institution experience
No full textSupplemental material, sj-tiff-4-sjs-10.1177_14574969221088685 for Hepatic resection for breast cancer related liver metastases: A single institution experience by Ian S. Reynolds, Paul M. Cromwell, Janice M. Walshe, John Crown, Donal Maguire, Justin Geoghegan, Niall Swan and Emir Hoti in Scandinavian Journal of Surgery</p
sj-tiff-2-sjs-10.1177_14574969221088685 – Supplemental material for Hepatic resection for breast cancer related liver metastases: A single institution experience
No full textSupplemental material, sj-tiff-2-sjs-10.1177_14574969221088685 for Hepatic resection for breast cancer related liver metastases: A single institution experience by Ian S. Reynolds, Paul M. Cromwell, Janice M. Walshe, John Crown, Donal Maguire, Justin Geoghegan, Niall Swan and Emir Hoti in Scandinavian Journal of Surgery</p
sj-tiff-5-sjs-10.1177_14574969221088685 – Supplemental material for Hepatic resection for breast cancer related liver metastases: A single institution experience
No full textSupplemental material, sj-tiff-5-sjs-10.1177_14574969221088685 for Hepatic resection for breast cancer related liver metastases: A single institution experience by Ian S. Reynolds, Paul M. Cromwell, Janice M. Walshe, John Crown, Donal Maguire, Justin Geoghegan, Niall Swan and Emir Hoti in Scandinavian Journal of Surgery</p
sj-tiff-6-sjs-10.1177_14574969221088685 – Supplemental material for Hepatic resection for breast cancer related liver metastases: A single institution experience
No full textSupplemental material, sj-tiff-6-sjs-10.1177_14574969221088685 for Hepatic resection for breast cancer related liver metastases: A single institution experience by Ian S. Reynolds, Paul M. Cromwell, Janice M. Walshe, John Crown, Donal Maguire, Justin Geoghegan, Niall Swan and Emir Hoti in Scandinavian Journal of Surgery</p
sj-tiff-1-sjs-10.1177_14574969221088685 – Supplemental material for Hepatic resection for breast cancer related liver metastases: A single institution experience
No full textSupplemental material, sj-tiff-1-sjs-10.1177_14574969221088685 for Hepatic resection for breast cancer related liver metastases: A single institution experience by Ian S. Reynolds, Paul M. Cromwell, Janice M. Walshe, John Crown, Donal Maguire, Justin Geoghegan, Niall Swan and Emir Hoti in Scandinavian Journal of Surgery</p
Art of story of Emir Kalkan
No full text1948'de Kayseri'de doğan Emir Kalkan, sadece Kayseri'nin değil Türk hikâyeciliğinin geleceğinde adından sıkça söz ettirecek önemli bir değeridir. Yazarın bu önemi, Kayseri özelinde Anadolu insanının yaşayışını, hayata bakış açısını ve psikolojisini, tüm bunlarla birlikte Kayseri'nin imkân ve imkânsızlıklarını hikâyelerinde etkili bir gözlem gücü ve kendine has üslubu ile işlemesinden ileri gelmektedir. Bütün ömrünü geçirdiği coğrafyayı ve o coğrafyanın insanlarını, değerlerini hikâyelerinde derinlemesine yansıtır. Hikâyeciliğimizde yeteri kadar yer bulamayan öz toprağının değerlerini, farklı bir soluk ve bakış açısının yanı sıra özgün bir üslûp ve sade bir Türkçe ile hikâyelerine taşır. Bu çalışmanın amacı, bir Kayseri aşığı Emir Kalkan'ı hikâyeciliği özelinde, edebî anlayışını ve Türk edebiyatına kazandırdığı eserlerini tanımak, tanıtmaktır. Anahtar Kelimeler: Emir Kalkan, Kayseri, Eserleri, Edebi Anlayış, Türk Kültürü, Şehir Hikâyeleri, Türk Tarihi ve Edebiyatı.
Born in Kayseri in 1948, Emir Kalkan who makes his mark on not only in the future of Kayseri but also in Turkish story is an important valve. The importance of author proceeds form his unique style and his effective monitoring ability in his works where he talked about the lives of the people in Anatolia, their perspective towards life and their psychology by focusing on Kayseri and besides all these things, he talked about the possibility and impossibility of Kayseri in his works. He reflects the geography where he lived for a life-spoon and people of that geography and the valves of them deeply. In his stories, he uses the valve of the territory that hasn't gained enough importance in our stories with a different perspective as well as his unique style and a pure Turkish language. The purpose of this study knows and introduces Emir Kalkan who is a lover of Kayseri by focusing on Kayseri, his literature approach and the works which he makes Turkish literature gain. Keywords: Emir Kalkan, Kayseri, Works, Literary Understanding, Turkish Culture, City Stories, Turkish Literature and History
The Image of the Ego through the Narration of History in Henry Churchill's Biography of Emir Abdelkader
No full textAbstract: This study aims to highlight the image of Emir Abdelkader in the writings of others, through the book “The Life of the Prince” by Henry Churchill, in which the author explores the details of the life of Emir Abdelkader, and recounts different details of his struggle during the resistance against French colonialism, after his surrender and moving to his voluntary exile, where he stayed there for the end of his life.In addition to providing an overview of the difference in the form of the portrayal of Emir Abdelkader between what is contained in this book and some French colonialist writings. We found that the author presented a more objective picture of the Emir's personality, closer to the reality of objective historical details, and away from the fanaticism of French writers governed by their colonialist inclination. Therefore, this work poses a fundamental question: How was Emir Abdelkader portrayed through his biography in the book The Prince's Life by Henry Churchill? What was the image of Algerians in the shadow of the Emir's life and biographical details during and after the resistance against French colonialism?
Keywords: Emir Abdelkader; Henry Churchill; Surrealism; Biography; Colonial Ideology
Language and society: intelectual production of Emir Macedo Nogueira
No full textSurgida do desenvolvimento a pesquisa de iniciação científica “Folhas efêmeras: as crônicas de Emir Macedo Nogueira na Folha de São Paulo” (FAPESP, Processo 2015/08055-4), que consistiu na indexação das crônicas que compunham a coluna “A Língua Nossa de Cada Dia” (1968-1982), esta dissertação tem por objetivo reunir e analisar os diferentes trabalhos de Emir Macedo Nogueira (1927-1982) em relação à difusão do conhecimento da Língua Portuguesa. O autor utilizou veículos de comunicação em grande escala, como o jornal e o rádio, para propor a reflexão cotidiana sobre o instrumento de linguagem que utilizamos. O corpus compõem-se de cinco crônicas da coluna de crônicas esportivas “Maneiras de Dizer” (1973-?), vinte editoriais assinados pelo autor e setenta crônicas da coluna “A Língua Nossa de Cada Dia” (1968-1982), além de informações sobre os programas de rádio “Encontro com a Literatura” (1974-?) e “Português para Todos” (1974-?), cujo roteiro era elaborado por Nogueira. O método de análise do corpus orienta-se pelo tripé leitura-análise-síntese e tem o trabalho de Weinhardt (1956) sobre o Suplemento Literário do jornal O Estado de São Paulo como modelo. Utilizamos o tipo textual “crônica” a partir das ideias de Dimas (1974), Sá (1985), Candido (1992) e Pena (2006), enquanto o conceito de “editorial” segue o modelo proposto por Bond (1959) e Melo (1985). Por fim, a história da Folha de São Paulo é apresentada a partir de Mota e Capelato (1981) e Pinto (2012).This dissertation is the development of the scientific initiation research “Folhas efêmeras: as crônicas de Emir Macedo Nogueira na Folha de São Paulo” (FAPESP, 2015 / 08055-4). It consisted of indexing the chronicles that composed the column “A Língua Nossa de Cada Dia” (1968-1982). The objective of this paper is to gather and analyze different works of Emir Macedo Nogueira (1927-1982). They are related with the diffusion of knowledge of the Portuguese Language. The author used large-scale communication vehicles as newspaper and radio, to propose daily reflection on the language instrument we use. The corpus consists of five chronicles of the column of sports chronicles "Maneiras de Dizer" (1973-?), twenty editorials signed by the author and seventy chronicles of the column "A Língua Nossa de Cada Dia" (1968-1982), and information on the radio shows "Encontro com a Literatura" (1974-?) and "Português para Todos" (1974-?), whose script was written by Nogueira. The method of analysis was guided by the tripod reading-analysis-synthesis. Weinhardt’s work (1956) “O Suplemento Literário do jornal O Estado de São Paulo” is our methodology model. Dimas (1974), Sá (1985), Candido (1992) and Pena (2006) aligned with the ideas of "chronic". The concept of "editorial" follows the model proposed by Bond (1959) and Melo (1985). Finally, Mota and Capelato (1981) and Pinto (2012) present the history of Folha de São Paulo newspaper.Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)CNPq 130816/2018-
Representing Yugoslavia? Emir Kusturica's UNDERGROUND and the politics of post-modern cinematic historiography
No full textDe Joegoslavische film UNDERGROUND won in 1995 in Cannes de Gouden Palm. Maker Emir Kusturica werd geprezen om zijn stilistische meesterschap. Maar de film was ook omstreden. Hij werd zelfs zo hard aangevallen dat Kusturica besloot nooit meer films te maken — een besluit waarop hij inmiddels is teruggekomen. Veelgehoorde kritiek luidde dat UNDERGROUND in het licht van de oorlog die de volkeren in het uiteengevallen Joegoslavië op dat moment voerden, juist vanwege zijn ver doorgevoerde estheticisme een tendentieuze film was. De in Joegoslavië geboren en al sinds zijn elfde in Duitsland levende Igor Krstic stelt in onderstaand artikel eveneens dat de politieke inhoud van UNDERGROUND ligt in zijn vorm. Hij analyseert de film vanuit de context van de postmoderne (film)theorie over de representatie van de geschiedenis. De auteur is het niet eens met de conclusie die de critici trokken.----Representing Yugoslavia? Emir Kusturica's UNDERGROUND and the politics of post-modern cinematic historiographyIn 1995, the Yugoslavian film UNDERGROUND won the Golden Palm in Cannes and filmmaker Emir Kusturica garnered praise for his stylistic mastery. The film also sparked off controversy, and scathing attacks on Kusturica led to his decision to never make another film. The bulk of the criticism argued that, in light of the war being waged at the time in a divided Yugoslavia, it was in fact overblown aestheticism that made UNDERGROUND a biased film. The Yugoslavian-born Igor Krstic, who has lived in Germany since age n, argues that the political subject matter of underground also manifests in the film's design. Krstic analyses the work in the context of post-modern (film) theory on the portrayal of history. The author disagrees with the critics' conclusion
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