1,720,955 research outputs found
Living in the age of the unreal: Exploring Baudrillard’s theory of hyperreality in the graphic narrative
Renowned French cultural theorist, Jean Baudrillard, became known for his radical ways of seeing the world–not in the real, but rather in the hyperreal. For Baudrillard, hyperreality occurs because society lives in a technologically rich society where media largely shape and filter what we see and the authentic reality is replaced by the mediated real, the hyperreal. Although not always accepted in academic circles, his work has influenced ways in which scholars look at and understand the reach of the mediated image, both static and dynamic.
One popular form of static imagery is comics art. Comics are a rich and unique form of symbolic expression: mediated discourse with the potential to shape and frame a reader’s point of view on subjects that range from the fantastical to the real. As such, this dissertation explores the relationship between comics art (e.g., comic books, strips, graphic novels, etc.), Baudrillard’s theory of the hyperreal, rhetoric, and the impact this relationship has on targeted audiences like technical communicators and scholars of visual rhetoric.
Using discourse analysis, I first analyze scholarly and professional writing about the hyperreal. With this data, I then created a conceptualization comprised of nine descriptive statements that further describes complexities of hyperreality. Next, I survey both producers and consumers of comics art to gather their opinions about the role of reality and believability in comics art. With this data, I create a second conceptualization with five descriptive statements that provide insight into more effective production techniques for developing believable texts. Finally, I offer suggestions on the way in which hyperreality can be utilized to improve professional communications, through both theory and practice
Toward a more unified conceptualization of propaganda
The word "propaganda" was coined by the Roman Catholic Church in 1622 when it established the "Sacra Congregatio de Propaganda Fide" in an effort to promote Christianity. In that era, propaganda was viewed simply as a means of spreading the Christian faith. However, 20th century conceptualizations of propaganda depict propaganda in various fashions. For example, some scholars view propaganda as a manipulative and deceptive campaign, as a means to achieve social control, and simply as a tool used to disseminate information.This study provides a foundation for creating a more unified conceptualization of propaganda. This appears particularly important given the resurgence of interest in propaganda research and recent technological innovations that provide for more widespread dissemination of propaganda. This study analyzes 20th century definitions of propaganda via the use of the constant comparative method of analysis. Through this method, key characteristics of these definitions are discerned, thereby providing scholars with a better understanding of the nature of propaganda and enhancing future propaganda research and theory construction.Thesis (M.A.)Department of Speech Communicatio
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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