1,720,965 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Will novel protein foods beat meat? : consumer acceptance of meat substitutes - a multidisciplinary research approach
No full textMeat production places a heavy burden on the environment and therefore options are sought to reduce meat consumption. One option is to let new meat substitutes take the place of meat on the plate. This can only succeed when these products are acceptable to consumers. The thesis investigated which factors are involved in consumer acceptance of meat substitutes to reduce the consumption of meat. Looking back in time, it becomes apparent that in development and acceptance of food substitutes, like margarine and sugar substitutes, different factors played a role. Technology advances and governmental policy measures could create favourable preconditions but the degree of replacement ultimately depended on consumer acceptance. This required a product quality comparable to the original products and a fit with consumer needs. The process of substitution generally takes many years, both from consumer acceptance and from product development point of view. First of all, consumers need to have a reason to choose for meat substitutes instead of meat. Therefore, drivers and barriers to use meat substitutes were identified by two surveys. Opposed to the ethical motives of heavy-users of meat substitutes (mainly vegetarians), non-users and light/medium-users were primarily focussed on the sensory and familiarity aspects of foods. These aspects were not at all recognized in meat substitutes by these consumers. Meat was judged more positively overall, which explains the choice for meat. In addition, food neophobia (the tendency to avoid new foods) was a large barrier for initial trial and a meat-like meat substitute was preferred to begin with. Secondly, the identification of a product as an alternative to meat is important. A categorization study showed that consumer perceptions are largely influenced by a deep-rooted taxonomic classification of meat (e.g. beef, pork). In order to be considered as an alternative to meat, a certain degree of similarity is needed. Meat substitutes were grouped together with processed meats (like sausages) due to a similar appearance and similar application in meals, but not with unprocessed meats. New concepts that were radically different from meat in appearance were not at all recognized as alternatives. In the third place, meat substitutes need to result in a comparable product experience as meat, such as satiety feelings after eating. The protein content is an important factor in satiety. A product inventory indicated that the majority of meat substitutes has a lower protein content than meat. In a consumption study it was shown that meat substitutes high in protein were able to induce stronger feelings of satiety, even more than the meat reference products. However, meat substitutes with a low protein content were less satiating. Finally, it should be possible to eat meat substitutes regularly without getting bored. A repeated consumption test was performed with two meat substitutes and a meat reference. It was found that initially the meat reference was liked most but after 20 exposures the difference in liking disappeared. Both boredom and increased liking of products were observed. Strikingly, there were more persons with an increased liking for the meat substitute dissimilar to meat (tofu). This is in line with the mere exposure effect implicating that unfamiliar products are liked better over time. In conclusion, meat is obviously anchored in our culinary culture and it will take time to change this. The use of substitutes introduces specific challenges due to a direct comparison and competition with meat. Meat substitutes need to offer additional benefits, which is not yet the case for the majority of consumers. At present, it seems too early for radically new protein products, since a certain level of similarity to meat is essential. Improvement of the sensory appeal of meat substitutes needs to be continued and it is worthwhile to explore other options further, like combined plant/ meat protein products. Meat production places a heavy burden on the environment and therefore options are sought to reduce meat consumption. One option is to let new meat substitutes take the place of meat on the plate. This can only succeed when these products are acceptable to consumers. The thesis investigated which factors are involved in consumer acceptance of meat substitutes to reduce the consumption of meat. Looking back in time, it becomes apparent that in development and acceptance of food substitutes, like margarine and sugar substitutes, different factors played a role. Technology advances and governmental policy measures could create favourable preconditions but the degree of replacement ultimately depended on consumer acceptance. This required a product quality comparable to the original products and a fit with consumer needs. The process of substitution generally takes many years, both from consumer acceptance and from product development point of view. First of all, consumers need to have a reason to choose for meat substitutes instead of meat. Therefore, drivers and barriers to use meat substitutes were identified by two surveys. Opposed to the ethical motives of heavy-users of meat substitutes (mainly vegetarians), non-users and light/medium-users were primarily focussed on the sensory and familiarity aspects of foods. These aspects were not at all recognized in meat substitutes by these consumers. Meat was judged more positively overall, which explains the choice for meat. In addition, food neophobia (the tendency to avoid new foods) was a large barrier for initial trial and a meat-like meat substitute was preferred to begin with. Secondly, the identification of a product as an alternative to meat is important. A categorization study showed that consumer perceptions are largely influenced by a deep-rooted taxonomic classification of meat (e.g. beef, pork). In order to be considered as an alternative to meat, a certain degree of similarity is needed. Meat substitutes were grouped together with processed meats (like sausages) due to a similar appearance and similar application in meals, but not with unprocessed meats. New concepts that were radically different from meat in appearance were not at all recognized as alternatives. In the third place, meat substitutes need to result in a comparable product experience as meat, such as satiety feelings after eating. The protein content is an important factor in satiety. A product inventory indicated that the majority of meat substitutes has a lower protein content than meat. In a consumption study it was shown that meat substitutes high in protein were able to induce stronger feelings of satiety, even more than the meat reference products. However, meat substitutes with a low protein content were less satiating. Finally, it should be possible to eat meat substitutes regularly without getting bored. A repeated consumption test was performed with two meat substitutes and a meat reference. It was found that initially the meat reference was liked most but after 20 exposures the difference in liking disappeared. Both boredom and increased liking of products were observed. Strikingly, there were more persons with an increased liking for the meat substitute dissimilar to meat (tofu). This is in line with the mere exposure effect implicating that unfamiliar products are liked better over time. In conclusion, meat is obviously anchored in our culinary culture and it will take time to change this. The use of substitutes introduces specific challenges due to a direct comparison and competition with meat. Meat substitutes need to offer additional benefits, which is not yet the case for the majority of consumers. At present, it seems too early for radically new protein products, since a certain level of similarity to meat is essential. Improvement of the sensory appeal of meat substitutes needs to be continued and it is worthwhile to explore other options further, like combined plant/ meat protein products. <br/
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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