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    الإيقاعية في نظم سلم التوفيق للشيخ عبد الحميد الباسرواني: دراسة العروض والقوافي

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    مستخلص البحث علم العروض هو العلم الذي يعرف صحيحات أوزان الشعر وفاسدات به. وفيه يبين تغيرات أوازن الشعر كزحافات وعلل وضرورات شعرية وغيرها. وأما علم القوافي فهو دراسة عن قاعدة كل كلمة التي تتواقع في أخر بيت الشعر. وأما النظم فهو كل بيت التي يساوي القافية الأول والثاني أو البيت المقفى واحدة. والنظم أيضا هو مختصر بيانة العلمية. هذا البحث عن تحليل الإيقاعية في نظم سلم التوفيق للشيخ عبد الحميد الباسرواني (دراسة العروض والقوافي) هو تحليل بمناهج الكيفي الوصفي التي كانت فيها موجودة. لتبيين إيقاعية البحور المستخدمة والتقطيع والزحافات والعلل فيها. لذلك الباحث يستخدم تحليلا كلها بعلم العروض والقوافي. لما على نظرة الروي وأحرف القافيات وأنواعها وأسمائها التي بها تستخدم في نظم سلم التوفيق. وكما الباحث يستخدم تحليل القوافي بمستخدمة علم القوافي. فنتائج المباحث من بعد التحليل والمناقشة هي : (1) البحر الذي يستخدم في نظم سلم التوفيق هو بحر الرجز؛ (2) كما تستخدم زحافات والمخبون هي 64 تفعلات وكما المطوي توجد فيه 51 تفعيلات وكما المكفوف توجد فيه 20 تفعيلات وكما المقطوع توجد فيه 32 تفعيلات وكما المقطوع والمخبون توجد فيه 42 تفعلات؛ (3) والروي الذي كان توجد في نظم سلم التوفيق منتوعة كالألف واللام والميم والنون والراء والدال والهاء والقاف والتاء والباء والكاف والاحاء والثاء والهمزة والزاء والصاد؛ (4) وأسماء القافية التي توجد في نظم سلم التوفيق هي القافية المتواتر 39، والمتراكب 6، والمتدارك 1، والمتكاوس 19. ABSTRACT Arudh is one branch of Arabic literature that discusses the scales of a rhythm, in other respects arudh science is a science that discusses the truth and damage as well as changes that occur in the rhythm of the traditional rhythm. While the science of Qowafi is the study of the rules of wording at the end of the verse. Nazdham is literature which belongs to the category of Arabic literature and is made from the results of studying the science of arudh and qowafi based on its rules This research is entitled Analysis of Nadzham Sullamu Taufiq by Shaykh Abdul Hamid Al-Basuruani (Analysis of Arudh and Qowafi Studies). The data collection uses library research techniques (library research). This type of research uses descriptive analysis method, which is a method by describing nadzham text research. To find out bahar, rhythm, rhythm, zihaf and illat, the author analyzes the text using arudh science. Meanwhile, to detect the sentence form qofiyah, rowi, the name of the qofiyah contained in nadzham, the writer analyzes it using qowafi rules of science. The results of this study are: (1) bahar used in nadzham namely bahar rojaz; (2) the zihaf uses zihaf mahbun 64 taf'ilat, 51 taf'ilat matyun, 20 taf'ilat makfuf, maqtu '42 taf'ilat, maqtu' 32 tafilat; (3) rowi contained in nadzham, namely alif, ba, nun, kho ', dzal, kaf, lam, mim, hamzah, yes; (4) the name of qofiyah in nadzham is qofiyah mutadarik 1, mutakawis 19, mutarokib 6, mutuntung 39. Thus the nadzham Sullamut Taufiq all uses the same qofiyah and is called nadhom muzdawid. ABSTRAK Ilmu arudh adalah ilmu yang membahas benar salahnya ritme wazan dalam satuan bait syiir. Pada ilmu arudh itu terdapat berbagai perubahan karena susunan bahasa dipengaruhi oleh timbangan ritme syiir seperti perubahan dalam segi zihaf, illat, dorurot syiir dan lain sebagainya. Adapun ilmu qoafi ialah ilmu yang membahas akhir ritme hidup dan matinya harokat dalam bait syiir. Adapun nadhom bait syiir semua akhir ritmenya sama atau juga dinamakan syiir yang satu ritme qofiah. Nadhom juga termasuk literatur yang membahas ulasan ringkasan ilmu. Penelitian analisis yang berjudul Nadzham Sullamu Taufiq Karya Syaikh Abdul Hamid Al-Basuruani (analisis ilmu arudh dan qowafi). Adapun teknik pengumpulan data dalam penelitian ini ialah menggunakan metode kajian kepustakaan atau juga disebut dengan metode library research. Analisis penelitian ini menggunakan metode analisis deskriptif. Teknik deskriptif analisis ialah metode yang mendeskripsikan penelitian objek teks. Objek teks yang digunakan dalam penelitian ini adalah nadhom sullam taufiq. Peneliti menganalisis nadhom dengan analisa ilmu arudh agar dapat mengetahui karakteristik dari ritme, bahar, zihafat, illat. Sedangkan cara untuk mengetahui bentuk keseluruhan kalimat qofiah, rowi, nama-nama qofiah dalam nadham sullam taufiq penulis mendeskripsikannya dengan ilmu qowafi. Kesimpilan hasil penelitian ini ialah : (1) bahar arudh yang digunkan dalam nadham sullamut taufiq ini adalah berbahar rojaz; (2) zhihafat yang digunakannya yaitu zihafat mahbun 64 tafilat, zihafat matyun terdapat 51 tafilat, zihafat makfuf 20 tafilat, zihafat maqtu’ mahbun 42 tafilat, zihafat maqtu’ 32 tafilat; (3) rowi pada nadhom sullamut taufiq, yaitu rowi alif, ba, nun, kho’, dzal, kaf, lam, mim, hamzah, ya; (4) nama-nama qofiyah yang terdapat didalam nadhom sullamut taufiq yaitu qofiyah mutadarik 1, mutakawis 19, mutarokib 6, mutawatir 39. Dengan demikian nadzham Sullamut Taufiq seluruhnya menggunakan qofiyah yang sama dan dinamakan nadhom muzdawid

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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