3,187 research outputs found
Technologies of identification under the Old Poor Law
In this important article Steve Hindle, the leading historian of the local state and the pre-1834 Poor Law, considers the different ways in which parish and township authorities labelled and identified paupers. His paper is closely based upon the lecture which he gave to the British Association for Local History in June 2006. Steve Hindle gives an accessible and comprehensive explanation of the background and rationale for the various ways in which the poor could be categorised, and discusses in fascinating detail the methods which were used, drawing his evidence widely from different parts of the country. His review covers four main categories of identification: first, licences to beg, which were issued to paupers and provided them with the means to obtain an ‘honourable’ livelihood; second, the vagrant’s passport, which was a means of allowing a pauper to move, or be moved, from one part of the country to another; third, the settlement certificate, which specifically identified the place which was legally responsible for a pauper; and fourth, the parish badge, an outward physical identifier of pauper status. He makes clear the administrative procedures whereby these four methods were implemented, and emphasises the advantages and disadvantages of each for the pauper and the ‘system’ alike. In this article Hindle gives prominence to the pragmatic and responsive nature of the Old Poor Law. The article is a major contribution to the literature on the functioning of the Poor Law as it affected individuals, and as such deserves to be widely-read by local historians
RoMEO Studies 6: Rights metadata for open-archiving
This is the final study in a series of six emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving) which investigated the Intellectual Property Rights (IPR) issues relating to academic author self-archiving of research papers. It reports the results of a survey of 542 academic authors showing the level of protection required for their open-access research papers. It then describes the selection of an appropriate means of expressing those rights through metadata and the resulting choice of Creative Commons licences. Finally it outlines proposals for communicating rights metadata via the Open Archives Initiative’s Protocol for Metadata Harvesting (OAI-PMH)
Steve Stockman, Workshop
Steve Stockman is the author of Walk On: The Spiritual Journey of U2. He is also a pop culture critic and weekly radio host on BBC Radio Ulster. Stockman is the Presbyterian Chaplain of Queens University in Belfast, Ireland
RoMEO Studies 5: IPR issues for OAI Data and Service Providers
This paper is the fifth in a series of studies emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open-archiving). It reports the results of two surveys of OAI Data Providers (DPs) and Service Providers (SPs) with regards to the rights issues they face. It finds that very few DPs have rights agreements with depositing authors and that there is no standard approach to the creation of rights metadata. The paper considers the rights protection afforded individual and collections of metadata records under UK Law and contrasts this with DP and SP’s views on the rights status of metadata and how they wish to protect it. The majority of DP and SPs believe that a standard way of describing both the rights status of documents and of metadata would be usefu
Steve Stockman, Keynote Session 1
Keynote speaker Steve Stockman is the author of Walk On: The Spiritual Journey of U2. He is also a pop culture critic and weekly radio host on BBC Radio Ulster. Stockman is the Presbyterian Chaplain of Queens University in Belfast, Ireland
Dearth and the English revolution : the harvest crisis of 1647-50
This article reconstructs the nature and scale of dearth in the late 1640s, emphasizing the coincidence of economic distress with constitutional crisis. It reconsiders the parish register evidence for subsistence crisis; examines the responses of central and local government; analyses the role of popular agency, especially though petitioning campaigns, in prompting reluctant magistrates to regulate the grain markets along lines stipulated by the late Elizabethan and early Stuart dearth orders, which had not been proclaimed since 1630; and accordingly suggests that the late 1640s represents a missing link in the historiography of responses to harvest failure
Steve Almond, 32nd Annual ODU Literary Festival
Steve Almond is the author of two story collections, My Life in Heavy Metal and The Evil B.B. Chow, the novel Which Brings Me to You (with Julianna Baggott), and the non-fiction book Candyfreak. His new book is a collection of essays, (Not That You Asked). He lives outside Boston with his wife, two children, and mounting debt. His online home is www.stevenalmond.com
1999-2000 Steve Yarbrough
Steve Yarbrough is the author of eleven books, most recently the novel The Unmade World, published in January 2018. His other books are the nonfiction title Bookmarked: Larry McMurtry’s The Last Picture Show, the novels The Realm of Last Chances, Safe from the Neighbors, The End of California, Prisoners of War, Visible Spirits and The Oxygen Man, and the short story collections Veneer, Mississippi History and Family Men. His work has been published in several foreign languages, including Dutch, Japanese and Polish, and it has also appeared in Ireland, Canada, and the U.K. and is scheduled to appear in Italian translation. He is the recipient of numerous awards, including the Mississippi Institute of Arts and Letters Award for Fiction, the California Book Award, the Richard Wright Award and the Robert Penn Warren Award. He has been a finalist for the PEN/Faulkner Award and is a member of the Fellowship of Southern Writers. The Unmade World won the 2019 Massachusetts Book Award for Fiction. The son of Mississippi Delta cotton farmers, Steve is currently a professor in the Department of Writing, Literature and Publishing at Emerson College. He has two daughters—Lena Yarbrough and Antonina Parris—and is married to the Polish writer Ewa Hryniewicz-Yarbrough. They divide their time between Boston and Krakow. Steve is an aficionado of jazz and bluegrass music, which he plays on guitar, mandolin and banjo, often after midnight. (text from https://www.steveyarbrough.net/about; photo credit: Antonina Yarbrough)https://egrove.olemiss.edu/grisham_res/1020/thumbnail.jp
RoMEO Studies 4: An analysis of Journal publishers' Copyright Agreements
This article is the fourth in a series of six emanating from the UK JISC-funded RoMEO Project (Rights Metadata for Open archiving). It describes an analysis of 80 scholarly journal publishers’ copyright agreements with a particular view to their effect on author self-archiving. 90% of agreements asked for copyright transfer and 69% asked for it prior to refereeing the paper. 75% asked authors to warrant that their work had not been previously published although only two explicitly stated that they viewed self-archiving as prior publication. 28.5% of agreements provided authors with no usage rights over their own paper. Although 42.5% allowed self-archiving in some format, there was no consensus on the conditions under which self-archiving could take place. The article concludes that author-publisher copyright agreements should be reconsidered by a working party representing the needs of both partie
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