5,926 research outputs found
intermedia: The Dick Higgins Collections at UMBC
ACKNOWLEDGMENTS
Lisa Moren;
PREFACE
Tom Beck;
[1] “The Wind is a Medium of the Sky”
Lisa Moren;
[2] Eleven Snapshots of Dick Higgins
Hannah Higgins;
[3] Intermedia (reprint)
Dick Higgins;
[4] The Art of Dick Higgins
Piotr Gwiazda;
[5] Boredom as Technique
Ina Blom;
[6] Robert Filliou’s Ample Food for
Stupid Thought
Chris Thompson;
[7] Prints and Plates, Hugs and Kisses
KathyO’Dell;
[8] Friedmanswerk
Ken Friedman;
[9] Joe Jones’s Solar Music Hot House
Timothy Nohe;
[10] Not Just the Start of Something Else
Owen Smith;
A Special Line of Reading Within
the Collection: The Fluxus Challenge!
Marina GrzinicRichard Carter Higgins (1938 - 1998) coined the term “intermedia” to describe an emerging international and interdisciplinary direction in art in his landmark essay of the same name published in the first issue of his Something Else News letter: “I would like to suggest that the use of intermedia is more or less universal throughout the fine arts, since continuity rather than categorization
is the hallmark of our new mentalityWe are fortunate to receive funding from the National Endowment for the Arts (NEA), whose generous support enabled us to pursue a project of this breadth and scale. We are especially grateful to David Bankcroft, Museum Specialist of the NEA, for his careful guidance and assistance throughout our grant application. Additional support has been provided by the Maryland State Arts Council, the Baltimore County Commission on Arts & Sciences, and the Friends of the Library & Gallery. We are also grateful for UMBC support from the Dean of Arts & Sciences, the Department of Visual Arts, the Graduate School, and the Humanities Forum . The enormous task of researching and documenting the contents of this collection making this project possible is thankful to the Dean of the Graduate School Scott Bass and the Designated Research Initiative Funds (DRIF) for their support. I also wish to ack n owledge the passion and skill of Cyriaco Lopes Pierera, who photographed and helped organize the on-line archive segment of this project.
We are grateful that the shape of this publication took place under the guidance of Hannah Higgins, Kathy O’Dell, Eugenie Nable, and Rosemary Klein. Rosemary’s thoughtful and broad editorial work shaped the content and direction of this publication. For the contents of the exhibition, I wish to acknowledge the energy and counseling of Alison Knowles, Jessica Higgins, Sara Seagull, Larry Miller, Geoffrey Hendricks, Ken Friedman, Barbara Moore, and the Robert Watts Archive.
I wish to thank my many colleagues whose on-going support made this project viable and enjoyable at its many stages : primarily, Vin Grabill and Kathy O’Dell whose blind trust supported the unusual circumstances in which we acquired this collection; John Sturgeon, Franc Nunoo-Quarco, Larry Wilt, and Steve Bradley whose faith continuously backed this project through its many phases, and Guenet Abraham, whose expertise applied to the design of this catalog was both valuable and invaluable. I also appreciate the guidance of my colleagues Tim Sparklin, Alex Nathan, and especially Peggy Re for her advice throughout many project phases, particularly in navigating funding procedures. Tom Moore has graciously offered enthusiastic support and ideas throughout the project, especially introducing it to a wide audience. Timothy Nohe has generously supported this project in many ways, especially offering his conceptual and technical skills in the audio portion of the exhibition. This project is grateful to be enriched by Art Johnson, Provost. Thanks to Jack Protsko, and the many people in their respective offices, for the Freshman Year Seminar initiative, which among other things, makes the opportunity possible for our students to participate in an unforgettable live performance presentation of historical Fluxus events. I also wish to thank Melissa Parris for her extraordinary professional level of performance and dedication, and I thank the on-going generosity of John Beck and the skills of Drew Alfgren and all the students and staff of the Special Collections Department and Library Gallery. Finally, I wish to thank Tom Beck for his faith and invitation that allowed me to expand the boundaries of my own research into this subject and curatorial platform, and I wish to highlight the energy of Cynthia Wayne, Curator of the Albin O. Kuhn Library Gallery. Cynthia facilitated each stage of this project, ensuring superb organization. Her experience provided knowledgeable guidance that was imperative at every stage for a successful outcome. In her true positive spirit, Cynthia never ceased to support this endeavo r, even in its most expansive moments, and she at all times dedicatedly established a professional atmosphere both creative and enjoyable. Most significantly, I wish to thank the soul of this project, Alison Knowles, who invited me to work on an acquisition of her recently deceased husband. Through Alison, I have learned that her everyday life, her work, and her generosity are a single gesture . Rarely do artists today embody their ideas so fully into their personal lives. She has taught me the distinction between those who h ave learned conceptual art through training and those who have bravely fought for its definition and acceptance. Through Alison, I hope this project will inspire future generations to understand that the meaning of art is truly inseparable from life . My heartfelt appreciation goes to Dick Higgins. He was a man who gave more to inspire the people and the institutions.https://userpages.umbc.edu/~lmoren/pdf/intermediaCatalog.pd
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Feasibility and design of a tertiary education entitlement in Australia
Overview: This report to the Mitchell Institute presents the outcomes of modelling the potential costs of an income contingent loan (ICL) that would form a core element of a tertiary education entitlement, as proposed in the February 2015 Mitchell Institute paper Financing tertiary education in Australia – the reform imperative and rethinking student entitlements by Mitchell Professorial Fellow Peter Noonan and Mitchell Policy Analyst Sarah Pilcher.
This report, Feasibility and design of a tertiary education entitlement in Australia: Modelling and costing a universal income contingent loan, models the costs of a single income contingent loans scheme for higher education and vocational education and training (VET) students. It seeks to quantify the largely hidden subsidies involved in income contingent loans through unpaid debt and the difference between the rate at which debt is indexed and the costs to government of borrowing to finance student debt.
Feasibility and design of a tertiary education entitlement in Australia: Modelling and costing a universal income contingent loan has been prepared by Dr Timothy Higgins and Professor Bruce Chapman, two of Australia’s leading experts on the design of income contingent loans.
Background
Feasibility and design of a tertiary education entitlement in Australia presents the outcomes of various financial modelling of the potential costs of applying an income contingent loan scheme to include all tertiary education students in Australia. The modelling maps students’ projected incomes by qualification level, finding significant variation in lifetime incomes across VET and higher education qualifications.
At present, there are a range of different income contingent loan schemes operating in Australia’s higher education and VET sectors. Under such schemes, students are not required to pay the upfront cost of their course. Instead, they are able to take out a loan with the government and repay the loan through the taxation system once they enter the workforce and their incomes reach a certain threshold.
But these loans are not available to all students. In the VET system, those studying for Certificate III and most Certificate IV VET courses, for example, early childhood education, aged care, and hospitality, do not have access to an income contingent loan. These students must pay the cost of their course upfront – a potential barrier as fees for many of these courses are increasing.
The Mitchell Institute will draw on the Higgins and Chapman report to finalise its proposal for an integrated tertiary education funding system in Australia
Senior Theses: Department of Physical Sciences
1992 Senior Theses from the Department of Physical Science at Morehead State University.
The Abundance, Diversity, and Stratigraphy of the Upper Crab Orchard Formation, Lewis County, Kentucky by Patrick M. Higgins.
The Modification of Flemion for Use in a Solid Electrolyte Battery by Timothy Howard.
Simple Analog Computers by Leah Carol Ross
Money piece by Timothy P. Agnew, chief executive officer of the Finance Author
Money piece by Timothy P. Agnew, chief executive officer of the Finance Authority of Maine, about the increased availability of credit for Maine\u27s small businesses
Timothy Meyer serves as a contributing author for UN report
Assistant Professor Timothy Meyer served as a contributing author for the United Nations Industrial Development Organization\u27s report titled Networks for Prosperity: Connecting Development Knowledge Beyond 2015. The document, which was released during November, analyzes the nexus between the global connectedness of a country and its economic success, sustainability and government effectiveness. Meyer was one of only approximately 20 academic and practical experts from around the world selected to serve as a contributor after a global call for proposals.
Learn more View the full repor
Selected Contributions of Sister Mary Berenice Beck, O.S.F. to Nursing in the United States, 1923-1956
by Sister M. Timothy Costello.Typescript.Thesis (M.S.N.)--Catholic University of America.Bibliography: leaves 44-47.Also available in microfilm
The Baptismal Liturgy of Theodore of Mopsuestia
Timothy A. Curtin.Typescript.Thesis (S.T.D.)--Catholic University of America, 1971.Bibliography: leaves 368-393
Quantifying Household Inequality in Early Pueblo Villages
This article has been embargoed 12 months at the publisher's request and will be released in October 2017.The rapid rise of the “Chaco phenomenon” in northern New Mexico in the ninth century AD invites a search for either historical precursors or generative processes that might have explanatory utility. We analyze one candidate system, the well-known Basketmaker III and Pueblo I communities investigated by the Dolores Archaeological Program in southwestern Colorado, to determine whether there is evidence of change through time in the direction of more inequality of households. We use the Gini index to quantify concentration in the distributions of living space, storage space, and total household space. We see no prominent trend toward increasing inequality in these data, but we do note possible evidence for leveling, in that inequality in an “income” measure is higher than in a “total wealth” measure. These leveling processes seem to be stronger for households in villages than for those in dispersed settings. Comparably produced Gini coefficients for other ancient settings would greatly enhance the comparative search for the causes of higher levels of household inequality frequently manifested in agricultural societies.Kohler, Timothy A. & Higgins, Rebecca. (2016). Quantifying Household Inequality in Early Pueblo Villages. Current Anthropology, 57(5): 690-697
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