1,720,957 research outputs found

    Halaman Sebagai Rangsang Cipta Seni Grafis

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    Penciptaan karya ini berangkat dari persoalan  Halaman yng dijadikan ransang cipta. Halaman sendiri memiliki nilai serta norma yang terkandung bagi kehidupan etnis Minangkabau. Seiring perubahan zaman, Halaman yang dulu sekedar sebatas ruang lepas sekarang istilah tersebut menjelma menjadi berbagai macam bentuk pemakaian, salah satu halaman dunia maya yaitu facebook. Secara  bentuk memang berbeda, tetapi secara fungsi dalam hal interaksi dengan orang lain masih memiliki kesamaan. Persoalannya terletak pada terkikisnya norma dalam berinteraksi, hilangnya hal yang bersifat pribadi menjadi konsumsi bagi publik. Hal tersebutlah yang meransang pengkarya untuk mencipta dan mengekspresikannya dalam bentuk karya dua dimensi, yakni seni grafis.Seni grafis merupakan bagian dari seni murni, secara khusus merupakan suatu teknik bagaimana memvisualkan karya dengan metode cetak manual. Dalam hal hal berkarya nantinya pengkarya menggunakan dua teknik yaitu, cetak tinggi (relief print) sebagai kontur karya dan cetak saring untuk pewarnaan karya. Visual karya yang diciptakan melalui beberapa proses dalam pembentukaannya, dengan menggunakan metode transforfasi, stilisasi, dan distorsi, upaya ini digunakan agar tercapainya bentuk karya yang estetis yang teransang dari  Halaman.Karya seni cetak tersebut nantinya berjumblah delapan, dengan ukuran yang berbeda dan di cetak pada permukaaan kertas, keseluruhan karya cenderung berwarna cerah serta kontras, bahasa ungkap yang penggkarya gunakan bersifat arbiter. Hal tersebut agar pengamat memiliki penilaian pribadi atas karya yang tesaji nantinya, melalaui amatan serta pengalaman estetis personal dalam hal memandang seni rupa

    TUNAS BAMBU DALAM KARYA KERAMIK

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    Bamboo shoots are plants that grow at the base of a bamboo clump filled with gluggut (bamboo hair) which when touched the body feels itchy. Bamboo shoots have a unique and varied shape, there are small, large, straight, curved, and others. The characteristic shape of bamboo shoots is that they are round and tapered (cone) so that this bamboo plant is very attractive as a work of art using ceramic media.The method of creating bamboo shoots in ceramics goes through three stages, namely the exploration stage is to find sources of reference data for writing books, journals, web and direct data in the field. The design stage is making pictures of ceramicworks into alternative sketches and selecting sketches to be used as designs for works of art, the embodiment stage is the process of embodiment of the work that has been designed into a work of art using Earthenware clay as the main ingredient,tools, techniques, both massage, slab , rotate, so as to produce work entitled always, useful, proud, my wish and my hope

    Tindak Pidana Plagiarisme Terhadap Desain Produk Ditinjau Dari Aspek Hak Asasi Manusia

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    Abstract This research is a normative legal research that aims to analyze the relationship between the criminal act of plagiarism and product design in terms of human rights aspects. The results of this study are that the crime of plagiarism against product design is an act that is contrary to Law number 39 of 1999 concerning human rights. The act of appropriating a design by another person without the owner's permission is an act of usurping the right to human welfare. Therefore, this research was carried out so that product designers realize that plagiarism on the designs they produce is a deprivation of the right to welfare that they must have.Keywords: Plagiarism, product design, human right

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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