3,429 research outputs found
Gravity’s rainbow, domination and freedom [Luc Herman and Steven Weisenburger, Athens: University of Georgia Press, 2013]
No full textReview of Luc Herman and Steven Weisenburger, Gravity’s Rainbow,Domination, and Freedom (Athens: University of Georgia Press, 2013)</p
Gravity’s rainbow, domination and freedom [Luc Herman and Steven Weisenburger, Athens: University of Georgia Press, 2013]
No full textReview of Luc Herman and Steven Weisenburger, Gravity’s Rainbow,Domination, and Freedom (Athens: University of Georgia Press, 2013)</p
Jean-Luc Godard and the other history of cinema
No full textJean-Luc Godard's Histoire(s) du cinema (1988-1998) is a video work made up of visual and verbal quotations of hundreds of images and sounds from film history. But rather than simply telling (hi)stories of cinema, Godard makes a case for cinema as a tool for performing the work of history. This is partly because the film image, by virtue of always recording more of the real than was anticipated or intended, necessarily has history itself inscribed within its very fabric. It is also because montage, as the art of combining discrete elements in new ways in order to produce original forms, can be seen as a machine for realising historical thought. This thesis examines these ideas by discussing Godard's account of the role of cinema in the Second World War, and by analysing some of his recent work as examples of historical montage which attempt to criticise our current political climate through comparison with earlier eras.
After a first chapter which sets out Godard's argument through an extensive commentary of Histoire(s) 1A and B, a second chapter discusses Godard's depiction of the invention of cinema and traces a complex argument about technology and historical responsibility around the key metaphorical figure of the train. Chapter 3 explores the ways in which Godard's historical approach to cinema allows him to maintain a critical discourse with regard to the geopolitical realities of late twentieth-century Europe (Germany, the Balkans), but also to the communications and business empires that have developed over the past few decades. A final chapter offers a detailed consideration of the nature of Godard's cinematic quotation and seeks to explicate the apocalyptic rhetoric of his late work. Aside from Histoire(s) du cinema, films discussed include Nouvelle Vague (1990), Allemagne neuf zero (1991), For Ever Mozart (1996) and Eloge de l'amour (2001)
Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer
No full textEste artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema. Enquanto a imagem de Godard enfatiza a capacidade que tem um filme de transmitir a visão de mundo pessoal de um artista, a presença de Coutinho na tela funciona menos como um meio de subjetivar a obra do que como um catalizador instigando cetas reações nos "atores" filmados
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Honderd jaar Vlaams rechtsleven 1885-1985. Bij het eeuwfeest van de „ Vlaamse Juristenvereniging" en de vijftigste verjaardag van de vernederlandsing van het gerecht. Onder de hoofdredaktie van Herman Van Goethem
No full textSieben Luc. Honderd jaar Vlaams rechtsleven 1885-1985. Bij het eeuwfeest van de „ Vlaamse Juristenvereniging" en de vijftigste verjaardag van de vernederlandsing van het gerecht. Onder de hoofdredaktie van Herman Van Goethem. In: Revue belge de philologie et d'histoire, tome 69, fasc. 2, 1991. Histoire - Geschiedenis. pp. 509-510
Honderd jaar Vlaams rechtsleven 1885-1985. Bij het eeuwfeest van de „ Vlaamse Juristenvereniging" en de vijftigste verjaardag van de vernederlandsing van het gerecht. Onder de hoofdredaktie van Herman Van Goethem
No full textSieben Luc. Honderd jaar Vlaams rechtsleven 1885-1985. Bij het eeuwfeest van de „ Vlaamse Juristenvereniging" en de vijftigste verjaardag van de vernederlandsing van het gerecht. Onder de hoofdredaktie van Herman Van Goethem. In: Revue belge de philologie et d'histoire, tome 69, fasc. 2, 1991. Histoire - Geschiedenis. pp. 509-510
Que reste-t-il du Rapport Séguin? Analyse d'un sondage Crop - Chaire de recherche en fiscalité et en finances publiques
No full textCette étude, réalisée par Luc Godbout, Jean-Herman Guay et Matthieu Arseneau, qui s'intitule «Que reste-t-il du Rapport Séguin?», poursuit les travaux de la Chaire à l'égard du déséquilibre fiscal. L'étude analyse les résultats d'un sondage CROP-Chaire de recherche en fiscalité et en finances publiques, réalisé auprès de 1000 Québécois, portant sur l'existence du déséquilibre fiscal et sur la façon d'y remédie
De la laïcité à la française à la théorie normative de la religion (et retour).: Un entretien de Luc Foisneau avec Cécile Laborde
No full textThis interview with Cécile Laborde was conducted by Luc Foisneau in Aubervilliers on 13th April 2023. This interview has been published on the website Politika.io in French and English versions. In addition to Critical Republicanism (Oxford 2008) and a collective volume with John Maynor, Republicanism and Political Theory (Blackwell 2008), Cécile Laborde is the author of Liberalism's Religion (Harvard 2017). She's a Fellow of the British Academy and of the Royal Academy of Belgium.Cet entretien avec Cécile Laborde a été réalisé par Luc Foisneau à Aubervilliers le 13 avril 2023. Cet entretien a été publié sur le site Politika.io en versions française et anglaise. Outre Critical Republicanism (Oxford 2008) et un volume collectif avec John Maynor, Republicanism and Political Theory (Blackwell 2008), Cécile Laborde est l'auteur de Liberalism's Religion (Harvard 2017). Elle est membre de la British Academy et de l'Académie royale de Belgique
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