1,721,106 research outputs found
Cryptomnésie selon Henry Bernstein
No full textPorret Philippe. Cryptomnésie selon Henry Bernstein. In: Bulletin de psychologie, tome 42 n°389, 1989. La mémoire. pp. 347-349
Richesse des archives : présentation du fonds Henry Bernstein de l’Imec
No full textCommunication prononcée dans le cadre du colloque Violences et Passions. Retour sur Henry Bernstein, IMEC, le 8 novembre 2016
Henry Bernstein et l’identité juive
Get PDFMalgré les multiples attaques antisémites dont il a été la cible, Henry Bernstein a toujours revendiqué son identité juive, y compris dans son théâtre. Jusqu’à la montée du nazisme, bon nombre de ses pièces mettent en scène des personnages « officiellement » juifs ou non, énergiques et créateurs, sortes de surhommes nietzschéens qui cherchent à être reconnus et admis par la haute société. À la veille de la guerre, la démarche individuelle de ces personnages laisse place à la prise de conscience de la nécessité d’une action collective. L’article s’appuie pour le démontrer sur l’étude d’un tapuscrit inédit et non signé intitulé Les temps nouveaux, retrouvé dans les archives de Bernstein et dont l’attribution à l’auteur fait l’objet de discussions.In spite of being the target of numerous anti-Semitic attacks, Henry Bernstein always asserted his own Jewish identity and this can be seen in his plays. Before the rise of Nazism, many of his plays portrayed characters who were “officially” or not Jewish, full of energy and creative, rather like Nietzschean Übermenschen, who were seeking to be recognised by, and admitted into, the social upper-class. On the eve of the Second World War, the individual actions of these characters produced an awareness of the need for collective action. This article is based on the study of an unpublished, unsigned typescript entitled Les temps nouveaux, discovered in the Bernstein archives and, questionably, attributed to him
Kebangkitan studi reforma agraria di abad 21/ Henry Bernstein (dkk)
No full textxvi, 383 hal.: ilus.; 21 c
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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