1,721,054 research outputs found
Helping gilts become excellent sows
No full textHenry, Steven. (1998). Helping gilts become excellent sows. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/148372
Sow attrition: The next steps
No full textHenry, Steven. (1999). Sow attrition: The next steps. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/148176
Porcine circovirus-associated disease in Kansas
No full textHenry, Steven; Tokach, L.M.. (2006). Porcine circovirus-associated disease in Kansas. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/141601
Post-weaning catabolic syndrome – complexities and perspectives
No full textDufresne, Luc; Fangman, Thomas; Henry, Steven. (2008). Post-weaning catabolic syndrome – complexities and perspectives. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/140927
“ Periweaning Failure to Thrive Syndrome (PFTS)” - difficulties of investigating an emerging clinical problem
No full textFriendship, Bob; Harding, John; Henry, Steven. (2010). “ Periweaning Failure to Thrive Syndrome (PFTS)” - difficulties of investigating an emerging clinical problem. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/131104
Microscopic lesions associated with sow mortality
No full textGlock, Robert; Geiger, Jerome; Irwin, Christa; Henry, Steven. (1999). Microscopic lesions associated with sow mortality. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/148136
Austin Miles and Tate Henry Steven Benson gravemarkers with fall decorations, Smithfield, Utah, 1999.
No full textAustin Miles and Tate Henry Steven Benson gravemarker in the Smithfield Cemetery in Cache Valley at 350 East Center, Smithfield, Utah. Image is of a heart shaped headstone for two infants. Engraved in the center is a angel sitting with wings and a halo. There are also two metal hangers on either side of the headstone. Both hangers have a garland of orange leaves wrapped around them. Also hanging from each hook is a Winnie the Pooh's Tigger toy with different colored ribbons hanging below it. Sitting on the base of the headstone, one on the left and one on the right, is a toy truck
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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